- Tytuł:
-
A Refunctionalisation of Form. The Modernist Turn in the Opus of Painter Leonid Šejka
Refunkcionalizacija forme. Modernistički obrt u opusu slikara Leonida Šejke - Autorzy:
- Milosavljević-Ault, Angelina
- Powiązania:
- https://bibliotekanauki.pl/articles/635756.pdf
- Data publikacji:
- 2017
- Wydawca:
- Uniwersytet im. Adama Mickiewicza w Poznaniu
- Tematy:
-
Leonid Šejka
form
function
modernism
objecthood - Opis:
- Works by Belgrade artist Leonid Šejka (1932–1970) are usually considered fantastic, an embodiment of aesthetic ideals of Mediala Art Group he was a member of, an opposition to everything that Modernism stood for with its harsh formalism that expelled object. However, the complexity of Šejka’s opus as artist and theorist allows a different approach. In this paper, we turn to – so far neglected – Šejka‘s positive relation to Modernism, which he saw as a foundation for new aesthetic ideals. He understood that Modernism turned paintings into objects of empty forms void of function. Nevertheless, the future of painting, for him, resided in re-introduction of objects into painting in order to re-establish the necessary form-function relation, preserving, at the same time, Modernist traits. Šejka tried to demonstrate this in his mature works. He wrote about it in a series of writings, which contribute to our understanding of his opus.
- Źródło:
-
Poznańskie Studia Slawistyczne; 2017, 13
2084-3011 - Pojawia się w:
- Poznańskie Studia Slawistyczne
- Dostawca treści:
- Biblioteka Nauki
Artykuł