Temat: music and film - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: W drodze do "opery filmowej". Muzyczne eksperymenty Kurta Weilla w "You and me" Fritza Langa
Towards “Film Opera”. Kurt Weil’s Musical Experiments In Fritz Lang’s “You and Me”
Autorzy:: Mungen, Anno
Powiązania:: https://bibliotekanauki.pl/articles/920350.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Kurt Weill
You and Me
Fritz Lang
music and film
songs
Opis:: Fritz Lang’s film You and Me was billed as a “musical revolution”. But it never became one. Anno Mungen describes Kurt Weill’s struggles to reshape the film as a genre. Both in his theoretical reflections and his (not successful) practical attempts as a film composer, Weill was preoccupied with the idea of music as a crucial element of the film/theatre dramaturgy. This idea – as Mungen tried to show, analyzing three examples taken from Lang’s film – could direct the artist straight towards the category of film-opera.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 65-72
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Angelologiczny traktat filmowy pomiędzy sztukami. O "Niebie nad Berlinem" Wima Wendersa
Angelologic treatise between the arts. On “The Wings of Desire” by Wim Wenders
Autorzy:: Lisiecka, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/920302.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film and music
musca mundana
musica humana
musica instrumentalis
Wim Wenders
muzyka filmowa
Niebo nad Berlinem
Opis:: The study titled Angelologic treatise between the arts. On “The Wings of Desire” by Wim Wenders undertakes to analyze aesthetic and cultural contexts which have impinged on the overall significance of the film. Commencing with the presentation of the angelic motifs and the relations they bear to the angelologic tradition of Western culture, the author identifies some thematic and formal elements which influenced the original concept of spiritual reality depicted in Wenders’s film. Due to its consistent fictional and artistic vision, the picture has been dubbed “the angelologic film treatise”. The second part of the article focuses on the analysis of the visual and musical aspects of the film. The most significant interpretative framework revolves around the concept of visual games and the topos of musical harmony (musica mundana, humana and instrumentalis). The issues under consideration demonstrate the great significance all the formal devices, both in terms of presented images and music, have in constructing deep layers of meaning. A particular importance should be assigned to these audio-visual elements that underscore the relevance of spiritual and existential aspects, constituting the substance of Wenders’s film.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 191-204
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: «Київський авангард» у діалогах елітарної та масової культур. На прикладі творчих пошуків композиторів Володимира Губи і Святослава Крутикова
"Kyiv avant-garde" in dialogues of elite and mass cultures. On the example of creative searches of composers Vladimir Guba and Svyatoslav Krutikov
Autorzy:: Дмитрієва, Олена
Powiązania:: https://bibliotekanauki.pl/articles/2033989.pdf
Data publikacji:: 2021
Wydawca:: Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:: mass and elite culture
composer
dialogue
society
"Kyiv avant-garde"
film music
Vladimir Guba
school of Borys Lyatoshynsky
Svyatoslav Krutikov
масова та елітарна культура
композитор
діалог
суспільство
школа Бориса Лятошинського
«Київський авангард»
кіномузика
Володимир Губа
Святослав Крутиков
Opis:: Professional academic music occupies a special place in the system of culture. The composer’s cultural activity is designed to expand the artistic and aesthetic horizons of public consciousness and to influence the formation of worldviews. In particular, the elite musical culture not only fills the deficit of self-worth of creativity, the spiritual growth of the individual, but also assumes the function of breaking stereotypes. The ideas of dialogue and integration of mass and elite cultures are both negative and positive. On the example of cultural missions of Vladimir Guba and Svyatoslav Krutikov, prominent representatives of Ukrainian culture, members of the group "Kyiv avant-garde" we will outline the influence of elite musical culture on the reconstruction of anthropocentric values.
Źródło:: International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2021, 1, 3; 118-132
2658-154X
Pojawia się w:: International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:: Biblioteka Nauki

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