DOM JAKO FIGURA ARTYSTYCZNA W POEZJI TERESY FERENC. WSTĘP DO PROBLEMATYKI

The article tentatively identifies issues regarding home as artistic figure in Teresa Fernenc’s poetry. To indicate how home consists of two topoi, locus amoenus and locus horribilis, the author, for example, uses the tools worked out by the geopoetics field. Home appears to be a place formed as a result of authentic experience of Ferenc as well as a symbol of the wartime fate of its inhabitants, in addition to symbolizing the restoration of the original order, which holds crucial importance for the ontological status of the subject in the writer’s works. Home, understood in these terms, crystalizes as individual experience, poetic imagination, and literary and cultural inspirations of the poet.