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Wyszukujesz frazę "Sculpture." wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Portraying the Literacy of Palmyra. The Evidence of Funerary Sculpture and its Interpretation
Autorzy:
Sokołowski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/484097.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
iconography
funerary sculpture
literacy
Palmyra
Roman Syria
Opis:
Next to Edessa, Palmyra was the only example of a city in the Roman Syria where the local Aramaic dialect has never gone out of use, nor has it been displaced in inscriptions. The epigraphic material from Palmyra consists in fact of a large corpus of inscriptions. Interestingly, most of them are associated with local sepulchral art. They were typically placed on the limestone slabs decorated in high relief by portraits of the deceased citizens, usually in a form of bust, rarely a figure or stele. Approximately 145 such sculptures were taken into consideration. The Palmyrenians on these funerary portraits are often depicted with the writing attributes, such as roll and capsa, the wide and narrow tablets, poliptych and codex, schedula, double schedula, stylus, and also keys. The question arises, what meanings did these figural tombstone decorations with such attributes originally expressed? In this study the author investigates the private, sepulchral character of Palmyrene portraits, their iconographic message, their local archaeological context and epigraphic (often bilingual) data. As a result four types of symbolical representations could be distinguished: (I) Schoolboys and Students; (II) Citizens of Greek Polis and of the Roman Empire; (III) Entrepreneurs (merchants, administrators, camel drivers and meharistes); (IV) Mourners (Tomb Owners and Priests). The Palmyrene funerary busts supply an outstanding documentation of noticeable use of writing tools in the Roman East. The abundant number of funerary representations with writing attributes implies a degree of statistical importance. The broad representation of writing attributes in funerary sculpture of Palmyra provides new arguments in the discussion on the literacy in the Ancient World, or at least in the Roman Syria. Funerary reliefs examined in this study are mostly depictions of commoners who represent middle and lower strata of the Roman provincial society. Consequently, it seems that the ability to use Aramaic and Greek alphabets was not uncommon. What is more, the ability to read and write in both languages was probably fairly widespread throughout the territory of the Roman Syria.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 375-403
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ancient Portrait Busts of Marcus Aurelius in the National Museum in Poznań
Autorzy:
Mroczek, Diana
Powiązania:
https://bibliotekanauki.pl/articles/1975469.pdf
Data publikacji:
2021-12-31
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Roman period
portrait sculpture
Marcus Aurelius
museum collection
Opis:
The article addresses the collection of Roman portrait busts in the National Museum in Poznań, Poland. The paper focuses on three busts attributed to Marcus Aurelius as an example of durable adaptations and modifications of the originals. It aims to explain frequent misconceptions and interpretations of the sculptures by exploring history and conservation practices.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2021, 34; 265-286
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Fragmentary Statue of Ramesses II with a Scarab on the Head
Autorzy:
Kassem, Mahmoud
Powiązania:
https://bibliotekanauki.pl/articles/484071.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
royal sculpture
iconography
Ramesses II
New Kingdom Egypt
Opis:
The red granite fragmentary bust (Egyptian Museum in Cairo – CG 38104, JE 27856), coming from the Temple of Ptah in Memphis, is believed to be part of a statue of Ramesses II. However, owing to the fact that the fragment is unepigraphic and much eroded, this identification has to remain a hypothetical one. A detailed examination of iconographical and stylistic features of the statue leads the author to believe that the statue either represented Ramesses II or had been usurped by one of his successors.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 179-184
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Une grande reine et deesse
A Great Queen and Goddess
Autorzy:
Kiss, Zsolt
Powiązania:
https://bibliotekanauki.pl/articles/484169.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
sculpture
Isis iconography
Ptolemaic queens
Cleopatra III
underwater archaeology
Heracleion
Ptolemaic Egypt
Opis:
During the research led by the European Institute for Underwater Archaeology at Heracleion a huge statue of black diorite was found on the site of the Temple. Preserved in four parts, the sculpture is nearly complete (2.20m). It represents a woman standing, with arms on her sides down and slightly forward. In her left hand she hold the sign ankh and on the chest of her garment she bears the ‘knot of Isis’. Also the hair, arranged in long, rolled-up curls, are characteristic for the goddess. But the broad flat diadem is clearly a royal one, therefore it is possible to see in this sculpture an image of a ptolemaic queen assimilated with Isis. Certain is that Berenice II, the wife of Ptolemy III, wore on some portraits this kind of ‘isiac’ hairdress. Close to the Heracleion statue are portraits of Cleopatra II, sister-wife of Ptolemy VI, and of her daughter – Cleopatra III. Distinction of the portraits of the mother and daughter is difficult, but considering the long reign of the last one, the Heracleion statue seems more probably an image of Cleopatra III as Isis.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 185-194
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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