Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Tytuł pozycji:

Echa Teatru Ostantkino

Tytuł:
Echa Teatru Ostantkino
Echa Teatru Ostankino
Autorzy:
Kabakova, E. P.
Powiązania:
https://bibliotekanauki.pl/articles/1188071.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
teatr
park
Moskwa
theatre
Moscow
Źródło:
Architektura Krajobrazu; 2011, 1; 54-58
1641-5159
Język:
angielski
Prawa:
Wszystkie prawa zastrzeżone. Swoboda użytkownika ograniczona do ustawowego zakresu dozwolonego użytku
Dostawca treści:
Biblioteka Nauki
Artykuł
  Przejdź do źródła  Link otwiera się w nowym oknie
Almost all new buildings in Moscow that would initially puzzle and amuse its residents never seemed to fit the city landscape. With the passage of time, however, sometimes it was a short and sometimes a very long period, they would be absorbed by the city. The seven buildings that were erected in Moscow in late 1940's-early 1950's and called ,,Stalin skyscrapers," were initially conceived as the symbols of the political system and not as architectural highlights. The history of Moscow's development is extremely dramatic, and over the previous century, passions were only getting hotter. Many buildings of historic and artistic value have been deleted from the list of architectural monuments under state protection. The process continues to this day, due to the efforts of poorly educated, selfish bureaucrats and unscrupulous developers. The heavy wheel of Moscow not only knocks together everything that comes within the scope of its power, but also with unexpected care preserves some of the objects that by all indications stood no chance to survive the hard times and dramatic events in the history of the city. One of such object is the Ostankino Estate an architectural landmark of the 17th and 18th centuries that was originally located outside the city limits, but with the passage of time, became part of the growing city and is now firmly established in its metaphysical essence. According to all known sources, theatre turned into Nikolai Sheremetev's life passion, and, as the contemporary cliche goes, theater turned into the area of application of his professional interests. Construction of Ostankino palace theatre began in 1790, and continued for more than six years. In Ostankino theatre, before entering the theater hall, the audience walked through a gallery in rooms displaying sculptures, paintings, prints, and works of decorative art. When the palace-theatre building was started, park Ostankino which was created by the specially invited gardener Manners, was in the deplorable condition, however thanks to Nikolaj Petrovich's efforts it was quickly restored and has found more huge magnificence. It is known that plants for park were specially sent from the foreign greenhouses and then to the cedars, oaks and lindens which remained since the foundation of park there were added the various bushes, grapevines braiding the decorative lattices and pergolas, covering the owners of manor from the immodest sights because the solitude and private life became more and more significant and valuable.

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies