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Tytuł:
Julio Cortázar : des débuts en littérature sous le signe de la controverse (1947)
Autorzy:
Bobard, Laure
Powiązania:
https://bibliotekanauki.pl/articles/701292.pdf
Data publikacji:
2012
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
In 1947, Julio Cortázar writes “Teoría del túnel,” an essay in which he expresses his desire to overhaul literature, emphasizing the need for the writer, whom he refers to as a “rebel,” to distance himself from certain literary models which he considers fossilised. The essay comes through as an invitation to change one’s writing habits and, at the same time, strive to develop a language capable of depicting man in all his complexity. The following paper demonstrates that El Examen (1950) and Diario de Andrés Fava - a diary initially meant to be part of the novel - are experimental fields that enable the author to explore the possibilities of transgressing the traditional literary codes and implement the proposals he had put forward a few years before in “Teoría del túnel.” Key words: Cortázar, novel, transgression, literary codes.
Źródło:
Romanica Silesiana; 2012, 7
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quand l’histoire bégaie : La Semaine sainte d’Aragon (1958) entre farce et tragédie
When History repeats itself: Aragon’s HolyWeek (1958) between farce and tragedy
Autorzy:
Lévêque, Laure
Powiązania:
https://bibliotekanauki.pl/articles/1628043.pdf
Data publikacji:
2019-06-28
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
According to the critics, this novel by Aragon was a turning point in his works. While the novel series known as The Real World was allegedly defined as a form of (Socialist) realism, Aragon then went beyond the strict boundaries of the novel as a genre in his late period. In this novel, the rules of enunciation play a major part in the blurry building‐up of a semantic structure. The structure relies on internal monologue – even, to widen the scope, on free indirect speech or literary devices giving free course to subjectivity. The term “intersubjectivity” may even be used, as it is quite obvious the fictionalised biography of French painter Théodore Géricault is closely intertwined with Aragon’s own life. It relates the career of an artist struggling with the torments of History, as well as the awakening of his political and moral conscience.
Źródło:
Cahiers ERTA; 2019, 18; 25-43
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fiction (post-)apocalyptique et usages critiques de l’histoire: "Malevil" (1972) de Robert Merle
(Post)Apocalyptic Fiction and Critical Use of History: "Malevil" (1972) by Robert Merle
Autorzy:
Lévêque, Laure
Powiązania:
https://bibliotekanauki.pl/articles/2131040.pdf
Data publikacji:
2022-08-12
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Merle (Robert)
anticipation
post-apocalyptique (fiction)
dystopie
caverne (allégorie de la)
histoire (sens de l’)
science fiction
post-apocalyptic (fiction)
dystopia
(allegory of the) cave
history (meaning of)
Opis:
Marqué par les dérives d’un XXe siècle tombé dans les pires excès et dans l’horreur nue, Robert Merle, romancier humaniste et engagé, en vient à questionner l’humanité de l’homme. Chez cet écrivain populaire, cela passe par l’inscription dans les genres en vogue de l’anticipation ou de la dystopie où les dauphins Fa et Bi sont plus avisés que les humains (Un animal doué de raison, 1967), espèce qui ne mérite pas forcément de se perpétuer (Les hommes protégés, 1974). En 1972, avec Malevil, Merle sacrifie à la littérature post-apocalyptique et imagine qu’une catastrophe nucléaire a ramené l’homme à une condition primaire, situation qui lui sert à penser la crise politique et morale au cœur de la cité. Mais, au-delà de cette classique fonction révélatrice, l’heuristique de la crise confronte Merle aux points aveugles de son référentiel idéologique et le texte met finalement en crise jusqu’aux positions progressistes affichées par l’auteur, rabattant le roman sur les positions réactionnaires qu’un Barjavel développe dans Ravage (1943).
Under the deep impression of the 20th century’s worst excesses and sheer horror, Robert Merle, an engaged, humanist novelist, comes to question the humanity of man. As a popular novelist he imprints this reaction on fashionable genres, such as science fiction and dystopia, in which dolphins Fa and Bi are more informed than the humans (An Animal Endowed with Reason/ The Day of the Dolphin 1967), a species that is not really worth perpetuating (The Protected Men/ The Virility Factor, 1974). In 1972, in Malevil, Merle veers towards post-apocalyptic fiction, imagining a nuclear catastrophe that has brought man back to a primary condition; it is a situation that allows him to conceive of the political and moral crisis at the heart of the city. Beyond this classical revealing function, though, the crisis heuristics brings Merle face to face with the blind spots of his ideological reference, so that the text eventually puts in a crisis situation the very progressive positions exhibited by the author, curbing the text to the reactionary positions of a Bajavel in Ravage/ Ashes, Ashes (1943).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 231-243
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reconsidération étymologique et historique du vocable dialectologie
Autorzy:
Budzinski, Laure
Powiązania:
https://bibliotekanauki.pl/articles/638309.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
etymology, borrowing, dialectology, French
Opis:
Etymological and Historical Reconsideration of the French Vocable dialectologie Etimologia prossima of the French prevails in this methodological approach in order to show how the vocable was introduced into the French lexicon. With a modern view on the etymology we can’t just present the etymon but it’s essential to build the historical link between the etymon and the vocable that we describe. First, it’s necessary to consider what the main etymological dictionaries propose (for example FEW and TLF) to reveal what are the gaps for a correct description. So we must give a first attestation. Indeed dictionaries only proposed so far an event marking the field of dialectology but not a first term’s attestation. When we examine the first attestation of the French vocable it’s possible to see that fr. dialectologie is a borrowing from German and not a French creation.
Źródło:
Romanica Cracoviensia; 2012, 12, 1
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vom Sprachfeminismus zum gendergerechten Sprachgebrauchin der BRD
Autorzy:
Gautherot, Laure
Powiązania:
https://bibliotekanauki.pl/articles/2081188.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
feminism
gender-sensitive language
communicative norms
Opis:
This article focuses upon the evolution of an ideologically dominated linguistic feminism to the application of gender-sensitive language in contemporary German. Three linguistic strategies – distinction, neutralization, graphostylistic disturbance – with corresponding linguistic forms will be examined in two German university guidelines, intending to reveal which ones are considered as pragmatically acceptable in communicative practice.
Źródło:
Kwartalnik Neofilologiczny; 2017, 1; 39-53
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Épaves de Julien Green : une acédie moderne
Épaves by Julien Green : a modern acedia
Autorzy:
Andevert, Anne-Laure
Powiązania:
https://bibliotekanauki.pl/articles/1627949.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Julien Green immerses the reader in some oppressive boredom‐filled atmosphere, he also experienced. He was used to boredom, turning into acedia, taedium vitae, melancholy, nostalgia, overpowering neurasthenia, all this linked with his mother’s early death, the flesh/mind conflict or, even the exarcerbated awareness of a void existence. Acedia – a genuine individual experience – leaves the Greenian character facing an empty, pointless existence. Acedia spreads its invisible tentacles around the character who feels how empty life without God is. Apathetic, lazy, idle and weak, he flees all inner life, causing his immutable loneliness. This aridity is seen in an empty town and the immutable life he sinks into. The fatal row he witnessed, reveals his cowardice and creates a gap in his consciousness : the image of a strong, respectable man cracks turning acedia into an ordeal condemning him to painfully cohabitate with himself thus annihilating all ambition and selftranscendence.
Źródło:
Cahiers ERTA; 2017, 11; 269-289
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narrative in Virtual Reality? Anatomy of a Dream Reborn
Autorzy:
Ryan, Marie-Laure
Powiązania:
https://bibliotekanauki.pl/articles/1964577.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Virtual reality
narrative
interactivity
immersion
panoramic
representation
experience of embodiment
Opis:
When the big leap forward of computer technology took place for the general public in the 80s and 90s, virtual reality technology (VR) was touted as the “next big thing” that digital media would bring into our lives. Janet Murray’s influential book Hamlet on the Holodeck (1997) explored the possibility of turning narrative into the “immersive, interactive experience generated by a computer” that defines VR. But VR did not live up to its expectations, and after the year 2000, it faded from the radar of popular interest. It regained attention around 2011 when Mark Zuckerberg, the founder/CEO of Facebook, bought Oculus Rift, the maker of a relatively cheap and lightweight head-mounted display. Currently available VR narratives are distinguished from other digital narratives through three-dimensional images, interactive panoramic representations, and the ability to manipulate our experience of our own body. In this article I discuss three projects that use some of these resources in order to assess the storytelling potential of the medium: Clouds Over Sidra, a documentary about a camp for Syrian refugees in Jordan; Hard World for Small Things, a fictionalized version of the shooting of an unarmed black man by white policemen; and VRwandlung, a project that puts the user in the situation of the hero of Franz Kafka’s The Metamorphosis, who wakes up one day to discover that he has been transformed into a giant insect. Basing my judgment of this limited corpus, I assess the potential of VR narrative with respect to four kinds of immersion: ludic, spatial, temporal and emotional.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 91-111
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Legitimacy and heritage circulation: the genealogical taste of Itxassou’s cherries (French Basque Country)
Autorzy:
Briand, Anne-Laure
Powiązania:
https://bibliotekanauki.pl/articles/470047.pdf
Data publikacji:
2015
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
Cherries
French Basque Country
Heritagization
Legitimacy
‚Etxe’
Opis:
In Itxassou in the French Basque Country, various forms of the heritagization of the cherries are coexisting : festivals, derivatives and ‚small-scale’ heritages are some of them. Three groups of people are taking part in the heritagization system. With the development of those various forms, an important matter appeared: the legitimacy of granting an heritage status. Different dimensions are intertwined in the heritagization of the cherries: the ‘territory’, the ‘terroir’ and the ‘land’. This study deals with the ‚land’ part of the subject which is closely related to the model of the Basque home, called the ‚Etxe’. The ‚Etxe’ ‚is telling’ its inhabitants what they can hand down. On the one hand, the ‚Etxe’ seems to directly grant a heritage status, as it enables to operate a selection between various items. On the other hand, the ‚Etxe’ seems to show its inhabitants how to grant a heritage status.
Źródło:
Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2015, 4; 47-58
2299-4645
Pojawia się w:
Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La narration et le corps dans Il faut beaucoup aimer les hommes de Marie Darrieussecq
Autorzy:
Pujol, Marie-Laure
Powiązania:
https://bibliotekanauki.pl/articles/1627892.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
This paper aims at examining the paradox expressed by Marie Darrieussecq when she states that “even in [her] novels of absence, there is material” in Il faut beaucoup aimer les hommes. The narrative takes shape around Solange, an actress, whose existence is threatened as her own physique decays, consumed by her passion for Kouhouesso which makes her a fading ghostly figure. The storytelling of the organic body has to be considered under three aspects : phenomenology, deterritorialization and representation.
Źródło:
Cahiers ERTA; 2015, 8; 101-113
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Avant-propos
Autorzy:
Staroń, Anita
Lévêque, Laure
Powiązania:
https://bibliotekanauki.pl/articles/2130939.pdf
Data publikacji:
2022-08-12
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 5-8
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł

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