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    Wyświetlanie 1-4 z 4
    Tytuł:
    Leone Leoni – zapomniany kompozytor wczesnego baroku
    Leone Leoni as a forgotten composer of the Early Baroque era
    Autorzy:
    Różańska, Różą
    Powiązania:
    https://bibliotekanauki.pl/articles/514106.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Leone Leoni,
    small-scale concerto,
    madrigal,
    early Baroque
    Opis:
    The article is a pioneer attempt in Polish literature to develop a syn¬thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. The first part of the text presents the state of research concerning the life and work of the artist; then, the second part con¬tains his biography. The last part discusses Leoni’s works. Finally, the rank of his output is regarded.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2017, 1(32); 57-77
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Leone Leoni as a Forgotten Composer of the Early Baroque Era
    Autorzy:
    Różańska, Róża
    Powiązania:
    https://bibliotekanauki.pl/articles/514128.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    Leone Leoni
    small-scale concerto
    madrigal
    early Baroque
    Opis:
    The article is a pioneer attempt in Polish literature to develop a syn¬thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. The first part of the text presents the state of research concerning the life and work of the artist; then, the second part contains his biography. The last part discusses Leoni’s works. Finally, the rank of his output is regarded.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2017, 1(32) Eng; 57-75
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Gli aversari de la vera fede”. Un’ipotesi sul Terzo libro dei madrigali a cinque voci di Marc’Antonio Ingegneri
    Autorzy:
    Mangani, Marco
    Powiązania:
    https://bibliotekanauki.pl/articles/473826.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Jagielloński. Musica Iagiellonica
    Tematy:
    musical patronage, Marc’Antonio Ingegneri, Italian madrigal, Claude Le
    Jeune, French chanson, Milan, Antonio Londonio, Parma, Ottavio Farnese, Alessandro
    Farnese, Margherita Farnese, Flanders.
    Opis:
    A hypothesis about Marc’Antonio Ingegneri’s Terzo Libro de’ Madrigali a Cinque Voci (1580) is formulated, according to which the collection can be regarded as made up of two different layers, each with its own patronage context. While the first half of the book fits well the requests of its actual dedicatee, Antonio Londonio, the second half might have been intended for the Farnese court of Parma, with its starting piece, the political-religious madrigal Santa Chiesa di Dio, celebrating the victories gained in the Flanders by the Duke’s son Alessandro over the Protestants; it seems instead very unlikely that in 1580 Santa Chiesa could refer (as recently asserted) to the battle of Lepanto, won in 1571 by don Giovanni d’Austria (who had died in 1578), given the propitiatory character of its text. A role for Margherita Farnese is finally guessed in the Italian diffusion of Etienne de la Boétie’s sonnet J’ai senti les deux maux, set to music by Ingegneri in the style of a French chanson at the end of his Terzo Libro: the reading adopted by Ingegneri differs in fact from all printed versions of La Boétie’s text, but its identical to that which was to be set to music by Claude Le Jeune while the French composer was in the service of the Duke of Anjou.
    Źródło:
    Musica Iagellonica; 2018, 9; 31-49
    1233-9679
    2545-0360
    Pojawia się w:
    Musica Iagellonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polyphenolic composition of Spanish cultivars of globe artichoke (Cynara cardunculus L. var. scolymus (L.) Fiori)
    Autorzy:
    Pérez-Esteve, É.
    Sałata, A.
    Barat, J.M.
    Stępniowska, A.
    López-Galarza, S.
    Nurzyńska-Wierdak, R.
    Powiązania:
    https://bibliotekanauki.pl/articles/11897335.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Przyrodniczy w Lublinie. Wydawnictwo Uniwersytetu Przyrodniczego w Lublinie
    Tematy:
    plant cultivation
    cardoon
    Cynara cardunculus
    polyphenolic composition
    Opal cultivar
    Concerto cultivar
    Symphony cultivar
    Madrigal cultivar
    Blanca de Tudela cultivar
    A-106 cultivar
    herbal plant
    medicinal plant
    phenolics content
    chlorogenic acid
    apigenin
    cynarin
    Opis:
    Globe artichoke (Cynara cardunculus L. var. scolymus (L.) Fiori) is an edible herbaceous perennial plant that plays an important economic role in Mediterranean agriculture. In recent years, extensive research, which aimed to characterize the phenolic profile of the most important globe artichoke cultivars in Italy, has been conducted. However, very little information is available on the phenolic composition of cultivars traditionally grown in Spain. In this work, six cultivars (‘Opal’, ‘Symphony’, ‘Concerto’, ‘Madrigal’, ‘Blanca de Tudela’ and ‘A-106’) cultured in Spain were characterized according to their phenolic content. The phenolic profile differed between cultivars, and also between flower parts. The major phenolic compound in all the different cultivars was chlorogenic acid. Of the six studied cultivars, ‘Madrigal’ had the highest phenolic content.
    Źródło:
    Acta Scientiarum Polonorum. Hortorum Cultus; 2018, 17, 2; 177-184
    1644-0692
    Pojawia się w:
    Acta Scientiarum Polonorum. Hortorum Cultus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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