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    Wyświetlanie 1-6 z 6
    Tytuł:
    Maciej Kazimierz Sarbiewski – poeta maryjny
    Maciej Kazimierz Sarbiewski – Marian Poet
    Autorzy:
    Dorosz, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1596335.pdf
    Data publikacji:
    2021-09-01
    Wydawca:
    Akademia Katolicka w Warszawie
    Tematy:
    Baroque
    Maciej Kazimierz Sarbiewski
    Jesuit culture
    Post-Trent Mariology
    poezja nowołacińska
    barok
    kultura jezuicka
    mariologia potrydencka
    Opis:
    Artykuł odnosi się do twórczości słynnego jezuity i poety okresu baroku, Macieja Kazimierza Sarbiewskiego (1595-1640), który, tworząc w języku łacińskim, wzorowanym na klasykach literatury antycznej, zyskał miano „chrześcijańskiego Horacego”. Za swoją twórczość Sarbiewski został uwieńczony przez ówczesnego papieża Urbana VIII laurem poetyckim, co porównuje się z dzisiejszą Nagrodą Nobla. Autor artykułu analizuje teologiczne aspekty tej poezji, koncentrując się na wątkach maryjnych. Sarbiewski w wielu miejscach swojej twórczości odnosił się do Maryi, przedstawiając Ją w swoich wierszach jako Królową świata, piękną Panią, Orędowniczkę, Hetmankę czy Opiekunkę wielkich i małych ojczyzn. Stosował przy tym szeroką gamę środków poetyckich. Szczególną uwagę zwraca aspekt twórczości nawiązujący do mistycyzmu, a współgrający z duchowością św. Ignacego, co świadczy o głębokim zainspirowaniu poetyckiej wyobraźni Sarbiewskiego myślą i doświadczeniami zakonodawcy. Z dzisiejszego punktu widzenia, wypełnione maryjnymi treściami wiersze „chrześcijańskiego Horacego” są znakomitymi przykładami teologii piękna, jak też głębokimi modlitwami poetyckimi, które warto przypominać.
    The article refers to the work of the famous Jesuit priest and poet of the Baroque period, Maciej Kazimierz Sarbiewski (1595-1640) who, in Latin language modelled on the classics of ancient literature, became known as the “Christian Horace”. For his work, Father Sarbiewski was crowned by the then Pope Urban VIII with a poetic laurel, which is compared to today’s Nobel Prize. The author of the article analyses the theological aspects of this poetry, focusing on Marian themes. Maciej Kazimierz Sarbiewski in many places of his work referred to Mary, presenting Her in his poems as the Queen of the World, a beautiful Lady, Advocate, Leader, or the Guardian of great and small fatherlands. He used a wide range of poetic means. Particular attention is paid to the aspect of creativity referring to mysticism, and harmonising with the spirituality of Saint Ignatius, which testifies to the deep inspiration of Father Sarbiewski’s poetic imagination with the thought and experiences of the Jesuit Order. Looking from today’s point of view, the poems of “Christian Horace” filled with Marian contents are excellent examples of theology of beauty, as well as deep poetic prayers that are worth remembering
    Źródło:
    Studia Bobolanum; 2018, 29, 1; 91-103
    1642-5650
    2720-1686
    Pojawia się w:
    Studia Bobolanum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Musical life in Slutsk during the years 1733-1760 in the light of archive materials
    Autorzy:
    Bieńkowska, Irena
    Powiązania:
    https://bibliotekanauki.pl/articles/780177.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Slutsk
    musical culture
    1733-1760
    Hieronim Florian Radziwiłł
    Jesuit music boarding school
    Jesuit school theatre
    aristocratic theatre
    Opis:
    This article represents the very first attempt at reconstructing musical life in Slutsk (Pol. Sluck) during the first half of the eighteenth century, and it merely outlines the issues involved. Slutsk was a typical private town - a multicultural centre inhabited by Jews, Orthodox Ruthenians, Lithuanians and Poles of the Protestant and Roman-Catholic faiths. Among the representatives of the Roman-Catholic faith, the Jesuits were the main animators of the town’s cultural and educational life, alongside the court of Prince Hieronim Florian Radziwiłł. A medium-sized music boarding school attached to the Jesuit College in Slutsk existed from around 1713. Musical instruments were purchased for the school quite regularly, often in faraway Koenigsberg. The contacts between the boarding school and the prince’s court were relatively frequent and good, and some school leavers found jobs at the court, chiefly in the garrison or janissary band, and sporadically also in Prince Radziwill’s music ensemble. The court was the main centre of the town’s cultural life. Among its numerous artistic ventures, stage shows seem to have been the most spectacular. For the purposes of such performances, a free-standing theatre was built in the centre of Slutsk at the turn of 1753. This building is worth mentioning because of the rarity of such projects in the Commonwealth of Poland-Lithuania during the 1750s. The repertoire of the Slutsk theatre was initially dominated by commedia dell’arte in German and the occasional dramma per música, but during the second half of the 1750s, one-act ballets began to dominate. Among the instrumental works performed in Slutsk were compositions by Carl Heinrich and Johann Gottlieb Graun, Georg Christoph Wagenseil, and musicians active at the Radziwiłł court (Andreas Wappler, Joseph Kohaut and Johannes Battista Hochbrucker), as well as improvisations by Georg Noelli. The town’s artistic heyday ended with the death of Prince Hieronim Florian Radziwiłł, in 1760, and the dissolution of the Society of Jesus, a decade or so later.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 235-248
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    An unknown collection of music manuscripts from Otyń (Wartenberg)
    Autorzy:
    Frankowski, Patryk
    Mądry, Alina
    Powiązania:
    https://bibliotekanauki.pl/articles/780133.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Otyń
    Wartenberg
    musical culture
    Jesuit music
    musical manuscript
    Karol Reinach
    Opis:
    The Museum of Musical Instruments in Poznan (a branch of the National Museum) is in possession of a very important collection of music manuscripts from the former Jesuit monastery in Otyń (Ger. Wartenberg), which was dissolved in 1776. The activities of this centre were associated primarily with the figure of Karol Reinach, the monastery’s last superior (from 1753). Reinach maintained friendly relations with Frederick II the Great, who was an ardent flautist, as we know, and visited Otyń from time to time. The Otyń manuscripts were bequeathed to the museum in 1947, along with three preserved instruments: a pair of kettledrums and a bass viola da gamba. At present, the collection of manuscripts from the Jesuit ensemble of Otyń contains fifty-six compositions, written between 1753 and 1768. Thirty-one pieces have fully certified provenance, reflected on the title pages of the manuscripts in the form of inscriptions, such as ‘pro Choro Residentiae Wartenbergensis’, and in the names of the Otyń transcribers. Twenty-two compositions were classified as belonging to the Jesuit collection on the basis of its inventory number, placed in the top right corner. Seventeen of the preserved manuscripts were provided with exact dates of origin (ten compositions were dated to the day, the other seven to a particular year). In these manuscripts, one can find compositions of the following types: offertoria, antiphons, Marian hymns (mostly arias), litanies, carols, a cantata, a dialogue and a sequence. All of them are vocal-instrumental. The lyrics were written in Latin and German, and their subject matter is mostly connected with the Marian cult (the antiphons Ave Regina Caelorum, Alma Redemptoris Mater and Regina Coeli Laetare\ the hymn Ave Maris Stella), Jesuit themes (a litany of St John Nepomucen, a prayer of St Francis Xavier, O Deus Amo ego te) and Christmas (carols). The well-known composers include Frantisek Xaver Brixi (1732-1771), Carl Ditters von Dittersdorf (1739-1799), Carl Heinrich Graun (1704-1759), Johann Adolph Hasse (1699-1783) and Karel Loos (1724-1772), and there are also the less well-known or nearly unknown, such as Carolus Gaebel [Gebel], F. Passelt [?], Joseph Rhodigez, Antonio Josepho Ronge (or Runge [?]), Francisco Rudolph and Wollmann. The continued examination of the collection will certainly reveal more details that are unknown or as yet barely identified. The research is due to be capped with the publication of a thematic catalogue of Otyń’s music manuscripts and their registration in the RISM database.
    Źródło:
    Interdisciplinary Studies in Musicology; 2012, 11; 67-80
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z korespondencji sławnych jezuitów. Piotr Skarga do Hieronima Nadala
    The Letters of Famous Jesuits. Correspondence between Piotr Skarga and Jerome Nadal
    Autorzy:
    Mrozek-Kochanek, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/967574.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    correspondence
    Old Polish epistolography
    Latin letters of Piotr Skarga
    Polish history and culture
    Jesuit College at Jarosław
    Opis:
    This essay reminds us of the correspondence between Piotr Skarga and Jerome Nadal. The author discusses all seven letters of their written dialogue. T hey exchanged not so many letters and we cannot tell enough about Nadal’s personality and his relationship with a well-known Polish preacher, but their correspondence is really interesting as a unique source of knowledge about the early Society of Jesus, history of the Catholic Church and customs in old Poland, which are described from the point of view of Jesuits.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2013, 21, 3
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Taniec śmierci na scenie kolegium jezuickiego w Kaliszu?
    The Dance of Death on the Stage of the Jesuit College in Kalisz?
    Autorzy:
    Kurek, Krzysztof
    Wydra, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1535999.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    history of Jesuit theatre
    idea of vanitas in European culture
    motive of dance macabre in theatre and literature from 14th to 17th century
    Opis:
    The discussion was prompted by the discovery, made in Cathedral Library in Gniezno, of a notebook from early 18th century, with notes by a student of the Jesuit college in Kalisz. The authors have found in it a modified copy of a poem (Różnych stanów piękne grono [The Beautiful Gathering of Various Estates]) written on the famous late-17th-century painting, Taniec śmierci [The Dance of Death], displayed in the Franciscan monastery in Kraków. The authors propose a hypothesis that the copy of the poem was a script for a show staged in the college. The discussion is given in a wide cultural and theological context, presenting the danceof-death topos as reflection of the idea of vanitas. The article presents modes of concretization of the dance macabre image in European art from the 14th to 17th century, with particular attention paid to theatrical productions of the topos in popular shows and in Jesuit school theatrical productions.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 315-339
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Walory moralne a obrona i legitymizacja katolickiej Europy. Oprawa uroczystości beatyfikacyjnych i kanonizacyjnych Stanisława Kostki w Rzeczypospolitej Obojga Narodów
    Moral values and the defense and legitimization of Catholic Europe. The setting of Stanisław Kostka’s beatification and canonization ceremonies in the Polish-Lithuanian Commonwealth
    Autorzy:
    Dzik, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/2082096.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Beatification ceremonies
    canonization ceremonies
    Early Modern religious celebrations
    The Society of Jesus
    Jesuits
    Jesuit Order in Poland
    Early Modern occasional decorations
    Early Modern Polish culture
    Opis:
    The putting on of spectacular ceremonies finalizing the acts of beatification and canonization of Stanisław Kostka, taking place in the principal Jesuit centers of the Polish-Lithuanian Commonwealth, was an important artistic activity of modern times. The content programs of the decorations which accompanied the celebrations between 1606 and 1726, known to us from written sources, reflect the propaganda of the Kostka ceremonies. The oldest occasional decorations and outdoor shows taking place in the city of Jarosław had been organized on the initiative of his relative Anna née Kostka Ostrogska. They were organized in connection with the proclamation of Stanisław Kostka as Blessed by Pope Paul V in 1606. The theme of the decorations accentuated the importance of the moral values of this ascetic follower of the Counter-Reformation Church, while the widely used language of allegory defined his individual spiritual values and illustrated scenes from his life and miracles. However, Stanisław Kostka soon became seen as an advocate of the Polish Lithuanian-Commonwealth in its military struggles in the East, especially in the conflict with the Ottoman Porte. After the victory of Chocim (Khotyn) in 1621 he was revered as the patron saint of the Polish knighthood, and after the victory at the Battle of Chocim in 1673 he was rapidly proclaimed (in 1674) one of the main patrons of the Kingdom of Poland and the Grand Duchy of Lithuania. It was this aspect of Kostka’s promotion that was used in the decorative themes of his thanksgiving ceremonies after the closing of the beatification process and the decree of canonization by Pope Clement XI in 1714. The decorations of the Jesuit Church in Lublin, described in detail in the records of the Society of Jesus (1715), explained and glorified the new role of the young saint. His role as a guarantor of peace and stability of the Commonwealth, revealed in God’s eternal plans, was presented through astral configurations and complicated semantic systems. Kostka’s canonization, which had raised the importance of the Polish-Li- thuanian Commonwealth, as being linked to the papacy and the Catholic faith, was seen as the culmination of a great historical message and the revelation of the secret given to Poland, also recognizable through astral configuration. The military and diplomatic triumph over the Ottoman Porte was considered a breakthrough moment, opening a period of happiness achieved thanks to Kostka’s intervention and the support of Heaven. The result of a united front in the battle with a common enemy was to achieve a state of happiness that strengthened the ecclesiastical and monarchical order, an idea taken up by the decorations seen in Jarosław and Vilnius, amongst others. The ad hoc political content was moved to the sphere of the monastic political philosophy and historical theol- ogy. An allusion to the happy future that mathematicians had supposedly predicted was also included in the decorations. After the partition of Poland and the dissolution of the Jesuit order, the revival of the fading cult of Stanislaw Kostka took place in the Second Polish Republic, particularly during the jubilee celebrations of the 200th anniversary of his canonization in 1927. This was seen in the ceremony of bringing his relics from Rome to the new church in Rostków, which was attended by the President of the Republic of Poland Ignacy Mościcki. However, there was a significant change in semantics as Stanisław Kostka was now described as the patron saint of children and youth, frequent Holy Communion and felicitous vocational choices.
    Źródło:
    Rocznik Historii Sztuki; 2020, 45; 87-90
    0080-3472
    Pojawia się w:
    Rocznik Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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