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Wyświetlanie 1-2 z 2
Tytuł:
Elementy uzbrojenia na kaflach renesansowych z założeń dworskich w Kozłowie
Armour elements portrayed on the stove tiles from Renaissance manor complexes in Kozłów
Autorzy:
Zdaniewicz, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/941969.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
kafle płytowe
uzbrojenie
ikonografia
nowożytność
stove tiles
arms and armour
iconography
Early Modern Period
Opis:
During archaeological excavations conducted on the site of the relics of manor houses in Kozłów, Silesia province, an impressive set of stove tiles has been discovered. Some of the tiles’ facings were decorated with representations that are interesting iconographic sources for the study of early medieval arms. The first tile was discovered in the remains of the manor from the late 15th and 16th c. Facing of this tile is decorated with a side profile of the rider’s head in a closed helmet with a crest. Visual presentation is not so detailed and not all the details of surface texture are sharp. The portrayed helmet is probably a tournament example called the frog face helm. Its bell is crowned with an extensive crest, which is an oval with short and long feathers modeled in different directions. At the back of the bell there are ribbon like mantlings visible. Due to the lack of large part of the tile it is difficult to determine whether the visible crested helm was a part of a heraldic motif or whether it was connected with representations of knightly culture such as tournament scenes for example. The first possibility seems more likely. The second tile was found in layers associated with the manor which functioned in the 16th century. The presentation on the facing of tile refers to a series of woodcuttings created by the German renaissance painter Georg Pencz, gathered under one title of Twelve Heroes of the Old Testament. These works were inspired by the text of the poem by Hans Sachs from 1531. The author was glorifying the heroic exploits of the twelve heroes from the Old Testament: Joshua, Gideon, Jephthah, Samson, Jonathan, David, Abia, Azah, Josaphat, Amazia, Hezekiah and Judas Maccabeus, portraying them as symbols of the defenders of Christianity. Facing of the tile from Kozłów is ornamented with the image of Juda’s king Amazia. Similar to a Pencz’s graphic, he has been presented in an armour with his head and torso slightly turned to the left. The whole scene was made with high attention to the details, which allows us to make some valuable observations on the components of the armour. The helm is a close helmet with bevor and gorget, depicted with a lifted visor. The torso is protected with a bulging breastplate with fauld attached below. The arm is covered with a massive overlapping breastplate pauldrons and bulging rerebrace. In the lower part, at the height of faulds, there is a visible fragment of a sword hilt, one and a half or two-handed, topped with an oval pommel. A similar suit of armour, often called Maximilian armour, was used in Europe since the 1630s. Armour of this type was popular at that time in Silesia as well, what is indicated by the numerous tombstone representations.
Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2013, 29
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na tropie spektakularnej omyłki. Nowe spojrzenie na toporek z „napisem” z Ostrowa Tumskiego w Poznaniu
On the trail of a spectacular mistake. A new look at an “inscribed” axehead from Ostrów Tumski in Poznań
Autorzy:
Kotowicz, Piotr N
Powiązania:
https://bibliotekanauki.pl/articles/941979.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Poznań
toporek miniaturowy
napis
wczesne średniowiecze
miniature axe
inscription
Early Middle Ages
Early Modern Period
Opis:
During excavations conducted by Witold Hensel and Jan Żak in 1951 in the capitular garden on Ostrów Tumski in Poznań the researchers discovered a small (8,1 cm long) axehead (ryc. 1), whose surface bore a set of cuts forming an „inscription”. This discovery was named as an archaeological sensation. Despite the fact that it was found in a layer dated to the modern period, it was identified,based on some analogies, as belonging to the 10th–11th c. A group of palaeographers was asked to partake in the studies of the artifact to help reveal the mystery behind this „caption”. Even though their opinions varied, it was generaly accepted that – most probably – these marks were latin STLA letters, interpreted as an abbreviation of the word stella („arrow”). Based on all these findings an entire pyramid of further ideas concerning the artefact’s function and symbolic connotations was built. It was emphasized that this is one of the oldest examples of native epigraphy, that it proved the local population to be able to write (and read) as early as in the 11th c. Additionaly, the axe was expected to hold an unspecified role assiociated with magical rites, etc. Nowadays, owing to a much more extensive knowledge on artefacts of this type, a critical typological-chronological analysis of the given specimen leads to quite different conclusions. Analogies invoked by J. Żak (1956) either bear serious disparities in details or are much younger than he suggested. The described axehead is a typical representative of M. Głosek’s (1996) late medieval/modern type IX. This identification is further reinforced by the chronology of this find’s context – the layer in which it was found was dated to the years 1500–1700 based on a large quantity of modern (glazed) pottery, fragments of stove tiles, roof tiles, bricks and iron objects. The small size of Poznań’s axehead is also not suprising. Beside the massive specimens of late medieval and modern axes, miniature forms are known as well (ryc. 2). Their function is not clearly specified in the literature, although they are usually identified as carpentry and fine woodworking tools or children’s toys. To sum up the elaboration so far, it is clear that the artefact from Ostrów Tumski in Poznań represents a typical late medieval, or – taken the chronology of the find’s context – modern form. Both the shape and dimensions are typical for many axeheads from Central Europe at that time. There is no reason whatsoever to continue to claim that this specimen is of early medieval dating and that it bore some special symbolic meaning. The revaluation of its dating allows a different approach to the set of marks, „inscription” if someone wills, found on the blade’s surface. If this set of cuts indeed forms a caption, in the context of widespread practice of labeling such items by their manufacturers and knowing a great handful of heavily ornamented axeheads from the time, the presence of these „letters” is not especially striking. Another thing is whether the newly outlined chronological context allows their proper interpretation, if any. This problem, however, should be left for specialists in the field of palaeography.
Źródło:
Acta Universitatis Lodziensis. Folia Archaeologica; 2013, 29
0208-6034
2449-8300
Pojawia się w:
Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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