Tytuł pozycji:
POGRANICZE ARTYSTYCZNE JAKO PRZESTRZEŃ PAMIĘCI O WSPÓLNOCIE PIĘKNA, WARTOŚCI ORAZ SYMBOLICZNEGO UCZENIA SIĘ „BYCIA RAZEM” – WOKÓŁ TEMATÓW PRAC „ARS INTER CULTURAS”
- Tytuł:
-
POGRANICZE ARTYSTYCZNE JAKO PRZESTRZEŃ PAMIĘCI O WSPÓLNOCIE PIĘKNA, WARTOŚCI ORAZ SYMBOLICZNEGO UCZENIA SIĘ „BYCIA RAZEM” – WOKÓŁ TEMATÓW PRAC „ARS INTER CULTURAS”
ARTISTIC BORDERLAND AS A MEMORY SPACE FOR THE COMMONWEALTH OF BEAUTY, VALUES AND SYMBOLIC LEARNING OF “BEING TOGETHER” – CONCERNING THE “ARS INTER CULTURAS” WORKS SUBJECT MATTER
- Autorzy:
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Chacinski, Jarosław
- Powiązania:
-
https://bibliotekanauki.pl/articles/566534.pdf
- Data publikacji:
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2018
- Wydawca:
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Akademia Pomorska w Słupsku
- Źródło:
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Ars inter Culturas; 2018, 7; 5-14
2083-1226
- Język:
-
polski
- Prawa:
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CC BY-NC-ND: Creative Commons Uznanie autorstwa - Użycie niekomercyjne - Bez utworów zależnych 4.0
- Dostawca treści:
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Biblioteka Nauki
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Przejdź do źródła  Link otwiera się w nowym oknie
Current issue of “Ars inter Culturas” magazine is devoted to the cultural borderland understood
as space used to exchange artistic works, communicate their values to the Other,
recognise similarities and differences in the works of a neighbouring nation. Art, including
music and literature, can significantly help introduce the neighbour’s cultural identity, get to
know their pursuits, ethos and problems connected with their existence. Thanks to the art of
a different, yet geographically close, nation we can see it in a different perspective, we reduce
hitherto stereotypes, we mitigate tensions, we express our readiness for dialogue.
Numerous texts included in this issue have been devoted to cultural and artistic relations
between Poland and Ukraine. Our common history, written in the language of the art, provides
many fascinating experiences, cultural enrichment that the borderland situation entails.
The diversification of aesthetic and artistic meetings, which are being described by the Polish
and Ukrainian authors with the use of significant number of art phenomena in this rich cultural
space, confirms our confidence in continuing these researches and implementing their
results in action – in social, educational and animation projects.
Additionally, the current issue will also provide us with multicultural thoughts of authors
from Slovakia and Hungary, supporting the need to create scientific after-thoughts concerning
the Central and Eastern European culture and art, to foster its memory and to build new
growth outlooks.