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    Wyświetlanie 1-10 z 10
    Tytuł:
    Dom - ojczyzna w emigracyjnej poezji M. Cwietajewej
    Home - Homeland in M. Tsvetaeva’s Emigration Poetry
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/973976.pdf
    Data publikacji:
    2008
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    home
    homeland
    emigration
    metaphor
    alienation
    poetry
    Marina Tsvetaeva
    Opis:
    Home and its attributes as designata of the homeland in Tsvetaeva’s poetry occur in various pictures. These are among other things: home-reminiscence and home-dream. The first case con- cerns Russia before emigration. The second home is a metaphor of the return. The existence in exile, involving the fact of physical and spiritual alienation, entails the way of perceiving oneself. Tsvetaeva believed in the possibility of finding the way home, but it never arose.
    Źródło:
    Acta Neophilologica; 2008, X; 139-146
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Badania nad współczesną dramaturgią rosyjską Walentego Piłata (1946-2022)
    Autorzy:
    NDiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2141857.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Walenty Piłat
    Russian Dramaturgy
    Russian Studies
    Opis:
    The article presents the profile of the Polish researcher Walenty Piłat – a respected expert in Russian dramaturgy. The literary output devoted to contemporary Russian drama is in the center of attention. Among the rich galaxy of Russian authors, one of the most important places in the literary outout of W. Piłat is occupied by dramatists such as Aleksandr Vampilov, Nikolai Kolada, Ludmila Pietrushevska and others. The author presents the most important publications of W. Piłat, including the monographs: The work of Aleksandr Vampilov. Problems of Poetics (1986), Contemporary Russian dramaturgy. The eighties (1995), On the threshold of the twenty-first century. Sketches on Contemporary Russian Drama (2000).  
    Źródło:
    Acta Neophilologica; 2022, 2, XXIV; 261-272
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
    “LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444291.pdf
    Data publikacji:
    2017-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    dream motif
    oneiric poetry
    Teffi (Natalia Buczyńska)
    Opis:
    This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.
    Źródło:
    Acta Neophilologica; 2017, XIX/2; 145-153
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O specyfice kulturowo-językowej monodramu Jewgienija Griszkowca Jak zjadłem psa i potencjalnych oraz realnych reperkusjach przekładowych z uwzględnieniem tłumaczenia na język polski
    CULTURAL AND LINGUISTIC SPECIFICITY OF YEVGENI GRISHKOVETZ’S MONODRAMA HOW I ATE THE DOG AND POTENTIAL AND REAL TRANSLATION PROBLEMS, INCLUDING TRANSLATION INTO POLISH
    Autorzy:
    NDiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444295.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Yevgeni Grishkovetz
    theatrical translation
    monodrama
    Opis:
    This article draws attention to the issue of translating dramatic texts in the context of contemporary translation practices and to its essential role in the construction of the international cultural community. The status of the theater translator and specific linguistic or cultural problems are investigated based on the example of Polish translations of contemporary Russian playwright Yevgeni Grishkovetz’s work. The collaboration between the translator and the theatre is described as well as the factors affecting the final shape of the stage text and the difficulties involved in translating the works of the aforementioned author. An attempt is also made to examine the thin line between translation and adaptation. The analyzed material suggests that, rather than opting for the philological fidelity to the original, the translators desired to ensure the playwright’s works a “timeless” life on stage historically and artistically.
    Źródło:
    Acta Neophilologica; 2016, XVIII/2; 161-177
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przekład związków frazeologicznych z nominacjami diabła w polskich tłumaczeniach powieści Michaiła Bułhakowa Mistrz i Małgorzata
    Translation of Phraseological Compounds with the Lexeme of Devil in the Polish Versions of the Mikhail Bulgakov’s Novel The Master and Margarita
    Autorzy:
    NDiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444350.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    phraseology
    literary translation
    translatability
    linguistics
    Opis:
    The fantastical and devilish qualities of The Master and Margarita by Mikhail Bulgakov created a need for the adequate means of expression. Therefore, the phraseological units are the most representative group, as they belong to the more colloquial part of language, and have a more familiar stylistic tone. The units with the words “chort” or “devil” are the most significant, therefore they were analysed in depth from the point of view of the translation theory. To exemplify the aforementioned phenomenon, the author refers to two sources: the canonical translation of The Master and Margarita by Irena Lewandowska and Witold Dąbrowski, which is still present in the consciousness of the Polish reader, and the newer version authored by Andrzej Drawicz. The comparative analysis of the selected material indicates that the authors of both translations preferred to use the phraseological units which differed in structure or the lexical composition from their Russian counterparts. However, the juxtaposed “translation equivalents” indicate the similarities in which Polish and Russian language capture our reality.
    Źródło:
    Acta Neophilologica; 2012, XIV/2; 159-176
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    POEZJA WASILIJA KAMIEŃSKIEGO „POD MIKROSKOPEM”. Z HISTORII ROSYJSKIEJ POEZJI WIZUALNEJ
    Vasily Kamensky’s Poetry “Under the Microscope”. The Summary of Russian Visual Poetry
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444378.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    poesia visiva,
    visual poetry,
    Russian literature,
    the Futurism,
    Vasily Kamensky
    Opis:
    Visual poetical text came into existence as a connection of two types of activity - the poetical (verbal) one and the visual (graphic) one. It composes a varied phenomenon, which unites poetry, painting, graphic arts, fine arts and photography together. That dependence on each other was understood differently by particular artists in distinct periods of history. Russian literature also has its rich history of visual poetry. The first trials, which were started by Symeon of Polotsk in the 17th century, were continued by Gavrila Derzhavin, Alexei Apuchtin, Erl Martov, as well as others. This new and productive period of visual poetry was connected with the vanguard movement from the beginning of the 20th century, which spread across Europe. The biggest contribution into the development of this literary genre in Russia, not only in a practical matter, but also in a theoretic one, brought in futurists and constructivists, for whom the form became an essence, and a word became an image. The poetry of Vasily Kamensky (1884-1961) had a special place among different examples of experimental word-image Russian vanguard poetry. He is known as a Russian futurist, and a poem-experimenter. His poems prove that visual poetic graphic arts, can be recognized as a dominant force in the creating of and illustration of texts. This process can be done with a basic level of meaning in the writing and illustration of the text, however, this is purely linguistical.
    Źródło:
    Acta Neophilologica; 2011, XIII; 201-215
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O translokacji nomina propria w dziele literackim (na przykładzie polskiсh tłumaczeń powieści Doktor Żywago Borisa Pasternaka)
    On Translocation of Nomina Propria in a Literary Translation (Based on Polish Translations of Doctor Zhivago by Boris Pasternak)
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444650.pdf
    Data publikacji:
    2019-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Boris Pasternak
    Doctor Zhivago
    proper names
    translation strategies
    patronymics
    Opis:
    This paper analyzes problems involved in the Polish translation of proper names contained in Boris Pasternak’s novel Doctor Zhivago. Empirical material was collected from two Polish translations published in book form: by Jerzy Stempowski (Paris: Instytut Literacki 1959) and by Ewa Rojewska-Olejarczuk (Warsaw: PIW 1990). The study aimed to analyze translatorial equivalents taking into account the following criteria: consistency with the named object, informativeness of the name, and retaining the cultural ambience. The following research methods were applied: descriptive, com-parative analysis as well as functional and stylistic analysis. The comparative analysis focused on the adequacy of the applied translation methods.
    Źródło:
    Acta Neophilologica; 2019, XXI/2; 187-200
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tożsamość Afrykańska w kontekście polityki językowej Unii Afrykańskiej
    African Identity in the Context of the African Union Policy Language
    Autorzy:
    NDiaye, Iwona Anna
    NDiaye, Bara
    Powiązania:
    https://bibliotekanauki.pl/articles/974052.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    linguistic and cultural diversity ethnocultural identifi cation globalization
    language policy
    Opis:
    The questions of protecting native African languages and cultures as the main components of ethnocultural identity in Sub-Saharan Africa are dealt with. Language policies in relation to the languages of former metropolises depending on the language of state governance are compared. The reasons and causes of failures connected with attempts by newly independent African regimes to replace European languages in the main spheres of state and public life with native African languages are considered. The role of education in maintaining and developing local languages and cultures is shown.
    Źródło:
    Acta Neophilologica; 2013, XV/1; 273-289
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    В погоне за жар-птицей… Языковая объективация концепта ДУША в казахской, русской и польской лингвокультурах
    In Pursuit of the Fire Bird... Language Objectivization of the SOUL Concept in Kazakh, Russian and Polish Linguocultures
    Autorzy:
    NDiaye, Iwona Anna
    Mussatayeva, Manatkul
    Powiązania:
    https://bibliotekanauki.pl/articles/1070574.pdf
    Data publikacji:
    2020-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    concept
    soul
    language
    culture
    linguistic consciousness
    Kazakh language
    Russian language
    Polish language
    cultural component
    connotation
    linguistic culture
    Opis:
    This article explores the concept of the SOUL based on slang and prison culture. The starting point for the argument is the belief that the soul symbolizes the man and his inner being (from the presence of high moral and ethical qualities to statements of spiritual death) in all cultures, as evidenced by the presence of a large number of phraseological and paremiological units with identical values. The purpose of the study is to consider and characterize the linguistic objectification of the concept of the soul. The conducted comparative analysis allows us to conclude that the perception of this concept among the Slavic and Turkic peoples is largely matching. The concept of the soul in all comparable languages is multilayered, in which cognitive traits are reflected, corresponding to the semantic components of the tokens representing it. The presented variety of semantic and conceptual variations facilitates the modelling of a wide interpretation field of this concept.
    Źródło:
    Acta Neophilologica; 2020, XXII/2; 67-82
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Senegalski pisarz Mohamed Mbougar Sarr. Laureat nagrody literackiej Goncourtów 2021 w dyskursie Medialnym
    Autorzy:
    Ndiaye, Bara
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2141878.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Mohamed Mbougar Sarr
    Goncourt literary prize
    media discourse
    Opis:
    The main goal of the undertaken research was to present how texts devoted to literary events function in contemporary media discourse. The article analyzes the reaction of the French-speaking media to the literary event of the Francophone world – presenting a Senegalese writer with the most prestigious literary award in France. The authors review the major media publishing in French in which the figure of the laureate Mohamed Mbougar Sarr was celebrated, the content of the awarded novel as well as the opinions of critics and journalists. The online versions of, among others, Le Monde, Le Courrier International, Le Soleil, LaPresse.ca, Le Soir, L’Observateur Paalga and audiovisual media such as RFI, TV5 Monde, France 24, TSR were analyzed. The choice of the aforementioned media was motivated by the desire to investigate the issue in journalistic texts, diverse in terms of themes, content, and style. The authors also try to explain the phenomenon of hatred towards the laureate expressed by some Senegalese Facebook and Twitter users.
    Źródło:
    Acta Neophilologica; 2022, 2, XXIV; 195-214
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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