O stereotypach w recepcji literatury chorwackiej w Polsce w latach 1944—1956

U članku se govori o dvama stereotipima u recepciji hrvatske književnosti u razdoblju od 1944. do 1956. g. Najprije je Jugoslavija politički saveznik, srodan po slavenskom porijeklu, poslije postaje najveći neprijatelj. Ovo se razdoblje sastoji od dva dijela. U prvom od 1944. do 1948. autori iz Jugoslavije prikazuju književnost kao jedinstvenu, jugoslavensku, dok poljski autori instistiraju na razlikama. Tematski književnost se svodi na književnost o ratnoj tematici, a pisci su vrednovani na temelju njihovih političkih opredjeljenja. Oni koji su bili skloni partizanima jesu napredni, socijalistički, oni koji su živjeli u okupiranim zemljama ostaju pod štetnim uticajem zapadne kulture, buržoazijskih principa. U drugom razdoblju od 1949. do 1956., poslije rezolucije Informbiroa, književnost Jugoslavije u Poljskoj prikazuje se kao jedinstvena, prekinuta je svaka vrsta suradnje i komunikacije, govori se da u književnom stvaralaštvu dolazi do niza negativnih pojava koje se opisuju pomoću ratne retorike i najčešće imenuju kao fašizacija, amerikanizacija kulture.

There are two stereotypes in the reception of Croatian literature in the period of 1944—1956. Yugoslavia was a political ally for Comunist and Slavic countries in the begining. After 1948, after the Cominform Resolution of June 28th, it became one of their worst enemies. In the first period from 1944 to 1948 the Yugoslav authors present literature as coherent Yugoslav literature, with Polish reviewers insisting on the diffrences between the Yugoslav republics. Yugoslav literature in this period was about war, and writers are judged according to their political profiles and attitude during the World War II. The ones who symphatized with Partisans were progressive, the ones who lived in the occupied coutries were under the harmful infulence of Western culture, with its bourgeois values. After the Cominform Resolution, the literatures of the various Yugoslav republics are presented as homogeneous with no cultural differences. Every type of communication between Yugoslavia and Poland is broken down at that time. There is war rethoric in extremely negative Polish presentations of literary production in Yugoslavia in the second period.