Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "MALINOWSKA, EWA" wg kryterium: Autor

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-12 z 12
    Tytuł:
    Fenomen w "martwym lustrze": poezja Josifa Brodskiego w kontekście ewolucji sztuki europejskiej
    A phenomenon in а “dead mirror. The poetry o f Iosif Brodski as seen in the evolution of European art
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/480830.pdf
    Data publikacji:
    2004-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Opis:
    The presence of the ancient Greek culture as a source of ethics and aesthetics in the life of a contemporary European is norm. The European art, including literature, has drawn inspiration from Greece for so many centuries now. Joseph Brodsky felt its during his successure stay in Venice. His entire artistic road consists in analyzing and synthesizing particular centuries of art, great painters, musicians, poets and philosophers. The cultural heritage passed on to him constitu tes our common good. The evolution of the European art shows what kind of path each artist, aware of his/her origin and abilities, followed. The tendency to generalize, to think abstractively, expressing itself in phenomenologizing the elements of reality, grew and strengthened along with the thought that led the poet to peaks of philosophy and artistry. To be able to verbalize this thought, reflected in a „dead mirror” is given to few.
    Źródło:
    Acta Polono-Ruthenica; 2004, 1, IX; 97-119
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy
    The Metaphor of a Dream in the Series of Poems „Dreams of Old Eve” by Inna Lisnianskaya
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481367.pdf
    Data publikacji:
    2008-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Inna Lisnyanskaya
    Inna Lisnianskaya
    Russian poetess
    Russian poetry
    metaphor
    dream
    Opis:
    Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.
    Źródło:
    Acta Polono-Ruthenica; 2008, 1, XIII; 307-318
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Duchowość w poezji Ełły Krylowej jako efekt amalgamowania przestrzeni mentalnych podmiotu lirycznego (na podstawie tomiku wierszy Мерцающий острое)
    Spirituality in poetry of Ella Krylova as a result of blending mental spaces of the lyrical I (based on a volume of verse Мерцающий остров”)
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481413.pdf
    Data publikacji:
    2010-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Spirituality
    poetry
    Ella Krylova
    mental spaces
    Opis:
    The element that connects the thematically diversified works of the Ella Krylova is spirituality- poet’s closeness with God and nature. In 2010 Ella Krylova released her next volume- Мерцающий остров. Cognitive poetics uses the notion of mental spaces, as conceptual areas, that contain specific Information. Blending of these spaces adds a new value to its macrostructurethat a poem constitutes of. In the consciousness of the lyrical I, spaces filled with mythology,religion, culture and nature appear simultaneously. Their integration is conducive to the integrationof various expressions and broadens the poetic language.
    Źródło:
    Acta Polono-Ruthenica; 2010, 1, XV; 81-96
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)
    Metaphor of a Mirror in the Inna Lisnianskaya poetry (On the basis of the cycle of poems ,,Старое зеркало”)
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481971.pdf
    Data publikacji:
    2009-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Russian poetry
    Inna Lisnianskaya
    Inna Lisnyanskaya
    metaphor
    Opis:
    Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.
    Źródło:
    Acta Polono-Ruthenica; 2009, 1, XIV; 159-166
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Świat poezji Ełły Krylowej
    Ella Krylova’s poetry world
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/482173.pdf
    Data publikacji:
    2006-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Ella Krylova
    Russian poetry
    literature
    Opis:
    Ella Krylova belongs to the generation of Russian poets whose creative path started almost simultaneously with the birth of new Russia. Today she is the author of over ten poetry collections, she regularly publishes her poems on the Internet, she is well-known abroad. She is searching for her own form of expression, adequate to the thought which can be ironic or philosophical, but always present in the words. Her oversensitive lyrical ego, listening carefully to the world problems, fights with adversities with the help of irony. The world of her poetry is deeply humane, it is the world of universal values and spiritual rebirth of man.
    Źródło:
    Acta Polono-Ruthenica; 2006, 1, XI; 239-248
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Eleuzis: dziedzictwo wartości w poezji Josifa Brodskiego
    Eleusis. The heritage of values in the poetry of Josif Brodski
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481060.pdf
    Data publikacji:
    2005-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Opis:
    Греческая философия целые века инспирирует европейское искусство и науку. Греческая культура, которая и есть колыбелью прежде всего римской, но также и европейской культуры, это культура ценностей и идей. Ее ценности сосредоточиваются вокруг человека, идей - вокруг его духовной жизни. Одни и другие определяют место человека в центре творимого им мира. Настоящая работа концентрируется на тех универсальных ценностях, которые являются синтезом веры в человека от времен древней Греции до нам современных. Такой подход к творчеству Иосифа Бродского представляет человека, который является не только воплощением культуры своей страны, но становится концентратом европейскости, благодаря ценностям, унаследованным от культурных предков. Если посмотрим на современную Европу с такой точки зрения, мы увидим Грецию, которая поглощает варварский континент. Следы этого процесса мы постоянно встречаем в искусстве, науке, философии. Поэзия Бродского объединяет в себе то, что европейская поэзия ей предложила.
    Greek philosophy fertilized European science and art. Greek culture as a cradle of, first, the Roman culture and then, the European one is a culture of values and conceptions. Values group themselves around a person, conceptions around their spiritual life. Both deter mine the sense and specificity of anthropocentrism that, ages ago, allocated man a place, the centre of the world created by him. Its value and beauty have been confronted on the basis of millenary patterns. The present work treats of universal values as a synthesis of the faith in man, from the man of ancient Greece through the present age. Presented in this way Brodski's creation is to show a person who, exiled from his homeland, not only does not cease to be the synthesis of its culture but, in fact, also becomes the synthesis of the European culture thanks to the common values, inherited after the cultural predecessors. The essence, the heart of the European culture is its set of values elaborated on throughout the centuries. If we look at Europe form this perspective, we will notice Greece expanding and swallowing up the barbarian continent. The traces of this process are to be found in all the arts performed until this day, in the development of thought, in spiritual life. Josif Brodski's poetry enveloped in itself all the best that the European culture had to offer it.
    Źródło:
    Acta Polono-Ruthenica; 2005, 1, X; 67-81
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Motyw krwi w poezji Inny Lisnianskiej
    (Motif of blood in the Inna Lisnianskaya’s poetry
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481212.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Inna Lisnianskaya
    Motif of blood
    Opis:
    Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
    Źródło:
    Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konceptualizacja straty w cyklu wierszy Inny Lisnianskiej Без тебя
    Conceptualisation ofloss in Inna Lisnianskaya’s cycle ofpoems Без тебя
    Autorzy:
    Nikadem-Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/481556.pdf
    Data publikacji:
    2013-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Inna Lisnianskaya
    poetry
    cycle of poems Без тебя
    concept
    conceptualisation of loss
    Opis:
    Inna Lisnianskaya’s cycle Без тебя consists of fourteen poems. It was written within fourdays - between 24 and 27 May 2003. Each poem presents the emotions felt by the lyrical subjectwho experiences a painful loss of a loved one. Lisnianskaya’s loss is conceptualised in a holistic manner - each poem constitutes an independent conceptualisation of loss, however, their hierarchy creates the superordinate concept the whole cycle is devoted to.
    Źródło:
    Acta Polono-Ruthenica; 2013, 1, XVIII; 79-89
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies