„...Bo wiedział, że dopuściłem się żartu”. O „Mężu i żonie Aleksandra Fredry w reżyserii Bohdana Korzeniewskiego z 1949 roku

The theme of this paper is Aleksader Fredro’s Maż i żona [Husband and wife] – one of the most valued performances in the works of Bohdan Korzeniewski. The author reconstructs the actual performance based on reviews, director comments and remarks preserved in the prompter’s copy and proves thatsuperimposing these perspectives shows the emancipatory potential of stage play. The author concludes that interpreting Husband and wife in a libertine spirit matches Korzeniewski’s directing strategy which can bedescribed as Wallenrodic.