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Wyświetlanie 1-4 z 4
Tytuł:
A Spectacle Idol from Tell Abu Hafur (North Syria) and Its Possible Function
Autorzy:
Bielińska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/484165.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
eye idols
spectacle idols
Tell Brak
Uruk period
Northern Mesopotamia
Opis:
The spectacle idol from Polish excavations in northeastern Syria belongs to the class of artifacts that are known from different regions of the Ancient Near East – Syria, Mesopotamia and Elam – and that have been dated to the Uruk period (broadly speaking, the fourth millennium bc). The name derives from a characteristic shape that resembles the eye idols from Tell Brak. Indeed, the largest assemblage of spectacle idols was discovered at Tell Brak, in an older cultural level within the Eye Temple sector, leading a number of scholars to the conclusion that eye idols evolved from their spectacle predecessors. The ritual function of the eye idols has never been put into doubt, unlike that of spectacle idols, which has been heavily debated. The spectacle idol from Tell Abu Hafur affords the opportunity to discuss the different ideas put forward regarding the function of the objects and to return to the original interpretation of these as associated with worship based on an analysis of the iconography of contemporary glyptic art and a comparative review of finds from diverse archaeological sites.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2016, 29; 33-41
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Bottle-brush’ Tree and Its Role in Creating Standard Compositions on Neo-Assyrian Seals in the Linear-style
Autorzy:
Iskra, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/484207.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Neo-Assyrian period
Mesopotamia
seals
seal-cutter
‘bottle-brush’ tree
standard composition
Opis:
Neo-Assyrian glyptics produced several standard compositions which were repeatedly reproduced over the three centuries of the Neo-Assyrian empire’s existence, as attested by the numerous seals engraved with almost identical scenes of rituals or hunts. The canon of these compositions could be upheld by applying a rigid scheme in the scenes’ planning and maintaining the same technique of their execution. The seal-cutters often used simple incisions as outlines for the planned scene, which they subsequently masked as floral elements resembling a bottle-brush. These elements of the compositions provide a key to exploring the seal-engraving techniques of the first millennium BC.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2016, 29; 67-73
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terracotta Equid Figurines from Tell Arbid. New Evidence on Equids, Their Equipment and Exploitation in North Mesopotamia during Third and First Half of Second Millennium BC
Autorzy:
Makowski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/484095.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
iconography
terracotta zoomorphic figurines
clay equid figurines
equids breeding
Tell Arbid
Bronze Age Syria
North Mesopotamia
Opis:
Terracotta figurines are one of the few iconographical sources available for the study of equids, their breeding and exploitation in Northern Mesopotamia in the third and first half of the second millennium BC. However, the insights offered by this category of artifacts have largely been unrecognized by scholars, what is particularly conspicuous in the Khabur River basin, where equid figurines are very common finds. A detailed analysis of this type of figured documents, especially of the hitherto unpublished assemblage from Tell Arbid, shows that among details marked on the figurines were characteristics of the separate equid species, elements of their equipment and details pointing to certain breeding practices. What makes the equid figurines from the Khabur region even more interesting is the fact that that some of the details were not represented on Near Eastern equid depictions in other media (dorsal and shoulder stripes, strapping of genitalia), have been attested for much later periods (trappers) or have been known solely from written documents (saddle bags, marking of animals).
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 257-278
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Of Men and Equids: Piecing the Clay Images from Tell Arbid Back Together
Autorzy:
Makowski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/484059.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
terracotta anthropomorphic figurines
terracotta zoomorphic figurines
interpretation of the figurines
wheeled vehicles
popular iconography
Tell Arbid
Bronze Age Syria
North Mesopotamia
Opis:
This paper aims at analyzing relations between different types of clay figurines and models found at Tell Arbid, a site in northern Mesopotamia, in the Khabur region. Starting with a presentation of a set of third millennium BC clay objects – including an equid and an anthropomorphic figurines, as well as a wheel model – the author discusses those figurines which were deliberately shaped to fit, or to be combined with, other objects. Analyzing them against the backdrop of analogies from Mesopotamian iconographic sources allowed for defining some functional associations between the representations of males, wheeled vehicles and/or equids. The hypothetically reconstructed sets seem to reproduce scenes well-known from other media. Based on these observations, it is possible better to understand and to interconnect phenomena characteristic for the clay plastic art not just of the site but of the whole region: predominance of equids, prevalence of male over female images and popularity of model vehicles.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 121-140
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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