The subject of the article is a (quasi-) theatrical performance – Ta’ziyeh – treated
as a potential space for using collective memory. The performance itself is
an original product of the Iranian culture whose essence is the free reproduction
of historical events from Karbala that took place in 680 and became one of
the elements constituting Shiite religious identity. In the description presented
here I have focused on these characteristics of Ta’ziyeh which involve the issue
of memory and the problem of recreating / processing future by the secondary
witnesses to the past events. This approach to cultural phenomena of interest allows
you to look at it from a wider perspective and identify those aspects that
have not been studied so far, e.g. the proposed problem of feedback between the
emotions of an individual and a group, or between corporal-ritual behaviours
of an individual and a group, in both cases located within the widest frames of
a convention. Research on the Ta’ziyeh performance as a space for memory allow
better understanding of the emotional power of the performance itself, as well as
its ideological, political and socio-cultural value.
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