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Tytuł:
The Spectacle of Historical Trauma of Black Bodies in America: Subjectivity, Abjection, and Commodification of The White/Black Gaze
Autorzy:
Briseno, Rosemary
Powiązania:
https://bibliotekanauki.pl/articles/28407290.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
black gaze
white gaze
racism
abjection
objectification
psychic trauma
Opis:
In 1994, Elizabeth Alexander's”'Can you be Black and Look at This?’: Reading the Rodney King Video(s)” was published in The New Yorker magazine. Alexander focuses on the ways in which Black bodies have been the focal point of public pain, torture, and humiliation for centuries. These public lynchings, whippings, and other forms of physical abuse leading to maiming and death have been elements central to the entertainment for the racial status quo. Alexander's essay also focuses on the ways in which there has always been a “Black gaze” bearing witness to the decimation of other Black bodies--- the legacy of which leads to a continued cycle of both psychological and historic trauma that is (re)visited over and over again. Of course, with the prevalence of technology now a norm, such incidents of recorded violence are part of life in America.   As the United States' greatest cancer, racism, continues to be a root cause of this violence, neither the killing of Blacks nor survivors' consciousness will be healed; and worse, the spectacle of racial violence will continue to perpetuate victims on various levels: 1) as victims directly tied to such violence and 2) as witnesses to said violence. My proposed essay focuses on the tragedy of Black bodies as spectacles of public pain---whether they are viewed as victims, as specimens of morbid curiosity, or as receptacles of displaced hate and disgust; and even as supposed rightly displays of justices incurred, simply because the body in question is Black (“They got what they deserved. They should have just pulled over.”). I will focus on various, very public historical and modern-day lynchings, from Emmett Till to George Floyd, and explore the cause and effects against Blacks in America. Ultimately, the essay poses the following questions: who is the monster, who are the victims? And at what cost will this continuum perpetuate the legacy of trauma of the American Black population?
Źródło:
Forum for Contemporary Issues in Language and Literature; 2023, 4; 80-88
2391-9426
Pojawia się w:
Forum for Contemporary Issues in Language and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CULTURAL MINORITIES AND THE PANOPTIC GAZE: A STUDY OF THE (MIS)REPRESENTATION OF ETHNIC MINORITIES IN MALAYALAM FILMS
Autorzy:
DIVAKARAN, R. V. M.
Powiązania:
https://bibliotekanauki.pl/articles/957809.pdf
Data publikacji:
2017
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Representation
aboriginal
tribes
Film
Gaze
Opis:
This paper explores the patterns of the representation of Adivasis or aboriginals – known as ‘tribals’ in common parlance – in Malayalam language films. Film as a medium of representation is continuously engaged in constructing images and thus the process becomes an ideological enterprise contributing to the relentless practice of defining and redefining the society and its various components in terms of several binaries. The film industry of Kerala, a southern state of India, is affluent and more influential than other art forms and production. Though the tribal population of Kerala is around 400 thousand and they belong to as many as 43 subgroups, they are underrepresented in films and that too is in a stereotypical manner.  These groups are considered to be largely distinct with each tribal group identifying themselves with their own mythologies, tales of origin, and distinctive religious and ritualistic practices. This paper critically analyses the politics of representation using the example of tribals in Malayalam films as it  has evolved over the past decades and attempts to trace a whole gamut of aesthetic and ethical issues at stake.
Źródło:
Journal of Education Culture and Society; 2017, 8, 2; 240-248
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Othello and the Gaze of the Other
Autorzy:
Roohollah, Roozbeh
Powiązania:
https://bibliotekanauki.pl/articles/1178803.pdf
Data publikacji:
2017
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Othello
discourse
gaze
master
other
Opis:
This article reads Othello through the discourse of cultural materialism. To do so, the writer’s discourse therefore, becomes that of the hysterical discourse going against the dominant discourse of the work. Cultural materialism borrows the ideas of many critics in order to study canonical works against the grain. Thus, this article uses cultural materialism in order to read Othello against the grain. To read it so requires resisting or hystericising the dominant discourse and worldview and shifting sympathy. The gaze of Othello signifies how psychologically the white society looked at him and how the white society considered him. Othello is Moorish and hence an Arab in Europe, manifestly calling to mind all the multifaceted confrontations and conflicts of Self/Other in a framework of power struggle. He is a non-western protagonist whose wife, a European equals Othello’s tribe. Othello is an odd-one-out protagonist whose wife, Desdemona, is referred to as a pearl. This pearl calls for the fact that Othello be black in order to be inferior to her. The white Desdemona is an angel while the black Othello is a monster creating a binary opposition of angel and evil. The play depicts Othello as a loser and Desdemona as a winner making the audience identify with the winner. It makes Othello a type, the type of people who are horrible, treacherous, illogical, bestial and demonic. Desdemona also becomes a type, the type of people who are self, angelic and master. Practically Shakespeare lets Othello confess to his irrationality and inferiority.
Źródło:
World Scientific News; 2017, 90; 166-176
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:
Dąbrowska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/653557.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Oscar Wilde
Bible
Salomé
male gaze
Opis:
The present article engages with the eponymous character of Oscar Wilde’s Salomé and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s Salomé becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical Song of Songs to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gra słów i spojrzeń: „PokaZ”
A Play on Words and Looks: PokaZ
Autorzy:
Piniewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/31340785.pdf
Data publikacji:
2024-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
show
freak show
disability
discourse
gaze
Opis:
The article presents a poetological analysis of PokaZ (ShoW), a performance directed by Justyna Wielgus that refers to the practices of freak show. Piniewska discusses the compositional strategies used in PokaZ to subversively crip the oppressive form of a freak show. Adopting the perspective of critical disability studies, she reflects on the popular cultural images of disability (a victim, a hero, an eternal child, and a medical specimen) and discourses thereof (the discourse of pity and the medical discourse) addressed in the performance. Her analysis centres on the ways of talking about and looking at disability that shape artistic communication with an audience.
Źródło:
Didaskalia. Gazeta Teatralna; 2024, 179; 139-164
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wojna. Kobiece spojrzenie.
War. Female Gaze
Autorzy:
Bojarska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/32084473.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
kobiecość
spojrzenie
fotografia
femininity
gaze
photography
Opis:
Autorka bada wątek kobiecego spojrzenia w relacji do fotografii, zwłaszcza wojennej. W tym celu sięga po Trzy gwinee Virginii Woolf i analizuje użycie fotografii w antywojennej narracji pisarki.
In her article the author theorizes female gaze in relations to atrocity photography, especially war photography. In order to do so he revisits Virginia Woolf’s Three Guineas and discusses the use of photography in Woolf’s anti-war narrative.
Źródło:
Konteksty. Polska Sztuka Ludowa; 2023, 343, 4; 192-198
1230-6142
2956-9214
Pojawia się w:
Konteksty. Polska Sztuka Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:
Dąbrowska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/24987860.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Oscar Wilde
Bible
Salomé
male gaze
Opis:
The present article engages with the eponymous character of Oscar Wilde’s “Salomé” and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s “Salomé” becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical “Song of Songs” to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 9-17
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“My Monster Self”: Violence and Survival in Margaret Atwood’s Moral Disorder
Autorzy:
Fakhrshafaie, Nahid
Bahremand, Alireza
Powiązania:
https://bibliotekanauki.pl/articles/2032712.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
caregiving
outsider
insider
garrison mentality
gaze
survival
Opis:
Margaret Atwood’s novels are usually celebrated for their blunt feminism. However, in Moral Disorder—a series of interconnected stories that forms a novel—feminist concerns are replaced with worries about territory and survival. The protagonist is an insider whose sole concern is to survive and to protect her territory. The confrontation between the narrator as the insider and the outsiders does not occur directly but could be inferred by her cruelty toward other characters and her violence against the animals under her care. The present study argues that this cruelty, which abounds in the novel, could be viewed as a substitute for violence against the outsiders. The narrator’s gaze at the Indian boy who entered the protagonist’s territory manifests a garrison mentality. The frequent references to axes in the novel are compared to the use of axes in “Wilderness Tips,” a short story by Atwood in which axes also have a metaphoric significance. The beheading and dismemberment of domestic animals could be the punishment awaiting the intruder. The novel establishes a division between the insider/outsider, here/there, self/other and civilized/barbaric to call for action and awareness about the importance of protecting one’s territory.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 263-278
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Using eye tracking data for evaluation and improvement of training process on ship’s navigational bridge simulator
Autorzy:
Muczyński, B.
Gucma, M.
Bilewski, M.
Zalewski, P.
Powiązania:
https://bibliotekanauki.pl/articles/360367.pdf
Data publikacji:
2013
Wydawca:
Akademia Morska w Szczecinie. Wydawnictwo AMSz
Tematy:
eye tracker
gaze data
statistical analysis
mental workload
Opis:
The paper presents basics of the eye tracking methodology and results of preliminary test on multi-purpose marine ship’s navigation bridge simulator. The use of the eye-tracker on the navigation bridge makes it possible to objectively measure the ergonomics of the individual interfaces, as well as to evaluate the decision-making process itself, including the mental workload and stress. In the experiment, officers were faced with an unexpected and sudden situation leading to a collision. The simulated situation required the officer to act immediately and resolutely, taking into account all his/her knowledge about the ship, and interpreting the available data correctly. Outcome of this test was compared with gaze data and it was proved that experienced group with best results suffered lowest level of mental workload and was most efficient In decision making process. Based on those results a possibility of improving simulator training with the use of eye tracking data is discussed.
Źródło:
Zeszyty Naukowe Akademii Morskiej w Szczecinie; 2013, 33 (105); 75-78
1733-8670
2392-0378
Pojawia się w:
Zeszyty Naukowe Akademii Morskiej w Szczecinie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pluralité des points de vue dans la matière tristanienne
Multiplicity of views on the matter of Tristan
Autorzy:
Sobczyk, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1050628.pdf
Data publikacji:
2015-12-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Tristan and Isolde
Point of view
Gaze
Sign
Opis:
Literary versions of the legend of Tristan and Isolde are suitable especially for an analysis of the issues connected with the point of view, particularly if it is understood in the literal, visual meaning, which is here closely associated with the narratological meaning. Lovers are constantly hiding, being followed, then found in the farthest recesses and exposed to gaze of the others, hostile or sympathetic. These gazes decide about their fate; a gaze is therefore an instrument of power, control, and judgment. In the first place, though, a gaze is the instrument of understanding and interpretation, which in many scenes are both shown as complex, problematic and non-obvious. Therefore, the opposition between favorable and hostile gazes is not always so strong: especially the gaze of King Mark, torn between the contradictory feelings for his wife and nephew, is characterized by ambivalence. This ambivalence can also be discerned in the changeable attitudes of some characters, hesitations of narrators and in numerous variants of particular versions of the legend.
Źródło:
Studia Romanica Posnaniensia; 2015, 42, 3; 5-15
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Gaze of the Spectral Setting in the 1968 BBC Adaptation of M. R. James’s “Oh, Whistle, and I’ll Come to You, My Lad”
Autorzy:
Mydla, Jacek
Keithline, Anne
Powiązania:
https://bibliotekanauki.pl/articles/632506.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
ghost story genre
film adaptation
haunting
gaze
identification
Opis:
This article is a study devoted to the BBC adaptation of a ghost story by Montague Rhodes James, “Oh, Whistle and I’ll Come to You, My Lad.” The ideas of the spectral gaze and sympathetic spectreship are used to submit that in the film the setting itself is the spectre, with which/whom the viewer is invited to identify. This rearrangement-in comparison with the situation in the original story-casts the spectral setting both in the role of the haunting presence and the victim of an otherworldly (human) intrusion. A detailed analysis of the use of the camera supports the argument.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pajęcza gra miłosna, czyli o strategiach adaptacji Bernarda Bertolucciego
Spider’s Love Game, or on Bernardo Bertolucci’s Adaptation Strategies
Autorzy:
Helman, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/31341204.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Bernard Bertolucci
spojrzenie
gra miłosna
gaze
love game
Opis:
Helman przedstawia recenzję książki Bożeny Kudryckiej Ukryte spojrzenia w filmach Bernarda Bertolucciego (2016), wskazując, że jest to monografia ujmująca całokształt twórczości reżysera. Kudrycka pisze w swej książce przede wszystkim o strategiach adaptacji w wybranych ośmiu filmach reżysera, dla których punktem wyjścia był materiał literacki. Omawiając konstrukcję tej publikacji i charakter samych analiz filmowych, Helman zwraca uwagę, że interpretacje Kudryckiej bywają skrajne, co przesądza o ich atrakcyjności, przy czym niektóre z nich sięgają rejonów nadinterpretacji. Mimo to recenzentka zauważa, że te najbardziej skrajne interpretacje są najciekawsze, bowiem zostały napisane z niesłychaną śmiałością i wirtuozerią. Helman odnosi niektóre z rozpoznań Kudryckiej do swoich własnych upodobań i odczytań filmowych, a w podsumowaniu notuje: Lektura książki Bożeny Kudryckiej jest dla czytelnika pasjonującą przygodą intelektualną. Autorka prowadzi nas przez meandry niełatwej przecież w odbiorze twórczości Bertolucciego z nieomylnym wyczuciem kierunku.
Helman presents a review of Bożena Kudrycka’s book Ukryte spojrzenia w filmach Bernarda Bertolucciego [Hidden Gazes in Bernard Bertolucci’s Films] (2016), indicating that it is a monograph that captures the overall output of the director. Kudrycka focuses in her book primarily on adaptation strategies in eight, selected, films by Bertolucci, for which the starting point was literary material. Discussing the structure of this publication and the nature of film analyses themselves, Helman points out that Kudrycka’s interpretations tend to be extreme, which makes them attractive, however some of them enter the region of over-interpretation. Nevertheless, the reviewer notes that the most extreme interpretations are the most interesting, because they were written with incredible boldness and virtuosity. Helman relates some of Kudrycka’s diagnoses to her own preferences and film interpretations, and in summary notes: Reading Bożena Kudrycka’s book is an exciting intellectual adventure. The author guides us through the meanders of Bertolucci’s difficult art with an infallible sense of direction.
Źródło:
Kwartalnik Filmowy; 2017, 100; 244-248
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Masks and mirrors of subject identity. Between the petrification of language and the mimeticization of the gaze
Autorzy:
Węc, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/36796195.pdf
Data publikacji:
2023-09-29
Wydawca:
Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie
Tematy:
subject
identity
violence
mimicry
language
gaze
lacanian psychoanalysis
Opis:
The article addresses the issue of the constitution of the subject and the formation of identity in a world that is rapidly changing along with threats it cannot control. The discussion will span between the epistemic interpretive perspectives of Rene Girard and Jacques Lacan, involving aspects of the understanding of the subject, the meaning of language, the perception of the image, and the action of the Real. In the cognitive approach, the goal is to show the space of violence, crisis, trauma and finally language as a representative of culture. In the interpretive perspective, two (signifiant) mechanisms of human behavior are presented: mimicry and petrification, the action of which is revealed in the subject, or for the subject. The critical perspective will refer to the contemporary condition of the subject and its position in relation to nature, culture and social conditions. As for pedagogical discourse, the question is formulated: how do we understand the reality in which the subject exists, and what is the dimension of violence that organizes culture or emerges from this culture? The text uses concepts borrowed from Jacques Lacan’s psychoanalysis.
Źródło:
Studia z Teorii Wychowania; 2023, XIV(2 (43)); 147-159
2083-0998
2719-4078
Pojawia się w:
Studia z Teorii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sir John Fielding (1721–80) we współczesnym kryminale anglojęzycznym
Sir John Fielding (1721–80) in Contemporary Crime Fiction in English
Autorzy:
Lipski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1068936.pdf
Data publikacji:
2020-12-01
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
historical crime fiction
surveillance
gaze
Georgian Crime
John Fielding
Opis:
This article discusses the ways in which the life and achievements of Sir John Fielding are reconstructed in contemporary crime fiction in English. The material under scrutiny consists of selected examples of the so-called Georgian crime/mystery, that is, crime narratives set in Georgian England (1714–1837, the reign of George I, George II, George III and George IV). The discussed works include those in which Fielding functions as a secondary character — the series Dr. Sam: Johnson, Detector by Lillian de la Torre and The Demoniacs by John Dickson Carr — as well as those in which he becomes the protagonist — the series Sir John Fielding Mysteries (Bruce Alexander, 1994–2005) and John Rawlings Mysteries (Deryn Lake, 1994–2000). The offered reading of these texts is contextualized historically as well as being informed by Michel Foucault’s ideas put forward in Discipline and punish.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 3; 79-89
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Ulsterman Named Achilles
Ulsterczyk o imieniu Achilles
Autorzy:
Schade, Gerson
Powiązania:
https://bibliotekanauki.pl/articles/1045684.pdf
Data publikacji:
2019-10-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Achilles
Homer
Michael Hughes Country
intertextuality
‘Irish’ gaze
décalage
Opis:
Schade Gerson, An Ulsterman Named Achilles (Ulsterczyk o imieniu Achilles).A new novel by an English-writing author turns out to be a careful reworking of the story of Achilles, as it is told by Homer. The article elucidates how the modern text works and suggests how it may relate to an ‘Irish’ gaze. A new term, décalage, is introduced to describe a particular poetic device that belongs to the many ways of establishing intertextuality.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 1; 143-155
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł

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