Temat: Theater - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Obrazy (z) Arkadii. Jewreinowa sceniczne wspomnienia o Rosji
Autorzy:: Gracla, Jadwiga
Powiązania:: https://bibliotekanauki.pl/articles/481693.pdf
Data publikacji:: 2018-03-30
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: theater
memory
drama
transformation
Opis:: Pictures from Arkadia. Evreinov’s scenic memories of Russia
Źródło:: Acta Polono-Ruthenica; 2018, 1, XXIII; 29-36
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 2.

Tytuł:: Wielotworzywowy metakontekst Wielkiej Reformy Teatralnej jako perspektywa badawcza dla teatralnego potencjału gatunkowej formy dramatu
(Multi-conceptual metacontext of the Great Theatre Reform as a research perspective for the theatrical potential of the typical drama form
Autorzy:: Waligórska-Olejniczak, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/481365.pdf
Data publikacji:: 2008-12-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Great Theatre Reform
Russian theater
Opis:: The times of the Great Theatre Reform were a period of rapid and meaningfal changes at the turn of the 19th century which have given rise to the many experiments and disputes aimed at defining the role of the new art. The core problem was the notion of a new, educated recipient of art who would be able to understand the meaning of a work and cross its transient boundaries to grasp the metaphysical sense, the vision of what is not entirely visible. As artists started to study the problem of perception of theatre performances, they searched for inspiration in the art of the Middle Ages, the theatre of ancient Greece, and the analysis of the hieratic gesture of the Far East. Consequently, they emphasised the notion of the perfect body and soul, the necessity of exercising and taking care of the actor’s organism, as well as the importance of intuition and instinct in the process of understanding the art. The theatre was considered the place of the audience’s communion with the mystery, the building where they can reach the state of the kathartic methamorphosis through the art. It turns out that the relation between these two realities was quite meaningful for the artists of the Reform, whose achievements were discussed in the paper. Analysing the huge number of artistic conceptions of the discussed period I tried to focus only on those that can be considered as the attempts to understand the connection between the actor’s emploi and the audience’s perception of a performance, to grasp the role of gesture as a tool in the hands of a director. It was noticed that an important role in this context unquestionably belonged to the method that was K. S. Stanislavski’s concept of the authentic experience of the actor’s role. This theory brought about hundreds of discussions and polemics, which had an impact on the character of the Reform, the most important of which were the seminal the biomechanics of V. Meyerhold, iibermarionette of E. G. Craig and the works of A. Tairov. These projects, each an effort to find a way to the spiritualfreedom of the actors and the audience, at the same time showed that achieving this aim is not possible in the real building of the theatre, as both an actor and a recipient are not able to transcode the vision of a director into the limited language of the human body.
Źródło:: Acta Polono-Ruthenica; 2008, 1, XIII; 203-215
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 3.

Tytuł:: Ponad czasem – w duszy człowieka. Majakowski na współczesnej polskiej scenie
Besides sometimes in the human soul Mayakovsky in contemporary Polish theater
Autorzy:: Gracla, Jadwiga
Powiązania:: https://bibliotekanauki.pl/articles/481636.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: spectacle
drama
Mayakovsky
Bedbug
contemporary Polish theater
Opis:: This article presents one of the newest Polish issue: Bedbug by Mayakovsky. Author draws attention to the universal values of art: the longing for happiness and closeness. Polish spectacle moves the action the second part of the drama to contemporary, and only partially retains universal values. It has for a strong political overtones.
Źródło:: Acta Polono-Ruthenica; 2017, 1, XXII; 23-30
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Skocz do pozycji: 4.

Tytuł:: Interpretacje sceniczne rosyjskiej dramaturgii pierwszego trzydziestolecia XX wieku na scenach polskich (Tango Oberiu 1928. Rewia pure nonsense z ponurym zakończeniem)
Theatrical productions o f Russian dramaturgy of the first thirty years o f the 20th century on Polish stages ("Tango Oberiu 1928. Revue pure nonsense with miserable ending")
Autorzy:: Gracla, Jadwiga
Powiązania:: https://bibliotekanauki.pl/articles/482559.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: theatrical production
The Great Reform of the Theater
performance
scenography
Opis:: The paper is the attempt to compare the text of Daniil Kharms Yelisaveta Bam and her free theatrical production made in Rozrywka Theatre by Łukasz Czaja. The author considers similarities of the text and scenography, reflecting not only Charms’ assumptions but also producer’s stage concepts of The Great Reform of the Theater. The author also points out differences making a show out of Charms’ performance, closer to modern viewer, however, leveling the signs and atmosphere of the times when Charms’ drama was created.
Źródło:: Acta Polono-Ruthenica; 2015, 1, XX; 25-31
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

Artykuł

Zmień widok

na półce

Informacja

Wyszukujesz frazę "Theater" wg kryterium: Temat

Źródło danych

Dostawca treści

Kolekcja

Rok wydania

Wydawca

Temat

Autor

Typ dokumentu

Język