Temat: Franciszek Karpiński - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Franciszek Karpiński – A hallmark sentimental writer?
Franciszek Karpiński – po czym poznać pamiętnikarza sentymentalnego?
Autorzy:: Zając, Grzegorz
Powiązania:: https://bibliotekanauki.pl/articles/2089386.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: the history of Polish literature
the Enlightenment
prose
memoirs
sentimentalism
Franciszek Karpiński (1741–1825)
historia literatury polskiej
oświecenie
proza
pamiętnikarstwo
sentymentalizm
Franciszek Karpiński
Opis:: In the last phase of Franciszek Karpiński's life as a writer (the first quarter of the 19th century), he practically gave up poetry and concentrated instead on writing memoirs. This article tries to find out to what extent his autobiographical work, especially his Historia mego wieku i ludzi, z którymi żyłem [A History of My Century and the People with Whom I Lived], is influenced by an attitude characteristic of the sentimentalism of the previous century. As this analysis shows Karpiński's narrative exhibits both a sensitivity much indebted to Rousseau's autobiographical method and skilful shifts of tone, from satire and irony to various shades of melancholy. For sentimentalist aesthetic and poetics the continual manipulation of tone is a means of alerting the reader to the world's complexity. As in the novels of Lawrence Sterne, that complexity is experienced by way of careful observation of fragments of reality, defined by the subjectivity of the observer and the truth of his emotions.
Źródło:: Ruch Literacki; 2019, 5; 533-545
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Kilka uwag o "Pieśniach nabożnych" Franciszka Karpińskiego – aspekty językowe i kulturowe
Autorzy:: Ożóg, Kazimierz
Powiązania:: https://bibliotekanauki.pl/articles/2030442.pdf
Data publikacji:: 2021-06-06
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Franciszek Karpiński
psalms
rhetoric
lexicon
Pieśni nabożne
psalmy
retoryka
warstwa leksykalna
Opis:: The paper proves the thesis proposed by literature historians which concerns the linguistic artistry, simplicity and great didacticism of "Pieśni nabożne" [“Pious Songs”], which, though aimed at the lower classes of society, in have been immensely popular for two centuries. It is in them that Karpiński managed to realize the Enlightenment postulates of work on language revival. Some of the songs are treasures of religiousness and Polish culture.
Źródło:: Tematy i Konteksty; 2014, 9, 4; 154-169
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Tradycja oświecenia stanisławowskiego na łamach „Dziennika Wileńskiego” z lat 1815–1830
The tradition of stanislawow enlightenment in the “Vilnius Daily” from 1815 to 1830
Autorzy:: Kowal, Jolanta
Powiązania:: https://bibliotekanauki.pl/articles/690275.pdf
Data publikacji:: 2015
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Adam Naruszewicz
„Dziennik Wileński”
Franciszek Karpiński
Ignacy Krasicki
Stanisław Trembecki
Ludwik Kropiński
klasycyzm
oświecenie stanisławowskie
sentymentalizm
tradycja literacka
“Dziennik Wileński” (“Vilnius Daily”)
Franciszek Karpiński;
classic
literary tradition
the stanislawow enlightenment
sentimentalism
Opis:: From the beginning, literature occupied an important place in “Vilnius Daily” (so-called scholar magazine’s pages). The editors of the journal (including Jan and Jędrzej Śniadecki, Euzebiusz Słowacki, Filip Nereusz Golański, Leon Borowski, Ernest Groddeck, Kazimierz Kontrym) who were recruited from the circle of the University of Vilnius are alumni in “the age of lights”. Being heirs to the enlightenment ideals of aesthetics, they appreciated the literary output of their immediate predecessors. These preferences are clearly visible in the literary content of “Vilnius Daily”’, obviously adhering to classical and sentimental tastes. Without a doubt Stanisław Trembecki enjoyed the highest popularity among the Stanislawow creators in those pages. We also encounter there the works of Elżbieta Drużbacka, Ignacy Krasicki, Franciszek Karpiński and Ludwik Kropiński. The Vilnius magazine, appreciating their creative achievements, showed thereby the continuation of eighteen-century literary tradition.
Źródło:: Prace Polonistyczne; 2016, LXXI; 101-119
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Эпоха i асоба ва ўспамiнах Францiшка Карпiнскага «Гiсторыя майго веку i людзей, з якiмi я жыў»
Epoka i jednostka we wspomnieniach Franciszka Karpińskiego „Historia mojego wieku i ludzi, z którymi żyłem”
An epoch and an individual in Frantsishek Karpinsky’s memoirs “The history of my century and people who I lived with”
Autorzy:: Шаўчэнка, Ганна
Powiązania:: https://bibliotekanauki.pl/articles/2106843.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: Franciszek Karpiński
pamiętniki
historia
autobiografia
Oświecenie
sentymentalizm
Frantsishak Karpinsky
memoirs
history
autobiography
sentimentalism
Age of Enlightenment
Opis:: Artykuł został poświęcony pamiętnikom „Historia mojego wieku i ludzi, z którymi żyłem” Franciszka Karpińskiego (1741–1825), polskiego pisarza, poety i dramaturga. Omówiono w nim historię pisania i wydania utworu, zbadano nowatorski charakter gatunku wyrażający się w sposobach odzwierciedlania życia człowieka w określonych warunkach historycznych, przeanalizowano tematykę i problematykę pamiętników, zwrócono również uwagę na oświeceniowo-sentymentalne cechy stylu pisarza.
The article is devoted to the memoirs “The history of my century and people who I lived with” by Frantsishek Karpinsky (1741–1825) – Polish writer, poet and playwright. The author of the article examines the process of writing and publishing the work, studies its genre innovation in the methods of describing a person’s spiritual life in real historic circumstances, analyzes the subjects and problems of memories. The attention is also paid to peculiarities of the writer’s style connected with the Age of Enlightenment.
Źródło:: Białorutenistyka Białostocka; 2016; 191-202
2081-2515
Pojawia się w:: Białorutenistyka Białostocka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Эпоха i асоба ва ўспамiнах Францiшка Карпiнскага «Гiсторыя майго веку i людзей, з якiмi я жыў»
Epoka i jednostka we wspomnieniach Franciszka Karpińskiego „Historia mojego wieku i ludzi, z którymi żyłem”
An epoch and an individual in Frantsishek Karpinsky’s memoirs “The history of my century and people who I lived with”
Autorzy:: Шаўчэнка, Ганна
Powiązania:: https://bibliotekanauki.pl/articles/944849.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: Frantsishak Karpinsky
memoirs
history
autobiography
Age of Enlightenment
sentimentalism
franciszek karpiński
pamiętniki
historia
autobiografia
oświecenie
sentymentalizm
Opis:: Artykuł został poświęcony pamiętnikom „Historia mojego wieku i ludzi, z którymi żyłem” Franciszka Karpińskiego (1741–1825), polskiego pisarza, poety i dramaturga. Omówiono w nim historię pisania i wydania utworu, zbadano nowatorski charakter gatunku wyrażający się w sposobach odzwierciedlania życia człowieka w określonych warunkach historycznych, przeanalizowano tematykę i problematykę pamiętników, zwrócono również uwagę na oświeceniowo-sentymentalne cechy stylu pisarza.
The article is devoted to the memoirs “The history of my century and people who I lived with” by Frantsishek Karpinsky (1741–1825) – Polish writer, poet and playwright. The author of the article examines the process of writing and publishing the work, studies its genre innovation in the methods of describing a person’s spiritual life in real historic circumstances, analyzes the subjects and problems of memories. The attention is also paid to peculiarities of the writer’s style connected with the Age of Enlightenment.
Źródło:: Białorutenistyka Białostocka; 2016, 8; 191-202
2081-2515
Pojawia się w:: Białorutenistyka Białostocka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Poetic reception of the illustrations to the “Triumphs of Petrarch” (late 17th and 18th century)
Poetycka recepcja rycin do „Tryumfów” Petrarki (druga połowa XVII i XVIII wiek)
Autorzy:: Grześkowiak, Radosław
Powiązania:: https://bibliotekanauki.pl/articles/2089370.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Poetry and graphic art
Petrarch
"The Triumphs"
emblem epigrams
Polish poetry of the 17th and 18th century
Symeon of Polotsk (1629–1689)
Wespazjan Kochowski (1633–1700)
Franciszek Dionizy Kniaźnin (1750–1807)
Franciszek Karpiński (1741–1825)
Francesco Petrarca
Symeon z Połocka
Wespazjan Kochowski
Franciszek Dionizy Kniaźnin
Franciszek Karpiński
Tryumfy
wiersze na ryciny
Opis:: The Triumphs (Triumphi) by Petrarch is a series of six poems honouring the allegorical figures of Love, Chastity, Death, Fame, Time and Eternity, who vanquish each other in turn. The Italian poem sequence was virtually unknown in Poland (although a Polish translation of The Triumph of Love appeared c. 1630, only few readers would have read it as it was circulated exclusively in a small number of hand-made copies). The illustrations, however, caught the eye of the printers and became immediately popular. They depicted each of the victorious figures riding on triumphal chariot, followed by procession of captives. This article examines the Polish verses inspired by the illustrations rather than the text of the Trionfi i.e. written in the course of the late 17th and 18th century. The author of the most remarkable poetic response to the pictorial representations of Petrarch's Triumphs was Samuil Gavrilovich Piotrowski-Sitnianowicz (aka Symeon of Polotsk). As a student of the Academy of Wilno, he came across an emblem book with copperplate engravings of the Triumphs designed by Maarten van Heemskerck in 1565. His Polish verses (composed c. 1650–1653) follow loosely the Latin epigrams (subscriptiones) by Hadrianus Junius (Adriaen de Jonghe). Symeon of Polotsk was the first Polish-language author whose verses reflected in extenso the pictorial representation of the Triumphs (before him verses inspired by Petrarch's allegories had been written by Mikołaj Rej, Maciej Stryjkowski and Stanisław Witkowski). Wespazjan Kochowski's volume of miscellaneous pieces in verse published in 1674 includes an epigrammatic poem The Triumph of Love, inspired by Plate One of the Triumphs. However, Kochowski's description suggests that he must have seen an engraving showing Cupid's victims under his feet. That iconographic variant appears, among other, in the woodcuts of Bernard Salomon (1547) and the copperplates designed by one of van Heemskerck's pupils (mid-16th century) or Matthäus Greuter (1596). The following two poems were written about a century later. In 1779 Franciszek Dionizy Kniaźnin published in his second volume of Erotyki [Erotic poems] a song called The Triumph of Love. Its scenic arrangement, inspired by the illustrations of Petrarch's first Triumphus, is adapted to present twenty-one pairs of suitors. The description is stylized in conformity with the current Rococo manner and spiced up with touches of parody. A similar treatment of this subject can be found in some 17th-century paintings, for example in the Triumph of Love by Frans Francken the Younger, or an identically titled picture by the Italian Baroque artist Mattia Preti. The other poem, On the picture of the 'Triumph of Death', can be found in Franciszek Karpiński's Zabawki wierszem i przykłady obyczajne [Diversions in Verse and Moral Exemplars] published in 1780. It names eleven preeminent ancient conquerors and rulers, all cut down by Death personified by a scythe-wielding skeleton. Karpiński's description was no doubt inspired by a copperplate engraving produced by Silvestro Pomarede and designed about 1748–1750 by Gianantonio Buti after Bonifacio de' Pitati. In each of the two prints most of the figures on the ground round the chariot are identified by name. It may also be noted that Karpiński rounds of his poem with two stanzas evoking the last plate in the cycle, The Triumph of Eternity.
Źródło:: Ruch Literacki; 2019, 5; 493-510
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki