Temat: Cultural Relations; - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Przyjaciel Moskali”. Daniel Olbrychski wobec Rosji i Rosjan
A friend of the Muscsovietes. Daniel Olbrychski, Russia and the Russians
Autorzy:: Kalita, Liliana
Powiązania:: https://bibliotekanauki.pl/articles/481467.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Daniel Olbrychski
film actor
Polish-Russian cultural relations
Opis:: The text presents the relationship between Daniel Olbrychski (one of the most famous Polish actors in the world) and Russia, as well as his attitude towards the Russians. The author discusses, among others, Olbrychski’s roles in Russian films, and the characters of Russians he created in cinema worldwide. There are also reflections on the actor’s friendship, among others, with Vladimir Vysotzky and Nikita Michalkov, as well as Olbrychski’s attitude towards Vladimir Putin and contemporary Russian policy.
Źródło:: Acta Polono-Ruthenica; 2017, 4, XXII; 21-31
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Filmowe Tbilisi, Moskwa i Warszawa we wspomnieniach Heleny Amiradżibi-Stawińskiej
Tbilisi, Moscow and Warsaw in films as preserved in Helena Ami-radżibi-Stawińska’s memories
Autorzy:: Kalita, Liliana
Powiązania:: https://bibliotekanauki.pl/articles/481451.pdf
Data publikacji:: 2019-12-30
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Amiradżibi
Polish-Russian cultural relations Polish documentary film
genre of memories
Opis:: Amiradżibi-Stawińska (1932–2017), a director born in Tbilisi, was educated in Moscow Film Institute. She came to Poland with her first husband, Jerzy Ziarnik, where she made a dozen or so documentaries and feature films. However, she reached the peak of her career when she was married to her second husband – a screenwriter and director, Jerzy Stefan Stawiński. In Poland, Amiradżi-bi-Stawińska published three memoirs: Słodkie życie księżniczki (1996), Książka antykucharska(2007) and Moja filmowa Moskwa. Białym pociągiem dookoła wódki... i nie tylko (2011), where we can find many interesting comments on life in Georgia, Russia and Poland in the 30s–70s in the 20thcentury. The text concentrates on the subject of film that is present in all her books, which shows cultural relationships and habits of the artistic circles in those years and in each of the three coun-tries. In the memoirs we can see the director’s artistic path against the background of the turbulent events of the 20th century; they are also a source of information about important figures in the film industry in Georgia, Russia and Poland.
Źródło:: Acta Polono-Ruthenica; 2019, 4, XXIV; 129-140
1427-549X
Pojawia się w:: Acta Polono-Ruthenica
Dostawca treści:: Biblioteka Nauki

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