Moda w świetle instytucjonalnej koncepcji sztuki

In the article, I discuss the issue of fashion institutionalization in reference to the theories presented by George Dicki, Arthur C. Danto or Timothy Binkley. Starting with the creative power of the world of art and classifying certain human products as works of art, I show how museums are opening up to the "world of fashion". Beginning with the historical beginnings of fashion shows, going to the presentation of fashion in museum interiors, I describe how the form of exhibiting outfits has evolved, thus pushing the boundaries between the presentation of applied art and the performative work of art created before viewers' eyes.