Poetyka współczesnej pieśni białogwardyjskie

This paper considers issues referred to forming contemporary White guard’s songs in Russia today. It discusses intertextual links of those songs with songs formed in 1917-1921, and texts formed in another historical periods (before the October Revolution, and the 60-s of the 20th century). Particular attention is focused on folklore elements and style typical to church songs in the context of the cancelling censure, as well as adaptation of the songs to new political situation.