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    Wyświetlanie 1-3 z 3
    Tytuł:
    Tablica Kebesa jako przykład alegorycznej popularyzacji etyki w starożytności
    The Tabula of Cebes as an Example of Allegorical Popularization of Ethics in Antiquity
    Autorzy:
    Pacewicz, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/938471.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Cebes
    allegorical interpretation
    moral exegesis
    Platonic dialogues
    Opis:
    The present paper offers a general introduction to the first Polish post¬war translation of the Tabula of Cebes. It discusses the general structure of the text and its major arguments. Subsequently, some speculations on the philosophical affinity of the author of the text are given and the nature of its reception is dealt with. Furthermore, the article presents also a brief history of allegorical interpretation in Greece and touches upon the most important exegetical tendencies that hitherto have appeared in European culture. The article is followed by the first Polish postwar translation of the Tabula of Cebes.
    Źródło:
    Peitho. Examina Antiqua; 2010, 1, 1; 83-110
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cursus aetatis. O cyklu Na XII tablic ludzkiego żywota Jana Kochanowskiego
    Cursus aetatis. On Jan Kochanowski’s Cycle Na XII Tablic Ludzkiego Żywota
    Autorzy:
    Sokolski, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/1945417.pdf
    Data publikacji:
    2008
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Kochanowski Jan
    Obraz Cebesa
    kalendarze
    godzinki
    Cebes’s Image
    calendars
    hours
    Opis:
    Jan Kochanowski’s cycle “Na XII tablic ludzkiego żywota” appeared as a whole only six years after the poet’s death in the volume “Fragmenta abo pozostałe pisma” (Kraków 1590) and was prepared by his friend, the printer Jan Januszowski. This paper seeks to prove that contrary to the hitherto views, Kochanowski did not draw here on to the so-called “Tabula Cebetis”, a Greek dialogue on the first century BC, but to the late-medieval tradition of the presentations of human life in the form of twelve stages that correspond to the twelve months of the year. Everything indicates that in the case of Kochanowski’s distichs we are dealing with a cycle of calendar poems that initially were supposed to be accompanied by some respective prints. The project was not carried to effect for some unknown reasons. Ultimately, the poet included in his collection of “Fraszki” only three two-verse works taken from the whole that had been prepared earlier.
    Źródło:
    Roczniki Humanistyczne; 2008, 56, 1; 93-108
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ksiądz Stanisław Orzechowski i swawolne dziewczęta wobec opon Zygmunta Augusta na Wawelu
    Rev. Stanisław Orzechowski and Wanton Girls. Looking at Flemish Renaissance Tapestries in Kraków
    Autorzy:
    Fabiański, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/636330.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    King Sigismund Augustus of Poland
    royal Wawel Castle
    Flamish tapestries
    Nuptial Panegyric
    Tablet of Cebes
    Opis:
    For the marriage of King Sigismund Augustus of Poland to Catherine of Austria in 1553 the halls of the royal Wawel Castle were adorned with a set of Flamish tapestries. The decoration was immediately described by rev. Stanisław Orzechowski in his Nuptial Panegyric. Due to several factors he could not see the figural tapestries well enough, so not all the details in his ekphrasis could be accurate. However, he rallied his vast classical erudition and imitated (in fact emulated) a number of ancient sources, in particular the Tablet of Cebes. The material, workmanship and realism of the arrasses were praised lavishly. The author’s visual culture was probably based on his selective knowledge of classical literature. Even though Orzechowski admitted that the nude First Parents depicted there aroused wanton members of the public, all the Eden scenes provided the royal couple with beneficial moral teachings. To account for this paradox, a vast number of ancient, early Christian and Renaissance literary sources is studied here in an attempt to find such an interpretation that would turn the alluring nudes to the moral benefit of the beholders. The justification could be found in the doctrine best expressed by St. Augustin in his City of God. The impeccable nudes of Adam and Eve set before the bride and groom an ideal example of innocent marital feelings. According to Andrzej Frycz Modrzewski, a secretary to the king, lascivious scenes could thus become “the material to exercise virtue”.
    Źródło:
    Terminus; 2011, 13, 24; 41-69
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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