Tadeusza Różewicza architektonika doświadczenia

The article is devoted to Różewicz’s poetic imagination, and above all to the images associated with the motif of the monument. I also regard the motif of the cathedral and the stone as variants of this central topos. The above motifs serve as interpretative trails in the analysis of the essay What Has Remained of the Unwritten Book About Norwid (as well as of the poem An Evening in Norwid’s Honor) which constitutes its fundamental element. I am especially interested in the commemorative dimension of the „monumental” topics and its connection with Różewicz’s concept of autobiographical poetry.