Korelacje ludzi i natury we współczesnych obrazach znad basenu Morza Czarnego, Śródziemnego i Bałtyckiego

The Article Analyzes the Correlation of People and Nature Portrayed in the Contemporary Painting from the Seas of Europe: Black Sea, Mediterranean and Baltic. Painting examples show symbolically that our life is governed by similar periodicity as the world of plants and animals. And simultaneously these three worlds influence mutual and constantly on each other. A man shapes in landscape architecture the park-palace complexes such as the eighteenth-century complex Sanssouci in Germany or, Tsarskoye Selo in Russia. Their plan can inspire artists to create an abstract picture. Whereas, a top view of port, built on the Black Sea, among bays of large liman of Dniester, becomes a decorative painting. In the works of the Ukrainian artists presentation of coloring of the Crimean Peninsula refers to a variety of styles: Baroque Grand Masters of the Netherlands, the Russian marine painter Aivazovsky or French impressionists. In the paintings of the selected here Russian and Polish painters synthesis of shapes and colors brings them closer to mainstream of Fauvists and expressionism. The paper presents also a novel interpretation of the plant and the land of the Black Sea in the styling of Orthodox icons and art-deco. Mediterranean landscapes of Italy, Montenegro and Croatia are distinguished by the proximity of mountains and sea. Painting from these countries emphasizes the traditional architecture, which combined functional ism with the beauty. It paid attention to the communication with the surrounding nature.