Reżyserka jako zawód urojony, czyli o podwójnej polityczności polskiego kina młodego pokolenia tworzonego przez kobiety

Art as being not only exalted vision of the artist, is a subject to the whole series of dependences. Among them there are institutional and non-institutional factors. It is no different in the case of cinema. Within its field representation issues of a social group and its interests may cross. There we may encounter the political of the presented content, but also of the environment in which it arises. Therefore, the reflection on Polish cinema of the younger generation created by women seems reasonable. The purpose of these considerations is therefore examining its political face, both in terms of the content itself and the conditions of its formation.