The ethical problems of conservation discussed by the
author in his present work consist, in the first line,
of competences and responsibilities following from
both the adopted principles of conservation and standards
of practical activities that have been worked
out in the course of practice.
The competences of an artist-conservator constitute
a result of his professional training which, in other
words, may be described as acquisition of necessary
amount of knowledge and practical abilities and skills
and also gaining of a defined ideological attitude. The
responsibility, however, is connected with assuring and
guaranteeing of purposeful action considered from the
viewpoint of the method, the means of action and the
function of the work.
The so considered set of problems includes also all
motivations and intentions that are preceding the concrete
decisions or actions whereas as an essential ethical
criterion may be regarded both the proper motivations
and the actions themselves.
As the main ideological factor in motivation is to be
regarded the humanist nature of the conservator’s
work which has to meet the cultural needs of the community.
By saying this the author does not mean a
simple demand for values of certain type but the
values themselves that may influence the directed
cultural processes.
In addition to factors connected with the profession
alone and the professional or ideological motivations
the results of actions undertaken by a conservator may
frequently be quite basically affected by a number of
objective factors such as, for instance, the organization
and activities of administrative units in conservation
authorities, the material supply, the development and
equipment of ateliers or laboratories but also the characteristic
features of the conservator’s personality,
his sense of fellowship, honesty or readiness to convey
his experience to others without any outlooks for personal
profits and so forth. It must, however, be emphasized
that only a small share of the above requirements
of the conservator’s practical activities is being
met usually. There is, for example, an apparent lack
of smoothly working laboratories or frequently observable
shortages in materials or tools. In several instances
it proves impossible to obtain the full informative
material that may be inevitably needed for
taking and carrying out of decision m conservation
practice. Such situation is obviously limiting the reasoned
forecasting of results of actions undertaken by
a conservator, at the same time increasing the share
of risks and causing ethical uncertamity in professional
respect.
The conservators in this country h a v e , no doubt, every
reason to be proud of their achievements, but their
activities, in view of specific needs, are still far from
adequacy. As consequence of financial troubles at least
50 per cent of skilled conservators and restorers are
not properly employed or are employed in forms conflicting
with their skills and abilities. This extremely
difficult situation prevailing in art of conservation in
this country should be subjected to careful analysis
and at the same time as one of urgent tasks must be
regarded the further improvement of organization, this
of execution and that of regulations ruling the wages.
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