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    Wyświetlanie 1-3 z 3
    Tytuł:
    Zastosowanie parkietu drewniano-metalowego przy konserwacji obrazu sztalugowego na desce "Sacra Conversazione" z Racławic koło Miechowa
    Autorzy:
    Budziłło-Skowron, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/537130.pdf
    Data publikacji:
    1963
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    „Sacra Conversazione” z Racławic
    przemalowania obrazów
    parkiet drewniano-metalowy
    Racławice
    Źródło:
    Ochrona Zabytków; 1963, 3; 49-54
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Odkryty spod przemalowań obraz Jana van Bronchorsta
    A PAINTING BY JAN VAN BRONCHORST REVEALED FROM BENEATH THE OVERPAINTINGS
    Autorzy:
    Steinborn, Bożena
    Filipiak, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/536857.pdf
    Data publikacji:
    1974
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    obraz Jana van Bronchorsta
    Muzeum Narodowe we Wrocławiu
    przemalowania obrazów
    ściąganie warstw malarskich
    Opis:
    The technological examinations of the seventeenthcentury painting which was displayed in 1970 in the National Museum, Wrocław have shown th a t it was overpainted for several times. In the left lower corner of that painting, whose subject is the Vintage Feast, a figure of erot has been revealed. Basing on numerous analogies the authors of the present report a ttr ibute the painting in question to the Dutch painter, named Jan van Bronchorst (ca. 1603—1661). Such a ttribution is, in the first line, suggested by the composition of some figures and also their positioning (positions of their heads, direction of sights and gestures of hands). The most close analogies can be found in the painting titled “The Concert” by Bronchorst that is now kept in the museum at Brunswick.
    Źródło:
    Ochrona Zabytków; 1974, 2; 137-142
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PARA NIEZNANYCH LITERATURZE PORTRETÓW Z KRĘGU SZLACHECKIEGO KOŃCA XVIII W. PĘDZLA JÓZEFA FAWORSKIEGO. KONSERWACJA I PIERWSZE BADANIA TECHNIKI MALOWANIA
    TWO UNKNOWN PORTRAITS BY JÓZEF FAWORSKI FROM THE GENTRY RANGE OF THE LATE EIGHTEENTH CENTURY. CONSERVATION AND FIRST STUDIES OF THE PAINTING TECHNIQUE
    Autorzy:
    Szpor, Joanna
    Soińska, Zuzanna
    Powiązania:
    https://bibliotekanauki.pl/articles/537894.pdf
    Data publikacji:
    2008
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    FAWORSKI JOZEF
    PAINTING TECHNIQUE (18TH C.)
    Józef Faworski
    portrety rodziny Wardęskich
    konterfekty Garbowskich
    portrety rodzinne
    malarstwo dworskie
    konserwacja obrazów
    przemalowania obrazów
    ingerencja w oryginał obrazu
    technika malowania
    Opis:
    The collection of nine portraits of the Wardeski family of the Godziemba coat of arms, salvaged from a manor house in Dalikowo in the land of Sieradz, presents a series of ancestors from the end of the eighteenth century to the early twentieth century. The conservation of the collection was conducted in 2003-2008 in the atelier of Professor Joanna Szpor at the Academy of Fine Arts in Warsaw as part of a course for students. In view of the original inscriptions on the reverse of the canvases it was necessary to apply the transparent doubling method; the genealogy of the family was illustrated with the portraits. The earliest pair of portraits of Teresa Garbowska born Krosnowska and her husband, Jozef Garbowski (1789), is still part of the current of eighteenth-century gentry painting. The reverse of both likenesses features the signature 'Jozef Faworski', who was one of the leading painters of this current. The heretofore-unknown portraits increase the number of canvases signed by him to a total of seven. Due to the visible composition changes in the portrait of Garbowska, the painting became the topic of an M. A. dissertation written by Zuzanna Soinska. Physical-chemical studies and a comparative analysis of the technique applied in the other portraits by Jozef Faworski made it possible to recreate and, for the first time, to describe his workshop. The conventions of the depiction of the Polish nobility were established, and the fashion observed by the wives - predictable. Faworski received commissions for portraits of married couples in assorted manor houses and then prepared canvases of similar sizes; the colour of the priming ground depended on the planned tones, and the artist had at his disposal a painted version of the so-called female portrait. As a rule, he executed the most frequently requested composition, i.e. from the hips up, with a hand holding a fan on a table, and all the attributes and ornaments of the fashionable gentlewoman, which, as in the case of Teresa Garbowska, the sitter could reduce or change in the last stage of completing the painting, when she was already posing for a rendition of the facial features. In the case of the discussed portrait the alteration was so considerable that only comparative studies of the binder from the 'unquestionably auteur' parts and the 'secondary fragments' revealed that they had been executed by Faworski in fat tempera with an addition of gum. The binder was 'combined' tempera composed of egg yolk, flax oil and cherry gum for a better cohesion of the paint. An analysis of the inscriptions on the reverse of the earlier studied portraits signed by Faworski and the newly discovered portraits of Teresa and Jozef Garbowski indicates that they were executed by the same author using a paintbrush - which called for considerable ease in guiding it and for recurring lettering. The presented research findings became the first description of the workshop of Jozef Faworski, an author of portraits from the range of gentry painting. They also provided directives for the conservation of the portrait of Teresa Garbowska.
    Źródło:
    Ochrona Zabytków; 2008, 2; 17-32
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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