The recent dozen or so years have seen in Polish
community the loss of feeling of the value of
authenticity in historical monuments. More and more
supported and promoted is being the creation of
illusions and at the same time apologized the indifference
toward the need to preserve the authentic
objects or even non-interventionism. To meet the
natural needs of people to keep in touch with witnesses
of the past is proposed the contact with the
objects rebuilt.
To determine the interrelation between the architectural
object and the authenticity the author has
subsequently carried out a partial analysis of material,
the authenticity of technological and construction
methods used in the process of creation, the authenticity
of function as well as that of form, the authenticity
of effect and associations.
While concluding his considerations the author stated
that the authenticity by itself represents some value
determined by existence of an abject to whom it is
ascribed and thus may be regarded as a positive value
giving to the object some definite dignity. On the
other hand, the authenticity ceases to exist at the
moment at Which the existence of the object itself
ceased. The authenticity is to be considered, therefore,
as an summarized value consisting of the aforementioned
partial authenticities. At the same time,
however, it is the object’s supreme value having its
effect on iboth existence and the amount of its other
values.
From the essence of an architectural object regarded
as some kind of work of art it follows that it is
not free from some ineficiencies in its definition
which require that a range of definitions be added
by an individual looking at it. However, the appropriate
concretization of that additional definition may
take place on an authentic object only and not on
that falsified.
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