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    Wyświetlanie 1-4 z 4
    Tytuł:
    Экспонаты Музея «Пруссия» в Каталоге копий Центрального Римско-Германского музея (Майнц)
    Exhibits from Prussia-Museum in a Catalogue of copies from the Central Roman-German Museum (Mainz)
    Autorzy:
    Кулаков, Владимир И.
    Powiązania:
    https://bibliotekanauki.pl/articles/1037855.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Roman-German Central Museum (Mainz)
    catalog of copies
    Prussia-Museum
    Opis:
    The catalogue of copies from the Roman-German Central Museum (Mainz) poses an opportunity to present to the modern researcher the volume of Prussian archaeological material available on the second floor dedicated to the 19th century. By collecting what is considered the most representative exhibits, the museum authorities put on display items copied in Mainz and stored in Prussia-Museum (Königsberg). They were created by masters from Aesti and Prussia. The only imports among the small array of findings published in the catalogue include a helmet from the Dollkeim-Kovrovo burial ground (its local origin has not been excluded) and a lock and key from the Löbertshof cemetery / Tyulenino.
    Źródło:
    Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2019, 60; 7-17
    0080-9993
    Pojawia się w:
    Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Role of Visual, Semantic and Sensual Aspects of Architecture in Perpetuating the Memory of the Past – the New Synagogue in Mainz
    Autorzy:
    Sowińska-Heim, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/666086.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    sensual dimension of architecture
    language of architecture
    memory
    Mainz
    synagogue
    Opis:
    Thanks to its expressive form, the New Synagogue and the Jewish Community Centre in Mainz erected in 2008–2010 is a powerful sign in the urban space, creating a sort of aesthetic energy of the place. Its shape and influence results from the special synergy of an ultra-modern form and content deeply rooted in tradition. Serving particular functions, the building at the same time becomes an important urban art piece, determining and defining identity of the place.
    Źródło:
    Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica; 2019, 33; 55-64
    0208-6107
    2353-9631
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Status prawny prowincji mezyjskich w okresie wojen markomańskich
    Autorzy:
    Mrozewicz, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/2046433.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Upper Moesia
    Lower Moesia
    Mainz
    prateorian provinces
    consular provinces
    cursus honorum
    Novae
    Mezja Dolna
    Mezja Górna
    prowincje konsularne
    prowincje pretoriańskie
    Opis:
    In 1962, Anthony R. Birley advanced a remarkable thesis, claiming that the rank of the Roman province of Upper Moesia (Moesia superior) was temporarily reduced from consular to praetorian. To support the assertion, he cited the fact that one of the two legions stationed in the province left it for a period of time; this automatically entailed a revision of its status, which was thus downgraded. A province with one legion was governed by a former praetor, whereas a province with two or more legions was administered by a former consul (vir consularis). A.R. Birley drew on the account in SHA vita Marci 22.9, which states that Marcus Aurelius changed – pro belli necessitate – the status of several provinces, as well as on two inscriptions (CIL III 1566; XIII6806), which contained an unorthodox record of senatorial careers. Both inscriptions mention Upper Moesia. A.R. Birley’s proposition was widely accepted by researchers, though critical views were also expressed. Nonetheless, its impact was so effective that it was subsequently argued that the mechanism should be presumed to have applied to Lower Moesia (Moesia inferior) as well. Still, a thorough analysis of all available sources permits one to conclude that the view is erroneous and altogether unfounded. In fact, its represents an outcome of a puristic application of the prosopographic method, which in this case proved a fundamental mistake.  
    Źródło:
    Studia Europaea Gnesnensia; 2020, 21; 9-18
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Epika „epigramatyczna”. Ekkeharta Versus ad Picturas wobec tradycji poetyckiej
    The “epigrammatic” epic. Ekkehart’s IV “Versus ad Picturas” and the poetic tradition
    Autorzy:
    Smolak, Kurt
    Powiązania:
    https://bibliotekanauki.pl/articles/1046732.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ekkehart IV of St. Gaull
    St. Gaull
    Poeta doctus
    Medieval Latin Poetry
    11th Century Culture
    Biblical Epic
    Tituli
    Mainz-Cathedral
    Holy Languages
    Archbishop Aribo
    MS St. Gaull 393
    Opis:
    As a consequence of the large variety of poetic genres dealing with biblical material in Christian-Latin literature of Late Antiquity, in the 11th century the two extremely opposite forms of poetic expression were artificially combined, namely continuous epic narration and epigrammatic conciseness of the so called tituli, that is to say metrical inscriptions which were meant to explain wall paintings or mosaics of selected biblical topics. By order of Aribo, archbishop of Mainz, Ekkehart IV of St. Gall composed an “epigrammatic epic”, which was to cover the wide range of the entire Bible from Genesis to Apocalypse, contemporary exegesis partly included. Aribo was supposed to select those “epigrammes” from this “biblical epic” which he needed for a new decoration of the cathedral – a project, however, which was never realised. Ekkehart’s highly manneristic poetic creation, preserved only in his autograph, MS 393 of St. Gall, remained unparalleled. Nevertheless, it is an important testimony of the experimental and innovative character of medieval Latin poetry in the period of transition from monastic literary production of the previous centuries to the golden age of medieval Latin classics, which originated in the cathedral schools, during the late 11th and the 12th centuries.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 2; 73-95
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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