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    Wyświetlanie 1-4 z 4
    Tytuł:
    Odrodzenie namysłowskiego klasztoru franciszkańskiego w XVII wieku w świetle pierwszego rozdziału kroniki konwentu
    The revival of the Monastery of Reformed Franciscans in Namysłów in the 17th century in the light of the first chapter of the convent’s chronicle
    Autorzy:
    Musiał, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/450055.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Namyslow
    Reformed Franciscans
    chronicle
    Silesia
    recatholization
    Opis:
    The goal of this study is, on the one hand, to outline the circumstances leading to formation of the convent of Reformed Franciscans in Namysłów in 1675, and on the other hand, to show the way of conducting historiographical narrative in the chronicle sources of Reformed Franciscans. This issue is particularly interesting in the context of repossession activities, which have been conducted by the St. Wenceslaus’ Czech province of Reformed Franciscans since the beginning of the 17th century, aiming at the return of observance monasteries confiscated in the era of the Reformation and, in this way, rebuilding the struc-tures of the province. The goal of systematized vision of the past was, on the one hand, to consolidate the young province, on the other hand, to demonstrate historical rights of Czech Reformed Franciscans to particular monastic houses. An example of such narrative, coordinated by one of the provincials, Fr Bernard Sannig, is a chronicle of the convent of Reformed Franciscans in Namysłów, which was, with 9 other monasteries, a Silesian part of Czech province.
    Źródło:
    Saeculum Christianum. Pismo Historyczne; 2016, 23; 161-180
    1232-1575
    Pojawia się w:
    Saeculum Christianum. Pismo Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenie postaci św. Jana Kapistrana w procesie kształtowania tożsamości wrocławskiego konwentu Franciszkanów Reformatów
    Autorzy:
    Musiał, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/2185063.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Wrocławski. Wydział Nauk Historycznych i Pedagogicznych. Instytut Historyczny
    Tematy:
    Reformed Franciscans
    Wrocław
    John of Capistrano
    collective identity
    memory
    Opis:
    The objective of the present study is to examine the role of St. John of Capistrano – a Franciscan preacher and missionary – in the process of forming the identity of the community of Czech Reformed Franciscans in the 17th century. The aforementioned figure was the actual initiator of the creation of Czech Observant province, which in the 17th century was transformed into a Reformed province. Based on the analysis of the description of history of the convent of St. Anthony in Wrocław, included in Chronica de origine (1678) by Father Bernard Sannig, and of the painting St. John of Capistrano from this convent, it becomes possible to present this saint as an important element of the identity, both on the provincial and local (the convent in Wrocław) level.
    Źródło:
    Śląski Kwartalnik Historyczny Sobótka; 2020, 75, 3; 5-41
    0037-7511
    2658-2082
    Pojawia się w:
    Śląski Kwartalnik Historyczny Sobótka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poreformacki kościół pw. św. Michała Archanioła w Choczu.Dzieje, architektura i organizacja przestrzeni sakralnej, problematyka konserwatorska
    The Former Reformed Franciscan Church of St. Michael the Archangel in Chocz. History, Architecture and Organization of Sacral Space - Restoration Issues
    Autorzy:
    Dąbkowska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1040363.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Chocz
    Reformed Franciscans
    bishop Andrzej Lipski
    sacral architecture of the 17th and 18th centuries
    wall-pillar architecture
    Opis:
    The Order of Reformed Franciscans, a conservative and strict branch of Franciscans, flourished in Poland mainly on the territory of Wielkopolska and Małopolska. The convent in Chocz was chronologically the third foundation in the Wielkopolska custody. Its founder was bishop Andrzej Lipski, who in order to strengthen Catholicism not only brought the Reformed Franciscans to the place but also built a collegiate church, thereby creating a complex of religious institutions in one part of the  town.In the years 1636-1639 there was a conflict between the Reformed Franciscans and the Bernardines. As a result the former were made to leave Chocz for a time. Upon return they began the construction of a new, brick church and convent (1699-1725 r.) It is worth noting that among others, Brother Mateusz Osiecki participated in the realization of the convent buildings. The church was erected in the recessed variant of the wall-pillar system and shows affinity to the Reformed Franciscan Church in Kalisz. Moreover, it is an important example of the sacral buildings of the Wielkopolska province of Reformed Franciscans. The convent was secularized in 1864 by decree of emperor Alexander II. The monks regained their right of ownership only in 1920. First, the convent buildings were used by the Order of Sisters the Shepherdesses of Divine Providence, and only later again by the Franciscans. At present the whole complex is under major restoration works.
    Źródło:
    Ecclesia. Studia z Dziejów Wielkopolski; 2010, 5; 53-65
    1731-0679
    Pojawia się w:
    Ecclesia. Studia z Dziejów Wielkopolski
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obrazy wizji św. Bonawentury i św. Franciszka z Asyżu (1. poł. XVIII w.) z klasztoru Franciszkanów reformatów w Przemyślu. Nowe rozpoznanie ikonograficzne
    Images of the vision of St. Bonaventure and St. Francis of Assisi (1st half of the 18th c.) from the Reformed Franciscan monastery in Przemyśl. New iconographic recognition
    Autorzy:
    Dzik, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/539315.pdf
    Data publikacji:
    2015
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Przemyśl
    Biecz
    Wieliczka
    Kęty
    Pińczów
    Kraków
    Św. Anna k. Przyrowa
    Kazimierz Dolny
    franciszkanie reformaci
    św. Franciszek z Asyżu – ikonografia
    św. Bonawentura – ikonografia
    Giovanni Francesco Barbieri zwany Guercino
    Antoni van Dyck
    Św. Anna near Przyrów
    Reformed Franciscans
    St. Francis of Assisi – iconography
    St. Bonaventure – iconography
    Giovanni Francesco Barbieri called Guercino
    Opis:
    The conservation of two, late Baroque, semi-circularly closed images of nearly identical size, located in the Reformed Franciscan monastery of St. Anthony in Przemyśl, which were thought to present the Communion of Saint Francis and the Veneration of the Cross by Saint Francis, brought about interesting outcomes. It turned out that the images were previously interpreted mistakenly, as they actually present the Communion of Saint Bonaventure and the vision of Saint Francis in Vicalvi (Vision of an angel with an ampoule), typical of the Franciscan post- Trent iconography. The pattern for the image Communion of Saint Bonaventure in the Przemyśl monastery was an engraved reproduction of a painting by A. van Dyck, which was to be created by Pieter Bailliu, an engraver from Antwerp (Balliu; around 1613- after 1660). The creation referred to the Last Communion of Saint Francis by Rubens. According to Carl Justi, the main idea of the presentation was a feeling of humility and a particular dignity of Saint Bonaventure towards the Blessed Sacrament. As a young monk, he attended a mass, but felt too unworthy to receive Holy Communion every day. During the mass, an angel appeared who, after taking a particle of a Host from the hands of a priest celebrating the mass, put it into Bonaventura’s mouth, so that “he knew that it was better to receive the Eucharist with love than to refrain from it for fear”. That pattern was common in Reformed Franciscan churches. The Communion of Saint Bonaventure was created to decorate the sacristy of the church in Pińczów (signature A. N. W. and the date 1717) and as a modello stored in the monastery in Kraków for an uncreated altar picture or sacristy decoration. That scene is also presented in the sacristy of the former Bernardine (now Dominican) church in Św. Anna near Przyrów. The second picture, Vision of an angel with an ampoule, was a reproduction of an engravery by Giovanni Francesco Barbieri called Guercino, presenting the vision of Saint Francis of Vicalvi, referred to as Vision of priestly dignity. The composition, popularized by, among others, the engraveries by Giovanni Battista Pasqualini (1630), was a pattern for painted decorations in the sacristies of Reformed churches in Pińczów, Wieliczka, Kęty and Biecz. According to Raffaell Colace in the article San Francesco e l’angelo con l’ampolla, the image of the saint by Guercino can be interpreted in two ways. On the one hand, in the context of underlining the humility of the saint who considered himself unworthy of being a priest and, on the other hand – the “spotlessness” of priesthood, the value particularly emphasized by the Catholic doctrine after the Council of Trent. The discussed pictures are a typical element of equipment of the sacristies of Reformed churches in the former Lesser Poland province. They were probably connected with the function of that place, in which the liturgical celebration was prepared. It can be presumed that, in the past, the pictures could have been the equipment of the sacristy of the Przemyśl church. It seems to be confirmed by the archival files kept at Reformed Franciscan Province Archives from the 19th century, reporting “great images over the mensa in the sacristy”. The images, created by a local guild artist or an artist from the Order do not manifest significant artistic values. However, they are interesting from the point of view of iconographic values, as a reproduction – through graphic patterns – of renowned works of Guercino and van Dyck, who are among the greatest European painters. Presenting both legendary events from the life of the patriarch of the Order and the main theorist of Franciscan thought was supposed to emphasize the new, post-Trent form of devotion – veneration of Eucharistic Christ and an exceptional dignity of celebrating the Holy Mass. Perhaps the humble attitude of the monks had a moralizing significance in a form of an example for the priesthood in the Reformed Franciscan order. Thus, the presentations are of high historical and cultural importance for the research on the history of the order.
    Źródło:
    Ochrona Zabytków; 2015, 1; 153-166
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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