Design współcześnie: między 3D a dogmatem

From the early 1980s to the first decade of the 21st century, the so-called original author's design was the label that determined industrial design and interior design. Nowadays, just like in the past times of functionalism, objective, scientific and From the early 1980s to the first decade of the 21st century, the so-called original author's design was the label that determined industrial design and interior design. Nowadays, just like in the past times of functionalism, objective, scientific and technical criteria prevailed again in industrial design; the successful misalliance of art and design is a model withdrawn from production. But what has happened? The answer is not easy, and at best it can only be outlined in the form of some speculations. In his text Volker Albus presents several hypotheses concerning the reasons for the paradigm shift in contemporary design.technical criteria prevailed again in industrial design; the successful misalliance of art and design is a model withdrawn from production. But what has happened? The answer is not easy, and at best it can only be outlined in the form of some speculations. In his text Volker Albus presents several hypotheses concerning the reasons for the paradigm shift in contemporary design.