The state of Bosnia and I lerzegovina came into
being as a result of the disintegration of
Yugoslavia; at the same time, it remained one of the
conflict-prone spots on the map of twentieth-century
Europe. Up to the early 1990s Yugoslavia was
a federation of states (Serbia, Macedonia, Croatia,
Montenegro, Slovenia, Bosnia and Herzegovina),
and thus comprised a cultural, religious and
national melting pot. The awakening of national
consciousness in Bosnia and Herzegovina led to
a referendum, due to which in 1992 the republic
proclaimed its independence and turned into an
arena of armed conflicts. In 1992-1995 the territory
of Bosnia and Herzegovina witnessed a war, whose
victims included local cultural property.
Despite a system of the protection of cultural
property, constructed since the end of the Second
World War (i.a. international conventions signed in
1954, 1970 and 1973, the establishment of subjects
associated with the protection, registration and
assessment of the state of the cultural heritage as
well as the codification of national law), the war
disclosed all its failings. The article analyses the
damage suffered by Bosnian immobile monuments
of culture (especially sacral architecture) and mobile
monuments (archives, institutes, libraries storing
old books, manuscripts, documents, etc.), and seeks
the reasons for the losses suffered by cultural
property and the unsatisfactory functioning of the
mechanisms of the protection of cultural property
during armed conflicts. Furthermore, the author
outlined activity intent on the protection of cultural
property in Bosnia and Herzegovina.
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