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Wyświetlanie 1-3 z 3
Tytuł:
Observations on the Architecture of the Tomb of Horhotep in Western Thebes
Autorzy:
Chudzik, Patryk
Caban, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/484107.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Western Thebes
Horhotep
Middle Kingdom Egypt
rock-cut tomb
architecture
MMA 513
TT 314
Opis:
The article describes the architecture of the tomb of Horhotep, an official at the court of Senwosret I, which is situated at the necropolis of North Asasif in Western Thebes. The structure was built in the row of sepulchral complexes, which belonged to high-ranking officials from the times of the reign of Mentuhotep II. The tomb belongs to the rock tomb type. The layout and shape of the chambers and passages corresponds with the local Theban tradition of the construction of private sepulchral complexes. The exceptional character of the complex can be seen in the layout of the parts carved in the bedrock. As a result of the research into the architecture of the tomb, two phases of its development have been distinguished. The first was associated with the carving of the classic tomb for Horhotep. In the second phase, another cult chapel and the second burial chamber were added, where, as one can only speculate, the son of the official was supposed to be buried.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 221-229
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Label for Opening of the Mouth Implements from the Burial of Senneferi (TT99) and Remarks on the Ritual
Autorzy:
Bohleke, Briant
Strudwick, Nigel
Powiązania:
https://bibliotekanauki.pl/articles/484132.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Senneferi
TT99
Thebes
tomb
Opening of the Mouth
hieratic label
ritual
Eighteenth Dynasty Egypt
Opis:
In 2009, Nigel Strudwick published a paper drawing attention to a number of objects found in TT99 which seem to have been used in the Opening of the Mouth ritual. In 2015 an hieratic label from the same burial was identified as possibly belonging to a bag or box in which these items were kept. This paper presents a full edition of the label, and offers further comments on the context where the objects were found, and also indicates lines of research for further study of the Opening of the Mouth ritual.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 105-123
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Motif of a ‘Blind Harper’ in an Unexpected Place
Autorzy:
Śliwa, Joachim
Powiązania:
https://bibliotekanauki.pl/articles/484146.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Egyptomania
tomb of Ramesses III (KV 11)
Julian Krupski (1871–1954)
Karol Gustaw Domański (1888–1936)
Opis:
In the village of Nawojowa Góra (25km west of Kraków, Poland) there is an Italian style villa built in the years 1923–1925 for Karol Gustaw Domański (1888–1936). For one of the rooms (a bedroom), the owner commissioned the manufacture of furniture decorated with Egyptian motifs. Among the latter, of particular interest are two relief panels carved in oak wood and featuring the figures of ‘blind harpers’ (respectively in left and right profile). There is no doubt that the woodcarver copied one of the harpers’ figures from the tomb of Ramesses III in the Valley of the Kings. The room decoration was probably designed by Julian Krupski (1871–1954), a painter and stained-glass artist who was a friend of the owner’s family. The furniture was made in 1929 and the discussed panels are an excellent example of the Egyptomania typical of the period, triggered by the discovery of Tutankhamun’s tomb (1922). In this case, however, the designer made use of another resource, which had been known to science for much longer. Nevertheless, the local community has long regarded the motif as associated directly with Howard Carter’s sensational discovery.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 431-437
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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