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Tytuł:
Diogenes Laertios: Epigramy o Empedoklesie (VIII 75)
DIOGENES LAERTIUS: EPIGRAMS ON EMPEDOCLES
Autorzy:
Rosół, Rafał
Marcinkowska-Rosół, Maria
Powiązania:
https://bibliotekanauki.pl/articles/702737.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Diogenes Laertius
Greek epigram
Empedocles
Opis:
Diogenes Laertius’ two epigrams on Empedocles are printed here in Maria Marcinkowska-Rosół’s and Rafał Rosół’s translation, with an introduction and notes.
Źródło:
Meander; 2008, 63, 1-4; 125-128
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venezia e Padova nelle poesie in latino di Klemens Janicki
Venice and Padua in the Latin poems of Klemens Janicki
Autorzy:
Wojtkowska-Maksymik, Marta
Powiązania:
https://bibliotekanauki.pl/articles/37502961.pdf
Data publikacji:
2023
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
Klemens Janicki
elegy
epigram
Padua
Venice
Opis:
L’articolo tratta di elegie ed epigrammi scelti composti da Klemens Janicki, i quali contengono descrizioni di Padova, dell’Italia e di persone legate alla città di Antenore e a Venezia: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bembo, Ludovico Dolce, Daniele Barbaro. L’Autrice sostiene che Janicki sia riuscito a creare un’immagine dell’Italia ed in particolare di Padova, una seconda patria, dove il poeta potè svilupparsi, studiare ed essere curato. Le poesie legate all’Italia e Padova contribuiscono inoltre ad arricchire la biografia letteraria di Janicki, un cittadino del mondo, un poeta laurato, uno studente allegro, un paziente felice, un amico e un collega delle persone legate alla Repubblica di Venezia nella prima metà del XVI secolo.
This article discusses selected elegies and epigrams by Klemens Janicki which contain descriptions of Padua, Italy and people associated with the city of Antenor and Venice: Lazzaro Bonamico, Giovanni Battista Da Monte, Francesco Cassano, Pietro Bemba, Ludovico Dolce, Daniele Barbaro. The author argues that Janicki succeeded in creating an image of Italy and, above all, Padua – a second homeland where the poet could develop, study, and be cured. The poems associated with Italy and Padua also help to enrich the literary biography of Janicius – a citizen of the world, a laureate poet, a cheerful student, a happy patient, a friend, and colleague of the people associated with the Republic of Venice in the first half of the 16th century.
Źródło:
Perspektywy Kultury; 2023, 41, 2/1; 227-240
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epitaphs in Nonnus' 'Dionysiaca'
Autorzy:
Lasek, A. M.
Powiązania:
https://bibliotekanauki.pl/articles/702911.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EPIC POETRY
EPIGRAM
GREEK LITERATURE
NONNUS ('DIONYSIACA')
Opis:
Nonnus' great epic poem contains many epigrams that are presented as written on somebody's tomb or invented as an epitaph by a dying man, his killer, or another mythical personage. The epitaphs stand out of the poem and usually have most of the elements typical of their genre.
Źródło:
Meander; 2006, 61, 1-2; 56-65
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nauczyciele, uczeni i poeci w epigramatach Janusa Pannoniusa
Teachers, Scholars and Poets in Janus Pannonius’ Epigrams
Autorzy:
Łuka, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1954294.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Janus Pannonius
Guarino Veronese
epigramat
imitatio
epigram
Opis:
Janus Pannonius, the first great poet in Hungary, brought his skills to perfection in Italy. He attended Guarino Veronese’s school in Ferrara and studied law in Padua, where he came into contact with many poets and scholars. The paper deals with the references to those contacts in Janus’ epigrams. Many a time Pannonius not only sneers at second-rate poets and inefficient scholars, but also ruthlessly ridicules their mental impotence and apparent erudition. On the other hand, he willingly praises people, whose output is really splendid and composed in accordance with the requirements of contemporary poetics. Janus’ scoffs are first of all addressed to his schoolmates. Being a poet aware of his own talent, Pannonius tends to point out the erroneous understanding of Renaissance theories, the misuse of the principle of imitatio antiquorum and the lack of self-invention in adopting other – both classic and modern – authors’ motifs. Neither does he approve of innovatory style of writing and considers that as an offence against pure Latinitas. Despite his severe criticism, he also manages to appreciate true talent, praise poetical skills or admire someone’s versatility. With unaffected pleasure and approval he is singing the praises of Guarino Veronese, his master from Ferrara. Janus highlights Guarino’s knowledge, eloquence, didactic powers and great command of Latin and Greek. In his epigrams Pannonius shows oneself as a careful observer precisely describing features of persons from his own circle, many times showing them, if that is the word, in a distorting mirror, what does not, perhaps, creates complete picture of Renaissance humanists, but surely makes it more witty and florid.
Źródło:
Roczniki Humanistyczne; 2003, 51, 3; 121-130
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między antologią a fragmentem. O hellenistycznych zbiorach epigramów
Between Anthology and Fragment: On Hellenistic Epigram Books
Autorzy:
Kwapisz, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2129173.pdf
Data publikacji:
2022-06-12
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poezja grecka
antologia
książka poetycka
hellenistyczny epigram
Posejdippos
papirusy
fragment
Greek poetry
anthology
poetry book
Hellenistic epigram
Posidippus
papyri
Opis:
Artykuł przedstawia dostępne świadectwa dokumentujące istnienie hellenistycznych książek zbierających epigramy i analizuje naturę poetyckich antologii, czyli książek poetyckich, w tym okresie. Omówione zostały dwa dokumenty o zasadniczym znaczeniu: „zwój mediolański”, papirusowa antologia z III w. przed Chr. zawierająca epigramy przypisane Posejdipposowi, i tak zwane „wiedeńskie incipity epigramów”, papirus z tego samego okresu przechowujący listę epigramatycznych incipitów, zapewne podstawa do ułożenia nowej antologii. Zbieranie poezji, zwłaszcza epigramów, jest podstawowym, charakterystycznym środkiem komunikacji poetyckiej w epoce hellenistycznej, co ma konsekwencje dla statusu poszczególnych utworów. Trafniej postrzegać je jako części większej całości − fragmenty − niż autonomiczne jednostki.
This paper presents available evidence of Hellenistic epigram books and discusses the character of the poetic anthologies, i.e. poetry books of that period. Two major documents discussed in the article are the “Milan Papyrus” − a third-century BC anthology of epigrams ascribed to Posidippus, and the so-called “Vienna Epigram Papyrus” − a papyrus of the same period including a list of epigram incipits, presumably as a basis for compiling a new anthology. It is argued here that collecting poetry, epigrams in particular, is an essential and specific means of poetic communication in the Hellenistic age, which affect the status of a single poem. It is best to conceptualize an epigram as a part of a larger whole − a fragment − rather than a self-contained entity.  
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2022, 12 (15); 25-44
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Diogenes Laertius: Epigrams on Pythagoras
Autorzy:
Marcinkowska-Rosol, M.
Rosol, R.
Powiązania:
https://bibliotekanauki.pl/articles/702733.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
DIOGENES LAERTIUS
EPIGRAM
GREEK LITERATURE
POLISH TRANSLATION
PYTHAGORAS
Opis:
Diogenes Laertius' four epigrams on Pythagoras are printed here in Maria Marcinkowska-Rosol's and Rafal Rosol's, with the translators' notes.
Źródło:
Meander; 2005, 60, 2; 173-174
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„PO ILU PATYKACH ZANIKA ETYKA?” O POLITYCZNYCH I METAFIZYCZNYCH HORYZONTACH EPIGRAMATYKI WACŁAWA KLEJMONTA
On Political and Metaphysical Horizons in Wacław Klejmont’s Epigrams
Autorzy:
Żurawlew, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/444176.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Wacław Klejmont,
epigram,
aphorism,
axiological paradigm,
theological aspect
Opis:
The present paper aims at an analysis of the axiological paradigm in the satirical output of Wacław Klejmont, a poet, essayist and literary critic, locally well known in the culture of the Polish Warmia and Masuria. The author attempts to set a broader context of the epigrams and specifically focuses on their theological aspects that have not yet been so well exposed in the Polish aphoristic literature.
Źródło:
Acta Neophilologica; 2012, XIV/1; 211-222
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nawiązania do Marcjalisa w epigramatach Janusa Pannoniusa
References to Martial in Janus Pannonius Epigrams
Autorzy:
Łuka, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1954795.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Janus Pannonius
Marcjalis
epigramat
aemulatio
imitatio
Martial
epigram
Opis:
The various and rich output of Janus Pannonius, Hungarian poet of Renaissance, includes almost five hundred epigrams, written in splendid Latin and following traditions of poetics. The article gives several examples of Pannonius' epigrams to reveal references to Martial they contain. Janus refers to the classics in accordance with the principles of imitatio and aemulatio, due to which the work meets the requirements of Renaissance poetics without losing its own authenticity at the same time. Pannonius is not only the first known poet of his country, but also the first who implanted European culture in Hungary.
Źródło:
Roczniki Humanistyczne; 2001, 49, 3; 39-49
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Robortello nei Foricoenia e negli Elegiarum Libri Quattuor di Jan Kochanowski
Robortello in Jan Kochanowski’s Foricoenia and Elegiarum Libri Quattuor
Autorzy:
Cabras, Francesco
Powiązania:
https://bibliotekanauki.pl/articles/1929916.pdf
Data publikacji:
2021-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Kochanowski
Foricoenia
Elegiarum Libri Quattuor
Robortello
epigram
De Epigrammate
Opis:
This article aims to study Jan Kochanowski’s Foricoenia and Elegiarum Libri Quattuor in the light of Francesco Robortello’s treatise Eorum omnium quae ad methodum et artificium scribendi epigrammatis spectant explicatio. After having set Robortello’s treatise in its historical and literary context, the article shows how Jan Kochanowski, who probably attended Robortello’s classes during his first two stays in Padua (1552-1555; 1556-1557), agreed with the ideas presented in the treatise. The fact that Kochanowski agrees with his professor’s ideas on the epigram does not mean that he behaves in a totally passive and uncritical way, for he clearly shows his independence when writing his Latin epigrams, sometimes refusing to comply with Robortello’s suggestions (e.g., Kochanowski does not avoid the use of elegant and rare Graecisms, which Robortello advises against excessively using). Kochanowski owes Robortello his high consideration for Catullus: when imitating Catullus’s epigrams, Kochanowski often chooses to imitate (or to hint at) the same epigrams Robortello commends in his treatises (for instance, Cat. LXIX is clearly imitated in Foricoenia XXV, while Cat. XV is quoted in elegy I 7). We encounter the same situation when Kochanowski deals with Martial: although Robortello clearly prefers Catullus over Martial, he praises the love epigrams written by the latter poet, and Kochanowski, in writing his foricoenium CV, imitates Cat. XCIX as well as Mart. III 65 and XI 8, the latter two epigrams not quoted explicitly by Robortello, but chosen by Kochanowski himself.
Il contributo si propone di studiare i Foricoenia e gli Elegiarum Libri Quattuor di Jan Kochanowski alla luce del trattato di Francesco Robortello Eorum omnium quae ad methodum et artificium scribendi epigrammatis spectant explicatio. Dopo aver inquadrato il trattato di Robortello nel contesto storico-letterario in cui è stato composto, si procederà a dimostrare come le idee del professore dell’Università di Padova in merito a questo genere letterario verranno in buona parte accolte da Kochanowski, che era stato molto probabilmente suo allievo durante gli studi universitari. L’accoglimento delle idee di Robortello non è tuttavia passivo e pedissequo, ché il poeta polacco saprà anche rielaborare in modo personale i suggerimenti del maestro e finanche rifiutarli esplicitamente (ad esempio là dove non si astiene dall’impiegare grecismi nei suoi epigrammi latini). Kochanowski deve a Robortello l’attenzione riservata a Catullo. Egli infatti molto spesso imita o allude agli stessi epigrammi catulliani elogiati da Robortello (è il caso di Cat. XV e LXIX, ripresi nell’elegia I 7 e nel For. XXV), mentre mostra di apprezzare (esattamente come Robortello, che pure non nasconde la sua predilezione per Catullo) il Marziale autore di epigrammi erotici, ripreso ad esempio nel foricoenium CV, dove Kochanowski incrocia un epigramma catulliano (il carme XCIX) con due testi marzialiani (III 65 e XI 8).
Źródło:
Italica Wratislaviensia; 2021, 12.1; 47-65
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elocutio w wybranych epigramatach Janusa Pannoniusa na tle porównawczym
Elocutio in Janus Pannonius’ Selected Epigrams on a Comparative Background
Autorzy:
Łuka, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1953788.pdf
Data publikacji:
2005
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Janus Pannonius
elocutio
epigramat
figury retoryczne
epigram
figures of rhetoric
Opis:
The paper attempts to put some light on the question of elocutio in Janus Pannonius’ epigrams, showing means of expression he preferred, as anaphora, antithesis, comparatio, enumeratio, epitheton, sententia and synonymia. Using them, the poet easily attracts the attention of the reader and captures his imagination. Enumerationes may be often found in laudatory or thanksgiving epigrams, especially when Pannonius tries to portray a person, a thing or a situation precisely. To incite the curiosity of the reader Janus willingly uses antithesis which gives rise to tension and makes the culminating point more puzzling. Due to synonymia the poet avoids monotony and makes the description of a given object more vivid. Sententia also plays an important role in epigrams, as it first of all allows conciseness of the text and then makes the contents timeless. Means of expression enumerated in the paper were used by Pannonius more often than some others, that is why they seem to be his favourites. One must remember, however, that to meet the requirements of Renaissance poetics, as far as elocutio is concerned, the poet was naturally made to choose those means of expression, which had been typical elements of the ancient epigrams. Needless to say, only thus did he manage to deal with the principles of imitatio and aemulatio antiquorum.
Źródło:
Roczniki Humanistyczne; 2005, 53, 3; 101-121
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epigramatyka barokowa w świetle analizy logicznej
Logical analysis of Baroque epigram
Autorzy:
Wierzbicka-Trwoga, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/2012616.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
epigramat
barok
koncept
logika
entymemat
epigram
Baroque
conceit
logic
enthymeme
Opis:
The paper considers the question of the logical status of conceited epigram. 16th century theoreticians, for instance J.C. Scaliger, already applied logical methods to the analysis of epigrams, and 17th century theoreticians developed a strict logical description of the so-called compound epigram. This form of epigrams met with particular interest in the Baroque period because of the opportunity it gave to express the construction of a conceit. A conceit was defined as an “argument urbanely fallacious” by E. Tesauro, i.e. an enthymematical construction built upon a metaphor. It should be therefore called a paralogismo, but 17th century theoreticians avoided this term in the belief that the conceit offered special cognitive possibilities. In my paper I use logical methods to analyse the epigrams by J.A. Morsztyn, M.K. Sarbiewski and S.H. Lubomirski, to argue the assumed thesis that conceits served as logical experiments performed in the conviction of the insufficiency of Aristotle’s categories to describe the transcendent as well as the visible world. Above all, the questioning of Aristotle’s principle of non-contradiction allowed Baroque writers to transgress the two classical logical values, “true” and “false”, bringing along the intuition of a third logical value, defined in the 20th century as the “unknown” by J. Łukasiewicz.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 135-148
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Andrzej Morsztyn and Votum z Seneki; or, A scorpion and his stings
Jan Andrzej Morsztyn i Votum z Seneki; albo Skorpion i jego użądlenia
Autorzy:
Jakielaszek, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/2012620.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Jan Andrzej Morsztyn
Seneka
Horacy
epigram
stoicyzm
Seneca
Horatius
Stoicism
Opis:
The present paper investigates the relevance of structural and intertextual information for an interpretation of Votum z Seneki dla Jegomości Pana Chorążego Wielkiego Księstwa Litewskiego by Jan Andrzej Morsztyn. Placing both the structural and intertextual properties of the text against a wider context of the literary practices of the period, of the contemporaneous philosophical discussions and tendencies, as well as philological discussions of relevant hypotexts, allows one, it is argued, to uncover at least two distinct, although closely intertwined, layers of irony and scepticism in Morsztyn’s piece.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 149-166
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeszcze w sprawie genezy terminu „fraszka”
A few more words on the notion of “fraszka”
Autorzy:
Rusnak, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/649921.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
fraszka
epigramat
Fraszki
Satyr
Jan Kochanowski
Stanisław Orzechowski
Historyja trojańska
epigram
Opis:
Author, pondering over various meanings of “fraszka” in the work of Jan Kochanowski, expresses his doubts in regards of Sante Graciotti’s thesis, claiming there is no one single case of its genological use in it. Sufficient enough to prove it wrong is the fact of him naming his epigrammatic collection – simultaneously to the process of putting in proper order his output – with the use of nothing other but this exact notion. The impending appropriation of such a use in Polish language has been shortly after confirmed by Melchior Pudłowski’s Fraszek księga pierwsza (1586). In further part of the article author tries to establish the precise moment of the first ever use of the word “fraszka” in print. As it turns out, although Kochanowski makes a use of it for the first time in his Satyr (1564), he was slightly preceded by both Stanisław Orzechowski’s Rozmowa albo dyjalog około egzekucyjej (1563) and anonymous Historyja trojańska (1563).
Autor, rozważając sposoby rozumienia leksemu „fraszka” przez Jana Kochanowskiego, poddaje w wątpliwość tezę Sante Graciottiego, jakoby nie pojawił się ani razu w twórczości pisarza genologiczny sens tego leksemu. Za dostateczny dowód, iż jest inaczej, uznaje on opatrzenie przez czarnoleskiego poetę takim a nie innym tytułem swej obszernej epigramatycznej antologii w momencie porządkowania dorobku całego życia, a potwierdzenie, iż sens ten doczekał się rychłego zadomowienia, przynosi wydany krótko potem zbiór Melchiora Pudłowskiego Fraszek księga pierwsza (1586). W drugiej części artykułu próbuje się ustalić, komu należy przypisać pierwszeństwo, jeśli chodzi o użycie wyrazu „fraszka” w druku. Jak się okazuje, u samego Kochanowskiego leksem ten po raz pierwszy pojawia się w Satyrze (1564), wyprzedzają go natomiast nieznacznie zarówno Rozmowa albo dyjalog około egzekucyjej (1563) Stanisława Orzechowskiego, jak i anonimowa Historyja trojańska (1563).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2019, 53, 2; 213-227
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sacrae litterae. Anagramatyczne wariacje na temat Virginis – Deiparae w Oraculum Parthenium Józefa Stanisława Bieżanowskiego (1668)
Sacrae litterae. Anagrammatic variations on Virginis Deiparae in Oraculum Parthenium by Joseph Stanislaw Bieżanowski (1668)
Autorzy:
Zaborowska-Musiał, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1046757.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anagram
epigram
the Angelic Salutation
the Virgin Mother of God
Bieżanowski
Agnese
Opis:
Joseph Stanislaw Bieżanowski, a professor at the University of Krakow, a eulogist and poet, in the collection entitled Oraculum Parthenium (Krakow 1668) used a hundred of simple anagrams of Giovanni Battista Agnese published in Rome in 1661. These short (one-sentence) phrases, formed from the letters of the first part of the Angelic Salutation (Ave Maria, gratia plena, Dominus Tecum), accentuated on Mary’s immaculate purity and freedom from the stain of the original sin on the one hand and her divine motherhood on the other, thus increasing the role and the importance of Mary in God’s plan of salvation. Bieżanowski used these anagrams, making each of them a motto elaborated on in his epigrammatic comment. Epigrams of the Krakow lecturer are characterized not so much by the deepening of the religious reflection, as attention to the formal aspects, the pursuit of artistry. This is reflected in the application, many times within one work, of rhetorical figures highly valued in the Baroque (antitheses, oxymorons), the chiastic structure and interspersing the punch line of the epigram with the anagram from the motto (sometimes in a modified form). Anagram not only served as an additional rhetorical decoration, highlighting the main idea of a work, but also provided a bridge integrating the entire composition. Bieżanowski enclosed the anagrammatic-and-epigrammatic praise of the Virgin Mother of God by an interesting theory of the genre outlined in the preface to Pope Clement IX, whom the University of Cracow gave the collection while making efforts to proceed with the beatification of John Cantius. It combines the literary and theological reflection and in this way exalts the genre, contrary to the opinions of some seventeenth-century theorists. Bieżanowski’s original approach is also evident in the change in the system of anagrams proposed originally by Agnese. In this new system Oraculum Parthenium could perform several functions: educationional,  propagandistic and polemical. Above all, however, it was a poetic prayer, complementing the official Marian liturgy.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 1; 163-183
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wyraz ἔκχυτον w epigramie IX 395 Antologii Palatyńskiej
Word ἔκχυτον in IX 395 Epigram of The Greek Anthology
Autorzy:
Zalewska-Jura, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/648617.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
the Greek Anthology
Greek epigram IX 395
Palladas of Alexandria
word “ekchyton”
Opis:
The article aims to present one of the possible interpretations of a unique noun ekchyton found in the epigram of Palladas of Alexandria AP IX 395. As its meaning seems at least doubtful, it makes the satisfactory translation and interpretation of the poem utterly unachievable. The problem may be solved, if we recognize the word ekchyton as a sociolect, which corresponds with another noun egchytos that is sufficiently attested in ancient Greek literature. The analysis of source texts lets us interpret the meaning of the word egchytos as a kind of elegant baking that consists of finely ground flour, a large amount of honey, eggs and cottage cheese or sour milk. Ekchyton, in that case, can be interpreted as ‘a honey cake with cheese’.
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Źródło:
Collectanea Philologica; 2017, 20; 103-108
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
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