Wszystkie pola: Ulicy Krokodyli - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Do każdego gestu inny aktor. Ontologia przedmiotów w Ulicy Krokodyli Brunona Schulza i realizacji filmowej braci Quay
A different actor for each gesture.The ontology of objects in Bruno Schulz’s Street of Crocodiles and the fi lms of the Quay brothers
Autorzy:: MEYER, DOMINIKA
Powiązania:: https://bibliotekanauki.pl/articles/920964.pdf
Data publikacji:: 2016-11-03
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Ulicy Krokodyli
Manekiny
Bruno Schulz
object-oriented ontology
Opis:: Humanism deprived things of the attention they undoubtedly deserve. An anthropocentric way of perceiving the world dominated most movements in contemporary philosophy and classified them as incapacitated products of human practices. Until now object-oriented ontology has focussed predominantly on literature, but it also creates whole new possibilities for film theorists, forcing viewers to change prevailing formulae.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 111-120
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Schulz i ekonomia. O doświadczeniu nowoczesności w „Ulicy Krokodyli”
Schulz and Economy. On the Experience of Modernity in „The Street of Crocodiles”
Autorzy:: Abramowski, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/645752.pdf
Data publikacji:: 2018-12-03
Wydawca:: Fundacja Terytoria Książki
Opis:: The paper focuses on the motifs characteristic of the experience of modernity, which appear in Bruno Schulz’s fiction – specifically, on those derived from modern economy and its influence on the individual’s reception of reality, such as metropolis, crowd, loneliness, commercial street, and commodity fetishism. The context includes the accounts of modernity proposed by Marx, Benjamin, Simmel, and Marshall Berman. In his description of the commercial street in “The Street of Crocodiles,” Schulz draws on the tradition of modernist literature, developing the traditional modes of description in terms of his own imagination and literary mythology. He approaches the economic modernity from a peripheral point of view, which allows his to perceive its aspects that are invisible in the center.
Źródło:: Schulz/Forum; 2018, 12
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Szpargał, artefakt, fantazmat. Mapa w „Ulicy Krokodyli”
An Old Paper, an Artifact, a Phantasm. The Map in “The Street of Crocodiles”
Autorzy:: Dajnowski, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/645514.pdf
Data publikacji:: 2018-12-03
Wydawca:: Fundacja Terytoria Książki
Opis:: The paper focuses on the map which is a motif that organizes a large part or even the whole of “The Street of Crocodiles,” a short story by Bruno Schulz. It is an analysis of a series of transformations of a map into an etching, a photo, an architectural drawing, and an icon, as well as the changes of its focalization and coloring. Inspirations have been drawn from critical cartography, the Deleuzian idea of the fold, studies by Svetlana Alpers and Georges Didi-Hubermana, Freudian psychoanalysis and its continuation by Torok and Abraham, and the theories of melancholy.
Źródło:: Schulz/Forum; 2018, 11; 7-30
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

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