Temat: documentary - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Специфика колымского юмора
Peculiarproperties of „Kolyma humour”
Autorzy:: Gorbačevskij, Česlav
Powiązania:: https://bibliotekanauki.pl/articles/481783.pdf
Data publikacji:: 2013-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Kolyma humour
memory
tragedy
documentary
Opis:: The article is devoted to the problem of „Kolyma humour”. This term is consider by formers Kolyma political prisoners such as Varlam Shalamov, Daniil Alin, Georgiy Demidov, ZalmanRoomer, Wernon Kress, Juriy Dombrowskiy etc. „Kolyma humour” as definition sounded quite absurdly with reference to slavish condition of existence huge quantity deprived elementary civil rights people. Through „Kolyma humour” everyone can see the extremely cruel attitude so called „friends of people” to „enemies of people”. As a result: only human with fatal deformed consciousness has ability for understanding such kind of non-human humour, called „Kolyma humour”.
Źródło:: Acta Polono-Ruthenica; 2013, 1, XVIII; 35-45
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Алексея Петрова Полонез по-русски , или Заграница.рl.ги. - сюжет русско-польской взаимности
Polonaise in Russian or a foreign country.pl.ru
Autorzy:: Dmitrovskiy, Aleksei
Powiązania:: https://bibliotekanauki.pl/articles/482265.pdf
Data publikacji:: 2008-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Russian-Polish relations
documentary novel
Russian literature
Opis:: The documentary novel as a discourse of the Russian-Polish mutual relations in dramatic collisions and commonness. The architectonics of the novel in the ratio of the fabulous mutual visits of the Russian authors and his Polish friends and the structure of the deep historic insight. The compositional structure is in the exchange of Polish and Russian episodes. The friendship of the Russian spouses as a pattern of obligatory relations on the confidential (private), interstate and national level.
Źródło:: Acta Polono-Ruthenica; 2008, 1, XIII; 49-56
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Rosja w polskim filmie dokumentalnym na przykładzie projektu Rosja-Polska. Nowe spojrzenie
Russia in Polish documentary film as reflected in film project “Russia-Poland. New gaze
Autorzy:: Brzezińska, Marta
Powiązania:: https://bibliotekanauki.pl/articles/482356.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Russia
documentary film
images
stereotype
Polish filmmakers
Opis:: The aim of the article is to present images of Russia made by young Polish documentary filmmakers during the workshop project Russia-Poland. New gaze, which appears as the voice in the discussion about the mutual perception of Poles and Russians. Representations of Russia presented by Polish directors seems to me interesting in the context of film history and literary tradition, fragments of observed reality and its cinematic interpretation. As the result, we receive the record of relationship with the neighbor which involves a lot of contexts and is negotiated in tension between stereotype and the attempt of breaking it.
Źródło:: Acta Polono-Ruthenica; 2015, 1, XX; 17-23
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Filmowe Tbilisi, Moskwa i Warszawa we wspomnieniach Heleny Amiradżibi-Stawińskiej
Tbilisi, Moscow and Warsaw in films as preserved in Helena Ami-radżibi-Stawińska’s memories
Autorzy:: Kalita, Liliana
Powiązania:: https://bibliotekanauki.pl/articles/481451.pdf
Data publikacji:: 2019-12-30
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Amiradżibi
Polish-Russian cultural relations Polish documentary film
genre of memories
Opis:: Amiradżibi-Stawińska (1932–2017), a director born in Tbilisi, was educated in Moscow Film Institute. She came to Poland with her first husband, Jerzy Ziarnik, where she made a dozen or so documentaries and feature films. However, she reached the peak of her career when she was married to her second husband – a screenwriter and director, Jerzy Stefan Stawiński. In Poland, Amiradżi-bi-Stawińska published three memoirs: Słodkie życie księżniczki (1996), Książka antykucharska(2007) and Moja filmowa Moskwa. Białym pociągiem dookoła wódki... i nie tylko (2011), where we can find many interesting comments on life in Georgia, Russia and Poland in the 30s–70s in the 20thcentury. The text concentrates on the subject of film that is present in all her books, which shows cultural relationships and habits of the artistic circles in those years and in each of the three coun-tries. In the memoirs we can see the director’s artistic path against the background of the turbulent events of the 20th century; they are also a source of information about important figures in the film industry in Georgia, Russia and Poland.
Źródło:: Acta Polono-Ruthenica; 2019, 4, XXIV; 129-140
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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