Temat: toreutics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Grooved metal vessels from the Roman Period. Comments on the variability and contemporary state of research
Kovové nádoby zdobené žlábky z doby římské Poznámky k variabilitě a současnému stavu bádání
Autorzy:: Jílek, Jan
Powiązania:: https://bibliotekanauki.pl/articles/682030.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Roman metal vessels
grooved toreutics
Roman Period
Opis:: -
Źródło:: Acta Universitatis Lodziensis. Folia Archaeologica; 2016, 31
0208-6034
2449-8300
Pojawia się w:: Acta Universitatis Lodziensis. Folia Archaeologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: ‘Sasanian’ silver plate from al-Ṣabāḥ Collection in light of aesthetic features of Sasanian toreutics
Autorzy:: SKUPNIEWICZ, Patryk
Powiązania:: https://bibliotekanauki.pl/articles/517756.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:: Sasanian silver
al-Sabah Collection
toreutics
Iran
Art
Opis:: Recently published silver plate from al-Sabah Collection, of unknown provenance, has been firmly attributed as Sasanian. In fact, technically, it is related to the Sasanian silverwork however aesthetic examination allows to raise the doubts whether it is genuine. The plate must be compared not only with central-Sasanian artworks but all ancient ‘Oriental silver’, including pieces attributed as Hephtalite or Sogdian. The design of the plate does not have any relation with any of the known examples of late antique oriental toreutics. Central scene of heroic combat with powerful beast or beasts has never been surrounded with the ring containing other hunting scenes is unknown as well. The disbalanced decorum is even more clear when we remind that the central scene shows hunting on foot and the marginal ones – mounted. The details of fixed aesthetic elements – position of personages, beasts, weapons do not belong to Sasanian canon. The unique nature of the plate might result from many factors but the combination of unknown provenance and lack of relation to legitimate Sasanian canon require utmost cautiousness towards the object.
Źródło:: Historia i Świat; 2019, 8; 59-78
2299-2464
Pojawia się w:: Historia i Świat
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: A decorated bronze censer from the Cathedral in Old Dongola
Autorzy:: Wyżgoł, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/1684659.pdf
Data publikacji:: 2018-07-09
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Old Dongola
censer
liturgical vessels
Makuria
Old Nubian
Nubian studies
toreutics
Opis:: A bronze censer found in the Church of Brick Pillars in Old Dongola in 1968 provides unique insight into the role of such liturgical vessels in medieval Nubia. In this new study of the iconography and production technique of this vessel, coupled with an epigraphical analysis of the Greek and Old Nubian inscription around the edge, the author suggests that the vessel was crafted by Makurian craftsmen sometime in the first few hundred years after the conversion of the Nubian kingdoms to Christianity (in the 6th or 7th century AD). Seeking sources of inspiration for the Dongolan masters of the metal-working craft, the author looks to the Byzantine Empire, where close parallels for the decoration of the Nubian censer can be found in late antique silver objects. This leads to a discussion of trade relations between the Byzantine Empire and the Kingdom of Makuria, and the possible exchange of official gifts.
Źródło:: Polish Archaeology in the Mediterranean; 2017, 26(1); 773-780
1234-5415
Pojawia się w:: Polish Archaeology in the Mediterranean
Dostawca treści:: Biblioteka Nauki

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