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    Wyświetlanie 1-3 z 3
    Tytuł:
    Стихотворение Чеслава Милоша Campo di Fiori в контексте современной русской поэзии: разные формы диалога
    Czesław Milosz’s poem Campo di Fiori” in the context of contemporary Russian poetry: different forms of the dialogue
    Autorzy:
    Rybalczenko, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/480955.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Czesław Milosz
    Brodsky
    different forms of the dialogue
    Opis:
    In the article, Milosz’s poem Campo di Fiori and Brodsky’s cycle The Roman Elegies arecompared in the aspect of the interpretation of the role of culture and poetic word in the existentialself-identification of the person and the poet. Through the analysis of Rome’s image in the lyricplot, the author of the article compares the worldview of the poets and their conception of the roleof poetry in history and in being. The second part of the article interprets the direct dialogue ofcontemporary Russian poets (Alexei Makushinskii, Gleb Shulpyakov, Ivan Barkov) with Milosz,that offered new variants of the Polish poet’s lyric collision.
    Źródło:
    Acta Polono-Ruthenica; 2011, 1, XVI; 199-216
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Праблема адчужанасці чалавека ў аповесцях Ланцуг Андрэя Федарэнкі і Белы конь Міхася Андрасюка
    The problem of human alienation in the stories: The Chain by An-drey Fiedarenko and The White Horse by Michas Androsiuk
    Autorzy:
    Alsztyniuk, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/482271.pdf
    Data publikacji:
    2020-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Belarusian story
    image of a contemporary man alienation
    different faces of loneliness
    Opis:
    У артыкуле разглядаюцца аповесці Андрэя Федарэнкі і Міхася Андрасюка, у якіх cтавяцца праблемы адчужанасці, адасаблення i самотнасці прадстаўнікоў значнай колькасці беларускага грамадства, што з’яўляюцца вынікам міграцыі жыхароў вёскі ў горад, непрыстасавання да новых умоў жыцця і цывілізацыйных патрабаванняў. Пісьменнікі паказваюць свет рэчаіснасці праз унутраныя перажыванні звычайнага чалавека і бесперапынныя вымушаныя выбары, якія толькі паглыбляюць адчужанасць чалавека ў грамадскім жыцці, яго самотнасць у тлуме іншых людзей, асяроддзя і нават у сям’і. У аповесці Ланцуг (1994) А. Федарэнка паказвае, як яго героі ствараюць ілюзорныя ўласныя прыярытэты. У сваю чаргу складаныя сямейныя адносіны, адрозненні ў характары герояў аповесці Белы конь (2006) сталі падставай для рэфлексійна-лірычных разважанняў М. Андрасюка пра недаўгавечны свет старога грамадскага ладу. Абодва пісьменнікі праз сваіх герояў умацоўваюць перакананне чытача, што праблема адчужанасці чалавека ў грамадствах, што цывілізацыйна хутка развіваюцца, становіцца лавінай, якая расце і прыносіць драматычныя і нават трагічныя рашэнні – уцёкі ў хваробу, у свет мараў/ілюзій/фантазій і, нарэшце, самагубства.
    This article analyses the stories of Andrey Fiedarenko and Michas Androsiuk, in which the problems of alienation, isolation and loneliness of representatives of a large part of Belarusian society were raised. They resulted from the migration of country dwellers to the city and their failure to adapt to new living conditions and civilization requirements. The writers show the reality of the world through the inner experiences of an ordinary man and constant forced choices, which only deepen the isolation of people from social life, increasing marginalization, loneliness in the crowd, the environment, the surrounding and even in the family. In the story The Chain (1994), A. Fiedarenko shows the illusory creation of life’s priorities of his heroes. The colourful and complex family relations, differences in the characters of the heroes of the story The White Horse (2006) became the basis for M. Androsiuk’s reflective and lyrical discussions on the passing world of the old social system. Both writers, through their heroes, confirm the reader in the belief that the problem of alienating man in rapidly developing societies is becoming a dramatically increasing issue and brings dramatic or even tragic solutions – escaping into illness, into the world of dreams / illusion / fantasy and finally into suicide.
    Źródło:
    Acta Polono-Ruthenica; 2020, 2, XXV; 11-26
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Темпоральная стилизация при переводе прозы (с немецого на русский)
    Autorzy:
    Alekseeva, Irina
    Powiązania:
    https://bibliotekanauki.pl/articles/1902665.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    literary translation
    temporal stylization
    micro and macro strategies of translation
    Russian literary norm
    compensation on different levels
    Opis:
    При переводе художественного текста прежних времен приходится прибегать к своеобразной имитации удаленности текста во времени, который называют архаизацией, или темпоральной стилизацией. Основы современных представлений о темпоральной стилизации были заложены А.В. Федоровым и развивались в дальнейшем рядом ученых, однако изучение архаизации как переводческой стратегии началось лишь в последние годы. В статье рассматриваются функции темпоральной стилизации: перенос читателя в другую эпоху; усиление эффекта фикциональной игры; передача через текст чувства культурной динамики; отражение компонентов стиля определенного жанра, включающего архаичные черты. В качестве материала исследования взяты тексты из переводческого опыта автора: проза эпохи романтизма XIX в. (Тик, Гофман), народная австрийская сказка, личное письмо XVIII в.(письма В.-А. Моцарта), и ресурсы передачи колорита эпохи выявляются прецедентным путем. Автор делится некоторыми соображениями о возможности самооценки в переводе и выявляет в качестве гипотезы зависимость между типом темпоральной стилизации и типом текста. Темпоральная архаизация рассматривается как комплекс типологических признаков текста, конвенций текста, стилевых регистров и состояния языковой нормы. Исследование открывает широкие перспективы разработки макро- и микростратегий художественного перевода.
    When translating a literary text from a more or less remote past, a translator has to resort to some kind of imitation of the past text features, which is traditionally called archaization or temporal stylization. The fundamentals of temporal stylization were outlined in A. Fedorov’s works and later developed by a number of scholars, yet the research into archaization as a translation strategy has started only recently. The article looks into the functions of temporal stylization, such as transferring the reader into a distant epoch; increasing the effect of the fictional play; rendering the cultural dynamics through the text, reflecting the text’s various generic qualities, including the archaic ones. The illustrative examples come from the author’s own translation work: 19th century Romantic prose (T. Hoffman, L. Tieck), Austrian folk tales, private correspondence (W.A. Mozart’s letters), suggesting that the repertoire of the expressive means to render the historic colouring was found out through precedents. The author lays out her ideas about the possibility of self-evaluation in translation and puts forward the hypothesis that the type of temporal stylization depends on the type of the text. Temporal archaization is understood as a complex of typological text features and conventions, style registers and variations of the language norm. The research opens up a field for developing micro and macro strategies for literary translation.
    Źródło:
    Acta Polono-Ruthenica; 2021, 2, XXVI; 145-178
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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