Temat: Liturgical drama - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Dramatyzacja „Mandatum fratrum” w świetle Mszału Jagiellonów
Dramatization of Mandatum Fratrum in the Light of the Missal of the Jagiellons
Autorzy:: Wiśniewski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/944100.pdf
Data publikacji:: 2017-06-30
Wydawca:: Towarzystwo Naukowe Franciszka Salezego
Tematy:: dramat liturgiczny
mandatum, Mszał Jagiellonów
tradycja liturgiczno-muzyczna
Liturgical drama
mandatum
Missal of the Jagiellons
liturgical musical tradition
Opis:: Teksty dramatyzacji stanowią ważne źródło poznania liturgii oraz pomagają określić tradycję liturgiczno-muzyczną. Katalog ten poszerza Missale Paulinorum, zamieszczający mandatum. Przeprowadzone studium pozwala stwierdzić, iż paulińskie mandatum jest zbieżne z franciszkańskim. Z porównania obydwu przekazów wynika, iż redakcja franciszkańska była pierwotna, natomiast jasnogórska mogłaby być jej poszerzeniem. Nie można także wykluczyć jeszcze innego źródła, na którym mógł się wzorować redaktor księgi jasnogórskiej. Podjęcie dogłębnych studiów utrudnia brak w kodeksie paulińskim zapisu muzycznego. Z tego względu wyprowadzone wnioski mają charakter cząstkowy i wymagają dalszego badania.
Texts of liturgical drama are an important source of information about the liturgy and help specify a given liturgical musical tradition. This catalog expands Missale Paulinorum which features, e.g. mandatum. The conducted study provides evidence that the Pauline mandatum is convergent with the Franciscan one. Comparison of both texts evidences that the Franciscan edition was original and Missale Paulinorum from Jasna Góra was its expanded version. However, it cannot be excluded that the author of the book from Jasna Góra could have based on some other sources. Lack of musical notation in the Pauline codex hinders a more detailed research. Therefore, the conclusions are only fragmentary and require further study.
Źródło:: Seminare. Poszukiwania naukowe; 2017, 38, 2; 151-159
1232-8766
Pojawia się w:: Seminare. Poszukiwania naukowe
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Teatr, taniec, liturgia
Autorzy:: Kornaś, Tadeusz
Powiązania:: https://bibliotekanauki.pl/articles/639874.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Theatre, Liturgical dance, Liturgy, Christian rite, The drama of the mediewal church, Alternative theatre
Opis:: Theatre, dance and liturgyvThe “Węgajty” Theatre School /Schola/ which operates in Warmia under the management and supervision of Wolfgang Niklaus, tries to reconstruct the medieval liturgical plays. After a few centuries of absence from the public scene in the Middle Ages (or else of concealed presence in the form of folk and ritual spectacles), the medieval theatre became reborn precisely within the Church. – In all likelihood, before the 10th century, short dramatized forms, known as liturgical plays, were presented as part of the liturgy. Like all ceremonial liturgy, they were meant to be sung, nearly in their entirety. Gradually, they were extended to form fully-fledged liturgical plays. When reforming the liturgy and tidying up liturgical books the Council of Trent (1545–1563) at the same time banished liturgical plays from Church interiors. No doubt, it was a legitimate decision on behalf of the Church as more and more lay and even satirical elements began to appear in the church liturgy. Yet, records of liturgical plays, in many cases accompanied by a musical notation and precise “stage” directions, have also been preserved until the present day. Towards the end of the 20th century, many singers, particularly those specializing in old music, tried to reconstruct this form, yet they did so exclusively by adopting the concert form (sometimes even the form of plays, but not those of liturgical spectacles). The international team grouped in the Theatre School /Schola/ has embarked on an extremely risky task – for after a few centuries of its absence from the public scene, it tried once again to incorporate the liturgical play into its natural environment – by performing it in the course of the liturgy. In order to fully comprehend this phenomenon, it is worth taking a closer look at Christianity’s attitude towards the theatre. In the present article, I focus chiefly on the liturgical context associated with the activity of the “Węgajta” Theatre School. I write about the theatre in the Bible and I try to describe how the attitude towards it evolved throughout centuries; I also write about dance in the Church and finally about the most important Christian “spectacle” – the Holy Mass.
Źródło:: Zarządzanie w Kulturze; 2011, 12, 3
2084-3976
Pojawia się w:: Zarządzanie w Kulturze
Dostawca treści:: Biblioteka Nauki

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