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Wyświetlanie 1-9 z 9
Tytuł:
The cataloguing of musical sources in Silesia by German musicologists from the University of Wroclaw during the first half of the twentieth century
Autorzy:
Drożdżewska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/780103.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musicology
cataloguing
musical sources
Wroclaw
Silesia
university
Opis:
The most important task undertaken by German musicologists in Wroclaw during the first half of the twentieth century was to catalogue the musical sources of the whole of Silesia, supervised by the Institute of Music (Seminar of Musicology) at the University of Wroclaw, which arose out of the former Royal Academic Institute of Music, established in 1812. The Institute of Music was the first centre to catalogue local musical sources in Wroclaw and the whole region. The Institute’s library was founded during the secularisation process of 1810, and large collections of musical sources were transferred there from regional Catholic churches and monasteries. Thanks to the efforts of Otto Kinkeldey and his doctoral student Hans Erdmann Guckel, the library’s stock was set in order for the first time at the beginning of twentieth century, with clear, uniform shelf-marks given to individual items. In the late 1920s, complex cataloguing was established by Max Schneider and four of his students, Heribert Ringmann, Fritz Koschinsky, Fritz Feldmann and Josef Wittkowski, who searched for unknown and uncatalogued musical sources in the provinces of Silesia. Cooperation with Berlin’s Central Catalogue led to the preparation of detailed descriptions of sources in the form of index cards, though unfortunately only one copy of each card was made and they are now believed to be lost. More detailed evidence was recently found in Schneider’s papers, including reports and correspondence. This enables us to partially reconstruct the scope of the cataloguing campaign, the localities visited and the repertoire that was found. Some of the collections discovered during that campaign and taken to Wroclaw have survived, giving us the possibility of further research orientated towards reconstructing the picture of musical life in Silesia.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 23-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The musical practice of the Sandomierz Benedictine nuns during the eighteenth century
Autorzy:
Walter-Mazur, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/780139.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musical culture
eighteenth century
Benedictine nuns
Sandomierz
musical sources
musical instruments
performance practice
Opis:
The congregation of the Benedictine nuns of Sandomierz, active between 1615 and 1903, belonged to wealthy magnatial foundations, which allowed the convent to foster cultural activities. Special emphasis was placed on musical performance of various types - the musical adornment of the liturgy. The ‘Glory of God’, as Benedictine nuns referred to it, constituted the essence of their congregational life. On weekdays, the celebration of the Liturgy of the Hours, Masses and - occasionally - other services in choir took six hours, and on numerous feast days of the liturgical year, when the Liturgy of the Hours was sung, not read, it required even more time. The higher the rank of the feast day, the greater was the effort to stress its importance by providing it with a proper musical setting, which led to the cultivation of musical practices of various kinds on special occasions. The musical repertory of the Sandomierz Benedictine nuns comprised plainchant without instrumental accompaniment, plainchant with organ accompaniment, polyphonic a cappella singing (referred to as ‘figure’), vocal instrumental music (‘fractus’) and instrumental music. A picture of religious musical practice emerges primarily from extant musical sources, and also from a ‘choir agenda’ from 1749, a convent chronicle of the years 1762-1780, ‘treasury records’ from 1739-1806 and convent registers. Eighteenth-century sources document the musical activity of twenty-four nuns of the Sandomierz convent, some of them considered to be ‘professional’ musicians and referred to as ‘singers and players’. The most interesting, but also most problematic, areas are vocal instrumental practice and the likely consitution of the nuns’ music chapel. We find information about nuns playing keyboard instruments, violin, viola da gamba, tromba marina and horn.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 187-198
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzykalia w zbiorach Państwowego Muzeum Auschwitz-Birkenau
Musical sources survived in the Collection of the Auschwitz- -Birkenau State Museum
Autorzy:
Szczęśniak, Hubert
Powiązania:
https://bibliotekanauki.pl/articles/514086.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
KL Auschwitz-Birkenau,
musical sources,
Holocaust Music,
Music and Politics,
Auschwitz-Birkenau State Museum.
Opis:
The article presents the conclusion of the research conducted by the author in the collection of the State Museum of Auschwitz-Birkenau, former German Nazi concentration and extermination camp. The sources are fully featured and described for the first time. The article focuses on showing a complicated post-war history of the camp items connected with music (musical instruments, printings, manuscripts, handwritten copies of instrumental books), which are auxiliary sources to reconstruct the repertoire of chapels in KL Auschwitz-Birkenau. The main aim of the article is to also discuss the preserved repertoire. In the last chapter, the author presents a short characteristics of original works composed by musicians and composers in slavery with a short analysis of all of them. Presented musical printings are a reflection of tastes of the German public in the 1930s as well as an example of ridiculous anthropological establishments of Nazi music scientists and no ability to implement it on listeners practice. In addition, the work contains annexes: musical instruments, original works composed during camp existence, and musical printings – a list of music materials which survived in the collection of the Auschwitz-Birkenau State Museum.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 1(32); 125-175
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Musical Sources Survived in the Collection of the Auschwitz-Birkenau State Museum1
Autorzy:
Szczęśniak, Hubert
Powiązania:
https://bibliotekanauki.pl/articles/514008.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
KL Auschwitz-Birkenau
musical sources
Holocaust Music
Music and Politics
Auschwitz-Birkenau State Museum
Opis:
The article presents the conclusions of the research conducted by the author in the collection of the Auschwitz-Birkenau State Museum, former German Nazi concentration and extermination camp. The sources are fully featured and described for the first time. The article focuses on showing a complicated post-war history of the items connected with music (musical instruments, printings, manuscripts, handwritten copies of instrumental books), which are auxiliary sources to reconstruct the repertoire of chapels in KL Auschwitz-Birkenau. The main aim of the article is also to discuss the preserved repertoire. In the last chapter, the author presents a short characteristics of original works composed by musicians and composers in slavery with a short analysis of all of them. Presented musical printings are a reflection of tastes of the German public in the 1930s as well as an example of ridiculous anthropological establishments of Nazi music scientists and the lack of ability to implement it on listeners practice. In addition, the work contains annexes: musical instruments, original works composed during camp existence, and musical printings—a list of music materials which survived in the collection of the Auschwitz-Birkenau State Museum.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 125-173
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Musical sources - meaning of the term in bibliology and museology (on the example of musical sources in the collection of the Department of Publishing Art at the National Museum in Wrocław)
Autorzy:
Łubocki, Jakub Maciej
Powiązania:
https://bibliotekanauki.pl/articles/14537384.pdf
Data publikacji:
2023-07-27
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
musical sources - museum object - artefact - Department of Publishing Art at National Museum in Wrocław Słowa kluczowe
muzykalia - obiekt muzealny - artefakt - Dział Sztuki Wydawniczej Muzeum Narodowego we Wrocławiu
Opis:
Although it may seem improbable, various types of musical sources can also be found in the collection of the Publishing Art Department of the National Museum in Wrocław. They are not only music sheets and songbooks, but also written documents related to musical works or people of music, and in the future, they could be even printed elements of sound documents or ephemeras related to music life. This was the reason for the general reflection on the understanding of the term “musical sources” (“musicals”) and its meaning in relation to the universes of music and publishing art. Then, basic categories of museum objects that are simultaneously from both universes - music and publishing art - were presented (with examples).
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2023, 17, 1; 103-126
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From the collection of the Polish musicologist Aleksander Poliński: On the provenance of two lute tablature manuscripts held in the Bibliothèque nationale in Paris
Z księgozbioru Aleksandra Polińskiego. O proweniencji dwóch rękopiśmiennych tabulatur lutniowych z Biblioteki Narodowej w Paryżu
Autorzy:
Joachimiak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/28877364.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Aleksander Poliński
tabulatury lutniowe
polonica w Paryżu
teki Polińskiego
proweniencja muzykaliów
muzyka lutniowa
badania źródłowe
source studies
lute music
lute tablatures
polonica in Paris
Poliński’s files
musical sources provenance
Opis:
The presented research results concerning the music collection of Professor Aleksander Poliński (the author of a book Dzieje muzyki polskiej w zarysie [An outline history of Polish music], Lviv 1907), specifically lute tablature manuscripts from the seventeenth and eighteenth centuries (Paris, Bibliothéque Nationale: Rès. Vmc. ms. 61 and Rès. Vma. ms. 1213), provide information that enables us not only to learn of their complicated history but also to indicate another source from this collection. Inscriptions written in Polish confirm that we are dealing with manuscripts which previously belonged to this collection. The materials and information revealing what sources he had at his disposal when preparing, for example, his monography on Polish music are still very valuable.
Artykuł dotyczy prywatnej kolekcji źródeł muzycznych Aleksandra Polińskiego, autora książki Dzieje muzyki polskiej w zarysie (Lwów 1907). Poliński wymienia w niej dużą liczbę źródeł, które w większości znajdowały się w jego posiadaniu. Pośród tych materiałów wyraźnie przeważały muzyczne polonica. W październiku 1944 r. w Warszawie kolekcja spłonęła, przez co obecnie nie ma już dostępu do tych zbiorów. Istnieją natomiast wyjątki w postaci odpisów, a na szczególną uwagę zasługują źródła, które w wyniku różnych splotów wydarzeń ocalały. Należy do nich rękopis tabulatury lutniowej przechowywany obecnie w Bibliotece Narodowej w Paryżu w dziale zbiorów specjalnych pod sygnaturą Rès. Vmc. ms. 61. Zawiera charakterystyczny stempel, który stał się podstawą wskazania przynależności do zbiorów Polińskiego. W tej samej bibliotece zachowany jest również inny rękopis tabulatury lutniowej, przechowywany pod sygnaturą Rès. Vma. ms. 1213, określany potocznie w literaturze przedmiotu jako „Weiss. à Rome” (dotyczy on pobytu jednego z najsłynniejszych lutnistów doby baroku S.L. Weissa, który dzięki polskiemu królewiczowi Aleksandrowi Sobieskiemu wyjechał ze Śląska i w l. 1710–14 przebywał w „rzymskiej Arkadii” wdowy po królu Janie III Sobieskim, Marii Kazimiery Sobieskiej). Autor artykułu wskazuje argumenty przemawiające za tym, że jest to drugi zachowany rękopis tabulatury lutniowej pochodzący również z dawnej kolekcji Polińskiego, czego w historiografii muzycznej dotychczas zupełnie nie brano pod uwagę.
Źródło:
Muzyka; 2019, 64, 3; 18-33
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O ewolucyjnych źródłach niektórych muzycznych preferencji estetycznych
The Evolutionary Sources of Some Human Musical Aesthetic Preferences
Autorzy:
Podlipniak, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/637937.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
musical aesthetic preferences
cognitive science
evolutionary sources
nervous system
musical skills
Opis:
Human musical aesthetic preferences differ significantly. People vary in this respect depending on culture in which they were brought up and on their individual experiences. The awareness of this differentiation was one of the reasons for which these aesthetic preferences were considered as conditioned only by culture. After cognitive science became interested in art, the aesthetic preferences have been explained by seeing the aesthetic assessment of stimuli as related to the evolutionary sources of human aesthetic tendencies. The contemporary knowledge of music processing by the nervous system and of musical skills development indicates that there are also some ubiquitous tendencies in the aesthetic assessment of music. The purpose of the current paper is to present preferences for tonal music and to explain their origin.
Źródło:
Rocznik Kognitywistyczny; 2011, 5; 167-174
1689-927X
Pojawia się w:
Rocznik Kognitywistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Partimento po polsku? Nauka realizacji basso continuo i improwizacji organowej w przemyskim klasztorze benedyktynek
Polish partimento? The teaching of basso continuo realization and organ improvisation in Benedictine monastery in Przemyśl
Autorzy:
Walter-Mazur, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/521912.pdf
Data publikacji:
2012
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
partimento
organ manuscripts
sources to the polish music history of 18th century
the musical culture of Benedictine nuns
Przemyśl
Opis:
The article is devoted to the fragment of manuscript ms 10 stored in the Archive of the Benedictine Sisters in Przemyśl. The manuscript consists of 70 cards and comes probably from the mid-eighteenth century. The book, intended for the organist, consists of liturgical chants written in the soprano key with an accompanying bass line, exercises based on the bass line and 77 organ works. In addition, on the cards 64V-69V of this manuscript some observations about organ teaching are written. Those observations are subject for this very considerations and the text in the original grammatical and spelling form is attached to this article. The teaching notes from ms 10 are titled Understanding of good and bad consonances and consist of 29 unnumbered points illustrated with musical examples. They provide guidance on the implementation of basso continuo, organ accompaniment for plainchant and polyphonic singing and composing or organ improvisation. It is so far the only known text of this kind in the Polish language dating the eighteenth century. Author and copyist of this text remain unknown, but we can assume that it has been prescribed from another source by a nun-organist, and only in a small part reformulated. Its relationship to a female religious community is indicated by, apart from place of preservation, the endings of verbs appearing in the teaching notes. From the course of argument it can be concluded that the method of teaching included in the Understanding of good and bad consonances refers to the partimento tradition that began in the late seventeenth century in the Italian conservatories, and later, in the eighteenth century and early nineteenth, has been popularized in many parts of Europe through published books. The term partimento determined bassline, with or without numbering, which is the basis for improvising or creating self-composition. While dealing with the bass lines, a student learned at the beginning about the construction of intervals and chords and the way of conducting voices. When it was no longer a problem, he could expand the bass to the accompaniment or to the solo piece.
Źródło:
Aspekty Muzyki; 2012, 2; 99-118
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dostęp do informacji a poziom wiedzy wśród pokolenia X i Z na przykładzie Międzynarodowego Konkursu Pianistycznego im. Fryderyka Chopina w Warszawie
Access to Information and Knowledge Levels among Generation X and Z based on the Frederic Chopin International Piano Competition in Warsaw
Autorzy:
Król, Magdalena B.
Powiązania:
https://bibliotekanauki.pl/articles/37274502.pdf
Data publikacji:
2023
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
źródła informacji
pokolenie X
pokolenie Z
Konkurs Pianistyczny im. F. Chopina
preferencje muzyczne studentów
muzyka Fryderyka Chopina
information sources
Generation X
Generation Z
Chopin Piano Competition
musical preferences of students
music of Fryderyk Chopin
Opis:
Artykuł prezentuje wyniki badania przeprowadzonego w 2001 r. wśród przedstawicieli pokolenia X i badania przeprowadzonego w 2021 r. wśród przedstawicieli pokolenia Z. Celem podjętych badań było znalezienie odpowiedzi na pytanie, czy nieograniczony dostęp do informacji w Internecie ma wpływ na wzrost poziomu wiedzy wśród przedstawicieli pokolenia Z o najbardziej prestiżowych wydarzeniach kultury wysokiej na przykładzie Międzynarodowego Konkursu Pianistycznego im. Fryderyka Chopina w Warszawie. Badaniem ankietowym objęci zostali studenci Uniwersytetu Jagiellońskiego i Politechniki Krakowskiej.
The article presents the results of a survey conducted in 2001 among representatives of Generation X and a survey conducted in 2021 among representatives of Generation Z. The aim of the research undertaken was to find an answer to the question whether unlimited access to information on the Internet increases the level of knowledge among the representatives of Generation Z of the most prestigious high culture events on the example of the International Chopin Piano Competition in Warsaw. The survey covered students of the Jagiellonian University and the Cracow University of Technology.
Źródło:
Perspektywy Kultury; 2023, 42, 3; 419-442
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-9 z 9

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