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Wyszukujesz frazę "antropologia rocka" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Antropologia słowa Nicka Cave’a na jego debiutanckiej płycie z zespołem The Bad Seeds From Her to Eternity (1984)
Anthropology of the word: The case of From Her to Eternity (1984), a debut album by Nick Cave and The Bad Seeds
Autorzy:
Tański, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1944362.pdf
Data publikacji:
2021-06-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
antropologia rocka
teksty piosenek rockowych
głos
śpiew
Nick Cave
anthropology of rock
rock song lyrics
voice
singing
Opis:
This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by Nick Cave and the Bad Seeds, including a cover of a song originally written by Leonard Cohen. As an example of a rock song lyrics study, it follows the receptive trace while reflecting on the beginnings of the creative path of this outstanding songwriter, rock music composer and vocalist endowed with a captivating voice. Nick Cave’s first musical incarnation was the Boys Next Door (1976–1980, the band changed its name several times and for a longer time was known as Concrete Vulture), later followed by the Birthday Party (1980–1983), Nick Cave and the Bad Seeds (1984–), and Grinderman (2006–2011). Originating from Warracknabeal, Australia, Nicholas E. Cave is considered to be one of the best rock culture artists, confirming his class as with every new album. His last two productions, Idiot Prayer: Nick Cave Alone at Alexandra Palace (2020) and Carnage (2021, a studio album recorded in a duo with the outstanding multi-instrumentalist Warren Ellis), are beautiful, moving, and extraordinary works. The former is a concert film and a live album featuring Cave performing solo on piano, and it serves as the final film in a trilogy of this Brighton-based singer and composer, along with the phenomenal 20,000 Days on Earth (2014) and One More Time with Feeling (2016). Nick Cave is an artist who writes about loneliness, pain, and yearning for love, as clearly evidenced by From Her to Eternity, a moving study of the anthropology of love.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 31-47
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Demolition. (Nie)słyszalne głosy i praktyki dyskursywne anglosaskich artystek hardrockowych
Demolition. (In)audible voices and discursive practices of female hard rock artists in English-speaking countries
Autorzy:
Kosek, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1944375.pdf
Data publikacji:
2021-06-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
kultura rocka
artystki anglosaskie
praktyki artystyczne
antropologia hard rocka
rock culture
female artists of the Anglosphere
artistic practices
anthropology of hard rock
Opis:
This article focuses on female hard rock and (heavy) metal artists largely marginalised in previous national research on the anthropology of popular music. The current state of research is presented in a context. Selected topics are discussed related to the artistic practices and image, the multidimensionality of the voice, the category of the body, and the aesthetics of the aging of female artists. The (heavy) metal culture is analysed in the context of exhibitionism defined in a non-reductionist manner not only as a kind of sexual paraphilia, but more broadly as a tendency (at times excessive) to reveal personal and intimate details to others, expose one’s self, and in some cases also one’s body. The text focuses on Girlschool, the British longest-running all-female rock band whose career can be viewed from the perspective of longue durée, and Otep, an American band synthetically characterised through its leader’s political manifestations represented on the album Kult 45 (2018). The careers of the both bands are analysed in terms of the dominant metal masculinist paradigm, as well as from the perspective of ideological discourses and the (trans)media logic of convergence culture.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 61-73
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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