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Tytuł:
Вобраз героя ў аповесцях Андрэя Федарэнкі (на аснове кніг Ланцуг і Ціша)
The image of the protagonist in Andrey Fiedarenko’s stories (based on the books The Chain and Silence)
Autorzy:
Alsztyniuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/481765.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
story
psychologism
city
village
writer
Opis:
Andrey Fiedarenka (born in 1959) – author of the books: History of the disease (1989), Misery (1994), Afghan casket (2002), No one’s (2009), The Chain (2012), Silence (2014) and others, winner of many awards, including Jerzy Giedroyc Literary Award. The writer is considered a classic of Belarusian literature. In his artistic work, three basic types of heroes can be distinguished: inhabitants of villages, city dwellers and writers. The presentation of often difficult family relations, differences in characters and life priorities of the heroes become for A. Fiedarenka a pretext for deliberations on the subject of contemporary man’s life, his attitude towards people and nature. In his stories, the writer presents primarily people disappointed with life, lonely, seeking the sense of existence in contact with nature. Only hero-writers can be distinguished from the gallery of poor wretches.
Źródło:
Acta Polono-Ruthenica; 2018, 4, XXIII; 7-17
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gunter Grass – pisarz prowokujący
Autorzy:
Tomczak, Maria
Powiązania:
https://bibliotekanauki.pl/articles/631177.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
GRASS
WRITER
INTELLECTUAL
INTELLECTUAL PROVOCATIONS
Opis:
The article presents the political profile of the German writer and Nobel prize winner, Günter Grass, and the singular nature of his involvement in German political life. Grass’s views, albeit internally inconsistent, had been comprehensible until the Unification of Germany, while his political activity strove do defend such values as liberty, democracy and moderation. After the unification, of which he had been an adversary, Grass began to speak in ever more controversial tones, and his views seem to clash more and more profoundly with what he had formerly advocated.    
Źródło:
Studia Europaea Gnesnensia; 2012, 6; 299-314
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Daniił Andriejew jako pisarz mistyczny (рroblem samookreślenia pisarza)
Daniil Andreyev as a mystical writer (on the question of writer’s self-determination)
Autorzy:
Nowakowska, Jana
Powiązania:
https://bibliotekanauki.pl/articles/915277.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Daniil Andreyev
mystical writer
messenger
Opis:
In this article we defined the aim of bringing closer Daniil Andreyev's personality which refers to the statements of the writer's self-identification. In conclusion, Andreyev is a mystical writer who thought about himself as a messenger, visionary, dualist, poet-magician and words seeker. Moreover, Andreyev considered himself  as a creator who does not invent things, but only in the language of poetry describes the otherworldly. The mystical was not only present in his works, but also amounted to  a component of his personality. Its foundations were reconstructed on a deep Orthodox faith influenced by the philosophy of Vladimir Solovyov, the poetry of Alexander Blok, the visions of Alexander Kovalensky as well as his individual mystical experience.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 123-132
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Non-Native Speaker E-mail Communication from a Genre Perspective
Autorzy:
Pikhart, Jan
Powiązania:
https://bibliotekanauki.pl/articles/783221.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
genre
register
style
second-language writer
Opis:
The author has investigated a corpus of informal email messages produced by post intermediate Czech learners of English. The method of analysis draws upon Biber & Conrad (2009) employing primarily a qualitative analysis as part of the author´s dissertation. First of all, the paper touches upon such descriptive terms as style, register and genre. Secondly, the paper presents the results of an analysis of genre features including deviations. In the concluding part, the article outlines implications for practice.
Źródło:
Theory and Practice of Second Language Acquisition; 2016, 2, 1
2450-5455
2451-2125
Pojawia się w:
Theory and Practice of Second Language Acquisition
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Перформативный поворот в постсоветской культуре
Autorzy:
Polishchuk, Yaroslav
Powiązania:
https://bibliotekanauki.pl/articles/1023413.pdf
Data publikacji:
2019-09-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
performance
literature
writer
text
game
meaning
Opis:
The author of the article considers the elements of performance in the literary works of the post-Soviet period. His attention is focused on three East Slavic nations, whose literatures belonged to the area of “Soviet literature” for a long time. It is noted that the implementation of the elements of performance into the culture confirms the radical renewal of literary discourse and creation of new national narratives.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 2; 113-126
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W obronie literackich opisów przyrody
In defence of literary descriptions of nature
Autorzy:
Handke, Kwiryna
Powiązania:
https://bibliotekanauki.pl/articles/1591038.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
pisarz
opis
przyroda
writer
description
nature
Opis:
Opisy przyrody niesłusznie są pomijane w toku lektury i uznawane za nudne fragmenty utworów epickich. Jest to częste zjawisko zwłaszcza w środowisku uczniowskim. Opisy przyrody stanowiły jedną z realizacji opisu – typowej techniki literackiej XIX wieku. De facto odznaczają się wieloma walorami: artystycznymi, estetycznymi, poznawczymi i edukacyjnymi, co w tym artykule zostało omówione i zilustrowane różnorodnymi fragmentami prozy Stefana Żeromskiego, wybitnego polskiego twórcy obrazów natury.
Descriptions of nature are usually skipped by readers and treated as boring fragments. It is typ-ical of school children. Descriptions of nature were one of the types of descriptions, which were atypical literary technique of the 19th century. Descriptions of nature de facto contain numer-ous values: artistic, esthetic, cognitive and educational, which has been presented in the article and illustrated with various fragments taken from the books written by Stefan Żeromski, an outstanding Polish creator of images of nature.
Źródło:
Studia Językoznawcze; 2019, 18; 5-17
1730-4180
2353-3161
Pojawia się w:
Studia Językoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ratusz i jego rola w kształtowaniu archiwum i kancelarii miasta Lwowa w późnym średniowieczu
Autorzy:
Petryszak, Bogdana
Powiązania:
https://bibliotekanauki.pl/articles/949884.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Lviv
municipal chancellery
town writer
municipal archives
Opis:
There is no information on the initial period of operation of the municipal chancellery in Lviv. The town writers and documents issued by the council and the municipal tribunal were first mentioned in the second half of the 14th century. One of the chancellery’s basic tasks was to produce and maintain documents of various provenance. The first, unfortunately lost, archive was established in the second half of the 14th century. There are various hypotheses as to its location, including the former town hall, which was erected around the mid-14th century. The archives were burnt down in 1381 together with the town hall, as is mentioned in the old chronicles of Lviv and later in the town books of Lviv. From the early 15th century, with the development of various forms of chancellery, the town hall became the place where activities of the chancellery and of particular offices of the municipality were conducted; the place where current documentation was maintained, the place where official activities took place and parties for the chancellery staff were held. Until the end of the 15th century the municipal archives were housed in the town hall, then in the house of the writer, in a building on Szewska Street. The most important documents and deeds were stored in the treasury at the town hall.
Źródło:
Roczniki Dziejów Społecznych i Gospodarczych; 2014, 74
0080-3634
Pojawia się w:
Roczniki Dziejów Społecznych i Gospodarczych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Raport cynika? O życiu i twórczości Andrzeja Brychta
Report of cynic? Andrzej Brycht and his body of work
Autorzy:
Buryła, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/649226.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
–
Realistic prose
writer’s biography
artistic evolution
Opis:
The author of this paper discusses the prose of Andrzej Brycht, comparing it with the writer’s biography and the collective biography and works of the “Współczesność” generation. The article presents and documents the uniqueness of Brycht’s early short stories in the context of his style and skill in building expressive literary characters. This paper closes with an attempt to give the reasons for the writer’s artistic failure.
–
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 40, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Under Bulgarian Eyes: the Reception of Joseph Conrad in Bulgaria
Autorzy:
Asparuhov, Asparuh
Grigorova, Margreta
Powiązania:
https://bibliotekanauki.pl/articles/638773.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Joseph Conrad, Bulgarian critical reception, migrant writer
Opis:
This article examines the trends in Bulgarian critical appraisals of Conrad’s writing and the transformations they have undergone over the last hundred years. Though few in number, these appraisals are nevertheless profound and perceptive, keeping in focus the most essential messages of Conrad’s works, as well as the facts of the author’s remarkable life. The scope of these critical endeavours has long been of a rather limited nature, but in some of the articles there has definitely been a noticeable trend towards a monographic approach. The growing fascination with Conrad in Bulgaria became particularly evident during the celebrations to mark the 150th anniversary of the writer’s birth. The Polish Institute in Sofia contributed significantly to this event, organizing university lectures and film projections – not only in the capital, but also in other parts of the country. In addition, the Warsaw 150th anniversary exhibition entitled “Twixt land and sea” was invited to Sofia (the co-author of the present article being one of those who took part in the opening ceremony). This heightened interest in Conrad – the man and the writer – is partly the result of current trends towards intensive cultural interaction and also a growing fascination with migrant writers coming from multicultural backgrounds. It may well be that these recent developments have contributed to the publication of two monographs on Conrad: Stefana Roussenova’s comparative study entitled Dialogues in Exile: Joseph Conrad, Vladimir Nabokov, Eva Hoffman (2010) – which addresses the problems of exile and migration in some of Conrad’s works – and Margreta Grigorova’s monograph entitled Joseph Conrad – the Creator as Seafarer (2011), which not only reviews the seminal achievements that have contributed to the expansion of Conrad studies in Bulgaria, but also builds on them and takes them to completion.
Źródło:
Yearbook of Conrad Studies; 2013, 8
2084-3941
Pojawia się w:
Yearbook of Conrad Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozdźwięki i współbrzmienia, czyli o naturze i kulturze w prozie Andrzeja Stasiuka
Dissonance and consonance: On nature and culture in Andrzej Stasiuk’s prose
Autorzy:
Setlak, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/1288383.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Andrzej Stasiuk
nature
culture
writer
nomad
anthropology
Opis:
Andrzej Stasiuk as an author of „travel” prose is equally strongly immersed in nature and culture. His narration is dominated by descriptions of nature. Man drawing both from nature and culture is important in his works. Stasiuk, an artist inevitably entangled in culture, sees an opportunity for self-fulfillment in nature understood as a more general notion than just natural environment. However, he does not pursue the „state of nature” – inculturation does not allow him to do it. Thus, he seeks a compromise consisting in „being” in „culture” while staying close to nature. The author’s quest resemble the struggle of a nomad roaming some geographical space for a purpose. The same thing happens when the writer tries to find a place for himself in the megaspace of nature and culture using the power of the mind and imagination. This type of activity is by geopoetics attributed to a socalled nomadological subject. It seems that the main thesis of Stasiuk’s literary anthropology is a conviction that man lives on the border of nature and culture where his existence can be authentic despite certain antagonisms. In other words, consona is possible despite dissonance. It is all about proportion. Andrzej Stasiuk in his prose seems to be close to defining this very state of affairs.
Źródło:
Dydaktyka Polonistyczna; 2017, 3(12); 35-48
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Корифеи и их спутники: к проблеме художественной антропологии писателя «второго ряда»
The coryphaei and their satellites: on the problem of artistic anthropology of the “second-class” writer
Autorzy:
Вершинина, Наталья
Powiązania:
https://bibliotekanauki.pl/articles/651280.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
художественная антропология
«второстепенный писатель»
подражательство
писатель-классик
литературная иерархия
artistic anthropology
“second-class” writer
imitation
classic writer
literary hierarchy
Opis:
The paper discusses the underresearched issue of the artistic anthropology of a “second-class” writer as a typological phenomenon, i.e. one which possesses semiotic characteristics independent of particular historical circumstances. Taking as examples Faddei Bulgarin, Mikhail Voskresensky, Alexander Yakhontov and others, the author shows that what they have in common is the kind of artistic reflection, typical of “second-class” writers. This reflection encompasses the following: defining their own place “on the Parnassus” as compared with the classics, interpreting the well-known verbal clichés and the way they construct their image as authors, taking into account certain literary benchmarks. The author of the paper reflects on the ambiguous nature of imitation and on its consequences, which might include an unjustified treatment of the “secondary” cultural phenomena as mere talentless epigonism. The author concludes by defining the position of the “second-class” writers as vulnerable, regardless if they aspire to a high status in the literary hierarchy or just assume the modest role of stewards of the cultural heritage and faithful satellites of the writers perceived as the coryphaei.
В статье рассматривается малоисследованный вопрос о художественной антропологии литератора «второго ряда» как явления типологического, обладающего семиотическими признаками, не зависящими от конкретного исторического времени. На примерах Ф. В. Булгарина, М. И. Воскресенского, А. Н. Яхонтова и других показано, что их сходство обусловлено свойственным «второстепенным писателям» общим характером литературно-творческой рефлексии. В основании ее лежат определение места таких писателей «на Парнасе» в соотношении с классиками; интерпретация ими признанных словесных образчиков; подход к формированию собственного писательского образа с учетом преломления в нем избранных литературных ориентиров. Развивается мысль о неоднозначной природе подражательства и его следствиях, которые могут состоять в неправомерной трактовке культуры «второстепенного» как бездарного эпигонства. Делается вывод об уязвимом положении писателей «второго ряда» вне зависимости от того, претендуют ли они на высокий статус в литературной иерархии или признают за собой роль скромных «проводников» культурного наследия и неизменных верных «спутников» писателей-«корифеев».
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2018, 11; 9-20
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badacz języka wobec triady: pisarz – tworzywo językowe – tekst (studium warsztatowe)
A linguist confronted with the triad: writer – linguistic material – text (workshop study)
Autorzy:
Handke, Kwiryna
Powiązania:
https://bibliotekanauki.pl/articles/1591596.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
writer
language
text
researcher
pisarz
język
tekst
badacz
Opis:
Koncepcja badania tworzywa językowego tekstów literatury przy utrzymywaniu w procesie badawczym stałej relacji w obrębie triady: pisarz – tworzywo językowe – tekst oraz pisarz – tekst – badacz. Dominantą jest postrzeganie pisarza nie tylko jako autora i kreatora tekstu, nadawcę komunikatu, twórcę oryginalnego warsztatu pisarskiego, ale również jako jednostkę ludzką, egzystującą w określonym czasie i miejscu/miejscach, osobowość o konkretnej tożsamości, obdarzoną swoistymi właściwościami, posiadającą sobie właściwe: wiedzę, doświadczenia, upodobania, poglądy, preferencje i emocje. Pisarz jest twórcą tekstu a badacz powinien uszanować jego prawa autorskie, ale jednocześnie jak najlepiej ukazać wszystko to, co pisarz zawał w swoim tekście.
The concept of researching linguistic material of literary texts while in the research process maintaining the constant relation within the triad of ‘writer – linguistic material – text’ and the one of ‘writer – text – researcher’. The dominant element is perceiving the writer not only as the author and creator of the text, the sender of the message, and the creator of an original literary workshop, but also as a human being existing at a specific time and place/places, a personality with a specific identity, with specific features and characteristics such as a certain level of knowledge, experience, preferences, views and emotions. The writer is the creator of the text and the researcher should respect his or her copyrights, but – at the same time – should present everything the writer has included in his or her text in the best possible way.
Źródło:
Studia Językoznawcze; 2018, 17; 7-21
1730-4180
2353-3161
Pojawia się w:
Studia Językoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der Tod in den Gedichten von Hans Erich Nossac
Autorzy:
Pilipowicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/444611.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Hans Erich Nossack
dramatic forms
German writer's
poems
Opis:
Hans Erich Nossack had written his poems for several years. He treated them as a study of dramatic forms that he soon abandoned as well in order to present his own contact with the reality in the prose at last. The poem Vorspruch und Frage [The prologue and the question] opening his only anthology Gedichte [Poems] establishes an index of the essential elements of this German writer's poetics. Just here, the connecting of the national socialism's context with many poems proofs a pertinent step because the meaning strata of separate expressions are unveiled deepest in that case only. The death that is anticipated by the feeling of timelessness and by the appaling silence (Gefangenenwärter [The jail-keeper]) becomes a rock for sensibility and autonomy of the individual. The meeting with the death, provoked by the inversion of the sequence of result and cause, appears as the last chance to be delivered from the space overwhelmed with the totalitarism (An den Tod [To the death]). That ist what makes the similarity to Matthias Claudius's poem with the same title who notes the final possibility to set the world free from the evil in the death. The death also intensifies the feelings derived from the life and can even draw some fife from the places suspected of its default (Der Tod [The death]) - the ability that arises in consequence of the shrinking of the reality after the losing of a near person in Rainer Maria Rilke's poem (Todes-Erfahrung [The experience of the death]). An attempt to stop the death contains the poem Ein Mädchen spricht mit dem Tod [A gril talks to the death] that the historical background venishes in and where the love calls up to fight for the life: The girl struck with that feeling is confronted with the power of the death that the heroine of the poem tenderly admonishes not to run in front of the life yet but to come back to its place and to locate itself behind the life.
Źródło:
Acta Neophilologica; 2005, VII; 51-62
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura w audiowizualnym typie kultury
Literature in the Audiovisual Culture
Autorzy:
Antonik, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/578902.pdf
Data publikacji:
2013
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
literatura
kultura audiowizualna
pisarz
literature
audiovisual culture
writer
Opis:
The article shows that the biggest beneficiary of possibilities opened by infrastructure of information society is not contemporary literary avant-garde (hypertexts, electronic literature etc.) but popular literature ingrained in the very centre of social communication. Authors like Dehnel and Witkowski through their media activity, writing features in newspapers, blogging, using Facebook, organizing events in public space etc. blur the line between book and media environment and create interactive, transmedia literary space. Literature goes beyond books and libraries, like previously visual arts left traditional space of museum. Texts go out of books, enter a public space, meet people, connect with other media, setting up literary database scattered throughout the culture, which can be used in a different ways.
Źródło:
Zagadnienia Rodzajów Literackich; 2013, 56/112 z. 2; 197-209
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nie tylko „ogniem i mieczem” – w kręgu anegdot Antoniego Józefa Rollego
Not only "With Fire and Sword" - Antoni Józef Roll`s anecdotes
Autorzy:
Makarewicz, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/564113.pdf
Data publikacji:
2017-09-08
Wydawca:
Towarzystwo Nauki i Kultury Libra
Tematy:
Antoni Rolle komizm pisarz
Antoni Rolle comedy writer
Opis:
Niniejszy tekst powstał, aby przypomnieć gawędy historyczne Antoniego Józefa Rollego, pisarza niesłusznie dziś zapomnianego przez czytelników i krytyków, cenionego przez wybitnych współczesnych sobie publicystów, takich jak Józef Ignacy Kraszewski i Teodor Tomasz Jeż. Celem tekstu jest próba omówienia źródeł anegdot i sposobów jakimi przyciągają one uwagę odbiorców, klasyfikacji sposobów wywoływania komizmu i jego form oraz sposobów operowania ironią i drwiną, a także stosowania komizmu humorystycznego, kategorii omówionych przez Bohdana Dziemidoka (O komizmie. Od Arystotelesa do dzisiaj). Twórczość historyczna gawędziarza z Podola wydaje się warta przypomnienia szczególnie w stulecie śmierci Sienkiewicza, gdyż obaj twórcy pisali o zmaganiach militarnych na Kresach, ukazywali tych samych bohaterów rodzimej historii.
The text was created to remind Antoni Józef Rolle`s historical tales. Antoni Józef Roll is a writer unjustly forgotten today by readers and critics, valued by his contemporaries prominent columnists such as Józef Ignacy Kraszewski and Teodor Tomasz Jeż. The purpose of the text is an attempt to discuss the sources of anecdotes and ways in which they attract attention of readers, the classification of both methods for inducing humor and its forms The text also presents methods of handling irony and derision, the use of humor and categories discussed by Bohdan Dziemidok (About humour. From Aristotle to today). The historical work of this storyteller from Podolia seems particularly worth reminding especially on the centenary of Henryk Sienkiewicz`s death, as both authors wrote about the military struggle in the Kresy area and demonstrated the same heroes.
Źródło:
Radzyński Rocznik Humanistyczny; 2017, 15; 221-243
1643-4374
Pojawia się w:
Radzyński Rocznik Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 110

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