Nieznośna lekkość przyjęć, czyli o różnych wcieleniach pani Dalloway

The main issues discussed in this article are the intertextual relationships between two novels: one the most famous modernistic texts — Mrs Dalloway by Virginia Woolf and The Hours by Michael Cunningham. The American writer’s novel alludes already in the title to Woolf’s work. The Hours was the working title for Mrs Dalloway. The detailed analysis of the various references to it acknowledges the hypotext in the Cunningham novel and proves that intertextuality in this case has its mainly existential dimension: for heroines of The Hours Mrs Dalloway provides an opportunity for not only re-writing or re-reading but for re-existing as well.