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Wyszukujesz frazę "Polish theatre" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Theatre and Drama of Socialist Realism in the Context of Cryptotexts (Based on MKiS and WUKPPiW Material)
Autorzy:
Wiśniewska-Grabarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/648897.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
censorship
cryptotext
post-war Polish theatre and drama
Opis:
The main goal of the article is to offer a description of cryptotexts of theatre staging handbooks and dramatic works created in Poland during the socialist realism period. A cryptotext is a secret text which is the result of a purposeful act of subterfuge. In the article, I present selected cryptotexts – reviews produced in the Ministry of Culture and Art (MKiS) and censorship reviews of the dramatic works submitted for evaluation to the Voivodship Control Bureau for Press, Main Office of Control of Press, Publications and Shows (WUKPPiW). The archives contain evaluation of works which have been published in subsequent years as well as those which remained only in their draft form. Analysis of the evaluations of ministry officials reveal the mechanisms for allowing and withholding submitted dramatic works and a theatre staging handbook which shows the practices of publishing theatrical works. An analysis of different evaluations of the same text allows for a hypothesis that the main aim of cryptotexts was the evaluation of ideological correctness of submitted works. Despite this main function it is possible to point out specific passages in the statements by the WUKPPiW officials which are similar to statements of Ministry officials. In both cases the evaluation pertains to the content and the planned fulfilment of the work and plays mainly a didactic function.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Dziady directed by Kazimierz Dejmek – an attempt at demythologisation
Autorzy:
Popłonikowska, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/649327.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Dziady
Adam Mickiewicz
Kazimierz Dejmek
March 1968
Polish theatre
Opis:
The author of the article attempts to recreate the famous staging of Dziady directed by Kazimierz Dejmek, in order to demystify the spectacle. The performance is analysed in terms of art, taking into account the political situation (March 1968). In order to establish the facts, the author uses an assistant’s script, the recollections of the witnesses of the release of Dziady and fragments of the performance. The reconstruction of the staging enabled the researcher to conclude that it was artistically valuable, but it was the political situation at the time that played the most important role in popularising that interpretation of the drama.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 44, 6
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polska premiera „Wesołka” Johna Millingtona Synge’a
The Polish Premiere of John Millington Synge’s “The Playboy of the Western World”
Autorzy:
Keane, Barry
Powiązania:
https://bibliotekanauki.pl/articles/967694.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
J.M. Synge
Irish drama
Florian Sobieniowski
Young Poland
Polish theatre
Opis:
The article traces the history of the Polish premiere and an early reception of J.M. Synge’s The Playboy of the Western World. The author draws attention to similarities between Irish and Polish political and historical situations in which the plays premiered, respectively, in 1907 and in 1913. Firstly, Keane concentrates on analyzing the translator’s strategy in rendering the difficult Hyberno-English dialect present in Synge’s play. The translator, Florian Sobieniowski, chose to render the specific diction of the play using the poetic language of the Young Poland movement. He also modelled his translation on the language and partly the imagery of Stanislaw Wyspianski’s acclaimed play The Wedding (Wesele, 1901). Keane discusses some of the translator’s choices and provides the summary of the critical response to what he terms the acculturation policy of the translator. Analyzing fragments of most characteristic reviews of the Polish premiere of Synge’s play, Keane discusses the presence of cultural stereotyping and the reactions to acculturation in the Polish theatre and culture.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 24, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieciobójstwo w dawnych dramatach szkolnych
Infanticide in Old School Dramas
Autorzy:
Mieszek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/968058.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Polish school theatre XVI–XVIII c.
Infanticide
Opis:
The article is analysing dramas from school theatres written between the 16th and the 18th century, containing the infanticide motive. It is seen that infanticide varies in different plays. In no case was it a main theme of dramas. Infanticide was an important component of the plot in martyrological plays. These dramas showed the heroism of martyrs and concentrated on the details of the felony. At the same time, in other plays, manslaughter of the child constitutes a subplot. Very often, the motive for killing children was the anxiety about loss of power. In many dramas, justification for committing such a crime was more important than the crime itself. Manslaughter of children probably was not portrayed directly on stage, according to the rules included in „Ratio Studiorum”. It is possible that it was portrayed with the help of allegorical images or with the magic lantern.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 25, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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